Samenvatting
Het bekendste schilderij van Carl Ebert is Forest Landscape with Bathing Children (1867), in de collectie van het Bayerische Staatsgemäldesammlungen, München. De volgende vermeldingen zijn Evening Landscape (1875) en Landscape society in a park. De catalogus bevat 5 werken van Carl Ebert; de 5 onderstaande vermeldingen zijn de bekendste, gerangschikt op volgorde met datum, museum en beschrijving.
Carl Ebert: de 10 belangrijkste schilderijen
Carl Ebert: musea die werken bezitten
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Carl Ebert | Schilderijen uit deze lijst |
|---|---|---|---|
| München | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| München | 1 | Isar Landscape |
Carl Ebert: belangrijkste schilderijen per jaar
De gedateerde werken van Carl Ebert beslaan 9 jaar, van 1867 tot 1875, ongeveer een decennium, hieronder jaar voor jaar gedocumenteerd.
Schilderijen van Carl Ebert: referentievragen
Welk schilderij van Carl Ebert is het meest bekend?Toon het antwoord
Forest Landscape with Bathing Children (1867), Bayerische Staatsgemäldesammlungen, München. De volgende werken zijn Evening Landscape (1875) en Landscape society in a park.
Hoe oud was Carl Ebert toen Forest Landscape with Bathing Children werd geschilderd?Toon het antwoord
46 jaar: Carl Ebert werd geboren in 1821 en Forest Landscape with Bathing Children dateert uit 1867.
Hoeveel werken van Carl Ebert zijn gedocumenteerd?Toon het antwoord
De catalogus bevat 5 werken van Carl Ebert, gedateerd tussen 1867 en 1875.
In welke musea bevinden zich de bekendste schilderijen van Carl Ebert?Toon het antwoord
Voornamelijk in Bayerische Staatsgemäldesammlungen (München) en Lenbachhaus (München). De bovenstaande museumtabel geeft de volledige verdeling weer.
Wat zijn de vroegste en de meest recente werken van Carl Ebert op deze lijst?Toon het antwoord
Het vroegste gedateerde werk in deze lijst is Forest Landscape with Bathing Children (1867); het laatste is Evening Landscape (1875).
Welke werken van Carl Ebert maken deel uit van de collectie van het Bayerische Staatsgemäldesammlungen?Toon het antwoord
Forest Landscape with Bathing Children en Evening Landscape behoren tot de 2 werken op deze pagina in de collectie van het Bayerische Staatsgemäldesammlungen, München.
Carl Ebert: biografische gegevens
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.



