Samenvatting
The Bolshevik (1918) staat bekend als het beroemdste schilderij van David Jagger; het is in bezit van het Canadian War Museum, Ottawa. Thomas Newbould (1845–1933) (1921) en Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936) nemen de tweede en derde plaats in. Van de 23 werken van David Jagger die in de catalogus zijn opgenomen, staan de 23 bekendste hieronder vermeld, elk met de datum, het museum waar het werk zich bevindt en een toelichting op het werk.
Items 1 tot en met 10: de beroemdste schilderijen van David Jagger
David Jagger, verdere resultaten: 11 tot 23
Belangrijkste onderwerpen in het werk van David Jagger
De vier onderwerpen die het meest frequent in deze werken worden afgebeeld, elk met zijn bekendste voorbeeld.
Portraits 2 werken
Men 2 werken
David Jagger: musea die werken bezitten
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van David Jagger | Schilderijen uit deze lijst |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpool | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Nottingham | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birmingham | 1 | Sir Horace Clarke |
Decenniumindex: het belangrijkste schilderij van David Jagger uit elk
Werken per decennium
Selecteer een decennium om het belangrijkste schilderij ervan te tonen.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Michael Theodore Waterhouse (1888–1968), CBE, PRIBA
Veelgestelde vragen over de schilderijen van David Jagger
Wat is het bekendste werk van David Jagger?Toon het antwoord
The Bolshevik (1918), Canadian War Museum, Ottawa. De volgende werken zijn Thomas Newbould (1845–1933) (1921) en Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Hoe oud was David Jagger in het jaar van The Bolshevik?Toon het antwoord
27 jaar: David Jagger werd geboren in 1891 en The Bolshevik dateert uit 1918.
Wat zijn de tien bekendste werken van David Jagger?Toon het antwoord
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) en Charles Sargeant Jagger. De bovenstaande lijst bevat de datum en het museum waar elk werk wordt bewaard.
Hoeveel werken van David Jagger staan er in de catalogus?Toon het antwoord
De catalogus bevat 23 werken van David Jagger, gedateerd tussen 1917 en 1950.
Waar bevinden zich de belangrijkste werken van David Jagger?Toon het antwoord
Voornamelijk in Towner (Eastbourne), Canadian War Museum (Ottawa) en Walker Art Gallery (Liverpool). De bovenstaande museumtabel geeft de volledige verdeling weer.
In welke periode maakte David Jagger de bekendste werken?Toon het antwoord
In 1920s: 6 van de 23 werken op deze pagina dateren uit die periode, waaronder Thomas Newbould (1845–1933).
Wat zijn de vroegste en de meest recente bekende werken van David Jagger?Toon het antwoord
Het vroegste gedateerde werk in deze lijst is Charles Jagger (1885–1934) (1917); het laatste is Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Welke onderwerpen behandelde David Jagger het vaakst?Toon het antwoord
Portraits (2) en Men (2), van de 23 werken die op deze pagina worden vermeld.
Welke schilderijen van David Jagger zijn in de collectie van het Towner?Toon het antwoord
Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) en Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) behoren tot de 2 werken op deze pagina in de collectie van het Towner, Eastbourne.
Biografie van David Jagger
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






