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Evening

Naam Klas Datum

William Blake, Evening (1825). Publiek domein

De feiten

Kunstenaar
William Blake wikioo.org/nl/artists/william-blake_nl/
Geboortedatum en -overlijden kunstenaar
1757 – 1827
Geschilderd
1825
Techniek
Acrylic
Afmetingen origineel werk
101 x 39 cm
Beweging
Romantic Symbolism
Artistic style
Symbolic
Influences
Neo-classical art
Notable elements or techniques
Detailed depiction of angelic figure
Subject or theme
Religious allegory

In context

Evening — William Blake

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 101 × 39 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Shaded: het leven van William Blake (1757–1827) ▲ dit werk, 1825

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wikioo.org/nl/art/similar/william-blake-evening-D38J5B-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #edddc3

    Gecatalogiseerd palet

    • #EDDDC3
    • #E5D4B8
    • #DBC8AB
    • #CCB291
    Palet
    Monochrome De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Evening — William Blake

    Evening – A Vision of Serenity Amidst Complexity

    Evening” by William Blake stands as a testament to the artist’s singular vision—a captivating portrayal that transcends mere representation and delves into profound spiritual contemplation. Painted in 1825, this artwork captures a moment suspended between day and night, mirroring Blake's preoccupation with cycles of creation and destruction, and embodying the Romantic ideal of sublime beauty found within nature’s quiet grandeur. The image depicts a woman adorned with wings, positioned centrally against a backdrop of hazy mountains—a composition deliberately designed to evoke feelings of peace and transcendence.

    Subject Matter: Blake's depiction centers on an angelic figure, symbolizing purity and divine grace. Her posture exudes tranquility, suggesting acceptance of fate and communion with the celestial realm.

    Style & Technique: Executed in Blake’s characteristic mezzotint etching technique—a process known for its tonal gradations and ability to achieve remarkable detail—the print showcases a masterful manipulation of light and shadow. This meticulous approach contributes significantly to the artwork's ethereal atmosphere.

    The historical context surrounding “Evening” is crucial to understanding its significance. Blake’s artistic output coincided with the burgeoning Romantic movement, which championed emotion, imagination, and individualism as responses to Enlightenment rationalism. He drew inspiration from biblical narratives and esoteric traditions, fusing mythology and symbolism into his artworks—a practice that distinguishes him from many of his contemporaries. The artist's exploration of spiritual themes reflects a broader cultural yearning for solace amidst the anxieties of industrialization and social upheaval.

    Symbolism: The woman’s wings represent ascension to heaven, signifying liberation from earthly concerns and embracing divine grace. The hazy mountains symbolize obscurity and mystery—elements that invite viewers to contemplate the unseen forces shaping existence.

    Emotional Impact: Blake intended “Evening” to inspire awe and reverence for the sublime—a feeling of wonder mingled with terror—as described by Edmund Burke. It aims to transport the viewer beyond the mundane, fostering introspection and prompting contemplation on spiritual truths.

    Blake’s enduring legacy rests upon his ability to communicate complex ideas through deceptively simple imagery. “Evening” exemplifies this genius, offering a timeless meditation on beauty, faith, and the interconnectedness of humanity and nature—a piece that continues to resonate with audiences today. Its exquisite reproduction allows collectors and interior designers alike to experience the profound emotional depth and artistic brilliance of one of Romanticism’s most influential figures.

    Kunstenaar en museum

    Kunstenaar

    William Blake

    Geboren in Londen, Verenigd Koninkrijk

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it

    A distinctive textural quality

    Greater artistic freedom than traditional methods

    Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world. He believed that true artistic expression demanded an abandonment of rational constraints and embraced instead the realm of dreams and intuition.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven & Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelites, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Blake's influence extends far beyond the realm of art; he inspired writers like Dylan Thomas and poets such as Ted Hughes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to provoke contemplation and inspire creativity—a testament to the enduring power of visionary imagination in confronting societal conventions and exploring the deepest recesses of human consciousness. His unwavering commitment to artistic freedom cemented his place as one of the most original voices of his era.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Evening

    wikioo.org/nl/art/download/william-blake-evening-D38J5B-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Blake, William. Evening. 1825, https://wikioo.org/nl/art/william-blake-evening-D38J5B-en/
    APA
    Blake, William (1825). Evening [Painting]. https://wikioo.org/nl/art/william-blake-evening-D38J5B-en/
    Chicago
    William Blake. Evening. 1825. https://wikioo.org/nl/art/william-blake-evening-D38J5B-en/
    Harvard
    Blake, William (1825) Evening. Available at: https://wikioo.org/nl/art/william-blake-evening-D38J5B-en/

    Bekijk het van dichtbij

    Evening — William Blake

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: angel wings, female figure, mythology. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Newton, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. William Blake was ongeveer 68 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Evening — William Blake

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What is the primary subject depicted in William Blake’s ‘Evening’?

      • A A detailed landscape scene.
      • B A portrait of a noblewoman.
      • C An angelic figure with wings.
    2. 2. According to the image description, what is notable about the composition of the painting?

      • A It utilizes vibrant colors and dramatic lighting.
      • B It focuses on a single prominent subject surrounded by less detailed figures.
      • C It adheres to strict geometric principles.
    3. 3. ‘Evening’ is considered part of which artistic movement?

      • A Renaissance
      • B Baroque
      • C Romantic
    4. 4. What technique was Blake known for utilizing during his apprenticeship with James Basire?

      • A Oil painting
      • B Sculpture
      • C Printmaking
    5. 5. Where is ‘Evening’ currently housed?

      • A The Louvre Museum
      • B The Metropolitan Museum of Art
      • C The National Gallery of Art

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2B · 3C · 4C · 5C