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Gids voor studentenkunst

Post Mortem

Naam Klas Datum

william crosbie, Post Mortem (1950). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
william crosbie wikioo.org/nl/artists/william-crosbie/
Geboortedatum en -overlijden kunstenaar
1915 – 1999
Geschilderd
1950
Afmetingen origineel werk
62 x 102 cm

In context

Post Mortem — william crosbie

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 62 × 102 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Shaded: het leven van william crosbie (1915–1999) ▲ dit werk, 1950

Vergelijkbare werken

  • Inlet wikioo.org/nl/art/william-crosbie-inlet-AQVC4H-en/
  • Landscape, 1943 wikioo.org/nl/art/william-crosbie-landscape-AQVC3B-en/
  • Hate Poem, 1943 wikioo.org/nl/art/william-crosbie-hate-poem-AQVC3D-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wikioo.org/nl/art/similar/william-crosbie-post-mortem-AQVC39-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #5d483a

    Gecatalogiseerd palet

    • #5D483A
    • #2E2720
    • #A7A7BF
    • #807363
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Post Mortem — william crosbie

    The painting Post Mortem by William Crosbie is a thought-provoking artwork that evokes feelings of introspection and contemplation. Created in 1950, this oil on canvas piece measures 62 x 102 cm and is currently housed at the National Galleries of Scotland (United Kingdom).

    Analysis of the Painting

    The painting depicts a man lying on the ground with his arms outstretched, appearing to be in a relaxed state. There are two other figures in the scene, one of which is also naked and lying down next to the main figure. The background features a bed with a blanket on it, adding depth to the composition. Additionally, there are several leaves scattered throughout the image, possibly representing nature or symbolizing growth. Key Elements of the painting include the use of natural imagery and the emotional expression of the figures. The artist's use of oil on canvas creates a sense of texture and depth, drawing the viewer into the scene.

    Similar Works by the Artist

    William Crosbie has created several other notable works, including In Memoriam and Heart Knife, which can be found on /art/list/?Filter=AQVC3M-William-Crosbie-In-Memoriam and /art/list/?Filter=AQVC3P-William-Crosbie-Heart-Knife. These paintings showcase the artist's ability to evoke emotion and create complex, thought-provoking scenes.

    Post Mortem is a powerful example of William Crosbie's skill as an artist.

    The painting's use of natural imagery and emotional expression creates a sense of depth and complexity.

    Viewers can explore more of William Crosbie's work on /en/art/show/art-aqvc39-en/.

    The National Galleries of Scotland is home to a diverse collection of artworks, including pieces by William Crosbie and other notable artists. Visitors can explore the gallery's collection and learn more about the art and artists on display.

    Kunstenaar en museum

    Kunstenaar

    william crosbie

    A Life Immersed in the Scottish Landscape

    William Crosbie, often known as Bill Crosbie, was a painter deeply rooted in the artistic traditions of Scotland, though his life unfolded across much of the 20th century. Born in 1915 and passing away in 1999, Crosbie dedicated himself to capturing the essence of his homeland – its rugged landscapes, intimate portraits, and the quiet dignity of everyday life. While not a name immediately recognized alongside the giants of British art history, Crosbie’s work represents a vital continuation of the Arts & Crafts movement's principles, blended with a uniquely personal vision. His artistic journey wasn’t one of dramatic shifts or avant-garde experimentation; instead, it was a steady refinement of technique and a deepening connection to his subject matter. He spent much of his life quietly observing and translating the world around him onto canvas, building a body of work that speaks volumes about a particular time and place in Scottish art.

    Early Influences and Artistic Development

    Crosbie’s early artistic training remains somewhat shrouded in mystery; biographical details are sparse. However, it's clear his formative years were significantly influenced by the legacy of the Glasgow School painters – artists like John Lavery and Sir William Orpen, who championed realism and a direct engagement with life as subject matter. The emphasis on capturing light and atmosphere, so characteristic of these masters, is evident in Crosbie’s early works. He wasn't merely replicating scenes; he was striving to convey the feeling of being present within them. This pursuit led him towards a meticulous technique, characterized by careful brushwork and a subtle palette that prioritized nuance over bold statements. He eschewed the increasingly abstract trends emerging in the mid-20th century, choosing instead to hone his skills as a representational painter. The Arts & Crafts movement’s ethos – valuing craftsmanship, simplicity, and a connection to nature – also played a crucial role in shaping Crosbie's aesthetic. This is reflected not only in his subject matter but also in the tangible quality of his paintings; they possess a warmth and intimacy that suggests a deep personal involvement in their creation.

    Themes and Techniques: Portraits and Scottish Scenery

    Crosbie’s oeuvre can be broadly divided into two main areas: portraits and landscapes, though these often intersected. His portraiture wasn't about capturing social status or outward appearances; it was an attempt to reveal the inner lives of his sitters. He favored ordinary people – farmers, laborers, families – portraying them with a quiet dignity that elevated their everyday existence. His landscapes, meanwhile, are imbued with a sense of melancholy and reverence for the Scottish countryside. He frequently depicted scenes from around Walthamstow, where he spent much of his life, but also ventured further afield to capture the dramatic beauty of the Highlands and Islands. Crosbie’s technique was remarkably consistent throughout his career. He typically worked in oil paints, employing a layered approach that built up texture and depth. His brushwork is often described as delicate and precise, creating surfaces that are both richly detailed and subtly atmospheric. He had an exceptional ability to capture the play of light on water, the ruggedness of stone walls, and the changing moods of the Scottish sky.

    Recognition and Legacy

    Despite a long and productive career, William Crosbie remained relatively unknown during his lifetime. He exhibited regularly in local galleries and gained a loyal following among collectors who appreciated his quiet mastery and authentic portrayal of Scottish life. In recent years, however, there has been a growing recognition of his work’s significance. The William Morris Gallery holds a collection of his paintings, providing a valuable insight into his artistic vision.

    His paintings offer a compelling glimpse into the social and cultural landscape of post-war Britain.

    Crosbie's dedication to representational painting in an era dominated by abstraction is increasingly seen as a courageous act of artistic integrity.

    The enduring appeal of his work lies in its ability to evoke a sense of place and connect viewers with the beauty and tranquility of the Scottish countryside.

    Crosbie’s legacy isn't about groundbreaking innovation; it’s about quiet perseverance, meticulous craftsmanship, and a deep love for his subject matter. He stands as a testament to the enduring power of representational painting and the importance of preserving artistic traditions. His work continues to resonate with those who seek beauty in simplicity and authenticity.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Post Mortem

    wikioo.org/nl/art/download/william-crosbie-post-mortem-AQVC39-en/

    Bronvermelding voor dit kunstwerk

    MLA
    crosbie, william. Post Mortem. 1950, https://wikioo.org/nl/art/william-crosbie-post-mortem-AQVC39-en/
    APA
    crosbie, william (1950). Post Mortem [Painting]. https://wikioo.org/nl/art/william-crosbie-post-mortem-AQVC39-en/
    Chicago
    william crosbie. Post Mortem. 1950. https://wikioo.org/nl/art/william-crosbie-post-mortem-AQVC39-en/
    Harvard
    crosbie, william (1950) Post Mortem. Available at: https://wikioo.org/nl/art/william-crosbie-post-mortem-AQVC39-en/

    Kijk goed naar

    Post Mortem — william crosbie

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Inlet, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. william crosbie was ongeveer 35 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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