Portret van Edward Lear

Lijst van de 100 beroemdste schilderijen van Edward Lear

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 419 werken van Edward Lear in onze catalogus

Samenvatting

Het bekendste schilderij van Edward Lear is Cogoleto, Italy. De volgende vermeldingen zijn Crescenza en Blue And Yellow Macaw. De catalogus bevat 419 werken van Edward Lear; de 100 onderstaande vermeldingen zijn de bekendste, gerangschikt op volgorde met datum, museum en beschrijving.

1812 – 1888, Highgate Romanticism Meeste werken: Yale Center for British Art

Edward Lear: de 10 belangrijkste schilderijen

1
Cogoleto, Italy door Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

2
Crescenza door Edward Lear

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

3
Blue And Yellow Macaw door Edward Lear

Blue And Yellow Macaw

Watercolor

The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.

4
View of Taormina in Sicily with Etna in the distance (1852) door Edward Lear

View of Taormina in Sicily with Etna in the distance

1852 · Oil On Canvas

This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…

5
The Pyramids of Ghizeh (1873) door Edward Lear

The Pyramids of Ghizeh

1873 · Watercolor

In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…

6
The Temple of Apollo at Bassae (1855) door Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

7
Plains Of Ashdod, Israel door Edward Lear

Plains Of Ashdod, Israel

Watercolor

Plains Of Ashdod, Israel is a landscape painting by Edward Lear. The work depicts the Plains of Ashdod in Israel, focusing on the specific geography of the region. The scene presents a wide, flat expanse of land that characterizes the local terrain. This landscape captures the essential physical features of the area through a series of horizontal planes.

8
View Of Eze, Italy door Edward Lear

View Of Eze, Italy

Watercolor

View Of Eze, Italy is a landscape painting by Edward Lear. The work captures a coastal scene in Italy, focusing on a village perched amidst rugged cliffs. The Mediterranean Sea extends toward the horizon, providing a vast backdrop to the terrestrial features. A distant castle sits atop one of the peaks, adding a sense of history to the topography.

9
Ithaca, Ionian Islands door Edward Lear

Ithaca, Ionian Islands

Watercolor

Ithaca, Ionian Islands is a watercolor sketch by Edward Lear, executed in April 1863. The work captures a landscape scene of Ithaca, one of the Ionian Islands, focusing on the region's topography and vegetation. It was produced during a period when Lear was documenting the natural beauty of the Mediterranean through intimate observations of place.

10
A Great Green Macaw door Edward Lear

A Great Green Macaw

Watercolor

Edward Lear presents A Great Green Macaw with the precision of a trained draughtsman. The subject is rendered with scientific accuracy and meticulous artistic detail, focusing on the specific anatomical features of the bird. Every feather and the texture of the wood are documented with clarity, suggesting the work was intended as an ornithological illustration. The macaw is positioned on a branch, its form defined by fine lines that distinguish…

Edward Lear: resultaten 11 tot 100

11Great Sulphur Cockatoo (Plyctolophus Sulphureus) door Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 12Diano, South Of France door Edward LearDiano, South Of France 13Philae, Egypt (1863) door Edward LearPhilae, Egypt1863 · Yale Center for British Art 14The Plains of Lombardy from Monte Generoso (1880) door Edward LearThe Plains of Lombardy from Monte Generoso1880 · The Ashmolean Museum of Art and Archaeology 15Between Olavano and Civitella (1842) door Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 16Civita Castellana (1839) door Edward LearCivita Castellana1839 17De Bergen van Thermopylae (1852) door Edward LearDe Bergen van Thermopylae1852 · Bristol Museum - Art Gallery 18A Study of Ferns, Civitella (1842) door Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 19Landscape with Goatherd (1842) door Edward LearLandscape with Goatherd1842 · Yale Center for British Art 20Temple of Venus and Roma, Rome (1840) door Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 21Rome, a View of the Forum from a Terrace (1841) door Edward LearRome, a View of the Forum from a Terrace1841 22Rome, a View of the Forum with the Temple of Venus (1841) door Edward LearRome, a View of the Forum with the Temple of Venus1841 23A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) door Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 24A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) door Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 25Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) door Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 26Corfu from near the Village of Virós (1858) door Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 27Jerusalem from the Mount of Olives (1858) door Edward LearJerusalem from the Mount of Olives1858 · Israël Museum 28Corfu from Ascension (1860) door Edward LearCorfu from Ascension1860 · Yale Center for British Art 29Corfu from Ascension (1862) door Edward LearCorfu from Ascension1862 · Yale Center for British Art 30Corfu from Santa Decca (1862) door Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 31Butrinto, Albania (1861) door Edward LearButrinto, Albania1861 · Yale Center for British Art 32Zagori, Greece (1860) door Edward LearZagori, Greece1860 · Yale Center for British Art 33Masada on the Dead Sea (1858) door Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 34View of the Ducal Palace, Massa, Northern Italy (1858) door Edward LearView of the Ducal Palace, Massa, Northern Italy1858 35View in the Campagna, Rome (with a River) (1861) door Edward LearView in the Campagna, Rome (with a River)1861 36View in the Campagna, Rome (with Ruins) (1861) door Edward LearView in the Campagna, Rome (with Ruins)1861 37View of Florence from Villa San Firenze (1862) door Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 38Corfu (1863) door Edward LearCorfu1863 39The Forest of Valdoniello, Corsica (1869) door Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 40Denderah on the Nile (1867) door Edward LearDenderah on the Nile1867 41Feluccas on the Nile near Abu-Simbel (1867) door Edward LearFeluccas on the Nile near Abu-Simbel1867 42A Distant View of Nice from the Hills (1864) door Edward LearA Distant View of Nice from the Hills1864 43Thermopylae (1872) door Edward LearThermopylae1872 · The Ashmolean Museum of Art and Archaeology 44Kinchinjunga (1877) door Edward LearKinchinjunga1877 · Yale Center for British Art 45Campagna di Roma (1878) door Edward LearCampagna di Roma1878 46Kangchenjunga from Darjeeling (1879) door Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 47The Marble Rocks - Nerbudda Jubbolpore (1882) door Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 48A View of Adam's Peak, Ceylon (1882) door Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 49Snowy Owl door Edward LearSnowy Owl 50Villa Borghese, Rome door Edward LearVilla Borghese, Rome 51Studies Of Sheep And Herdsmen door Edward LearStudies Of Sheep And Herdsmen 52Views In Rome And Its Environs 2 door Edward LearViews In Rome And Its Environs 2 53Opposite Calvi door Edward LearOpposite Calvi 54Arabs Approaching Mount Sinai door Edward LearArabs Approaching Mount Sinai 55Bocche Di Cattaro, Montenegro door Edward LearBocche Di Cattaro, Montenegro 56Palaiukhora, Crete door Edward LearPalaiukhora, Crete 57Naples, Italy door Edward LearNaples, Italy 58Katholikó Akrotiri, Crete door Edward LearKatholikó Akrotiri, Crete 59Damascus 3 door Edward LearDamascus 3 60View Of Sermoneta, Italy door Edward LearView Of Sermoneta, Italy 61Arkodyllus, Corfu door Edward LearArkodyllus, Corfu 62View Of Jerusalem 1 door Edward LearView Of Jerusalem 1 63The Monastery Of Baarlam, Meteora door Edward LearThe Monastery Of Baarlam, Meteora 64Windermere From Lowwood, Cumbria door Edward LearWindermere From Lowwood, Cumbria 65View Of Philae door Edward LearView Of Philae 66Musta, Malta door Edward LearMusta, Malta 67Modica, Sicily door Edward LearModica, Sicily 68A View Of Sorrento, Italy door Edward LearA View Of Sorrento, Italy 69Parnassus door Edward LearParnassus 70Isola Pescatore, Lake Maggiore, Italy door Edward LearIsola Pescatore, Lake Maggiore, Italy 71A View Of Santa Maura, Levkas, Ionian Islands door Edward LearA View Of Santa Maura, Levkas, Ionian Islands 72Corfu From The Hill Of Gastouri door Edward LearCorfu From The Hill Of Gastouri 73Pompey's Pillar door Edward LearPompey's Pillar 74Figures On The Shore Near Edfu door Edward LearFigures On The Shore Near Edfu 75Joannina, Epirus, Albania door Edward LearJoannina, Epirus, Albania 76Travellers On A Road, Subiaco, Italy door Edward LearTravellers On A Road, Subiaco, Italy 77The Pyramids Road door Edward LearThe Pyramids Road 78View Of Eze, Côte D'azur, France 1 door Edward LearView Of Eze, Côte D'azur, France 1 79An Arab Encampment In Wadi Feiran, Egypt door Edward LearAn Arab Encampment In Wadi Feiran, Egypt 80The Claudian Aqueduct On The Via Appia Near Rome door Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 81A Distant View Of Mdina, Malta door Edward LearA Distant View Of Mdina, Malta 82Galata, Constantinople door Edward LearGalata, Constantinople 83Benares On The Ganges door Edward LearBenares On The Ganges 84Sunrise At Erment, Egypt door Edward LearSunrise At Erment, Egypt 85Porto Maurizio, Italy door Edward LearPorto Maurizio, Italy 86The Nile Above Aswan door Edward LearThe Nile Above Aswan 87A View Of Pauna, In The Ionian Islands door Edward LearA View Of Pauna, In The Ionian Islands 88View Of Ratnapura, Ceylon door Edward LearView Of Ratnapura, Ceylon 89Stairs Leading To S. Pietro In Vincoli door Edward LearStairs Leading To S. Pietro In Vincoli 90Mount Oeta And Thermopylae From Near Lamia door Edward LearMount Oeta And Thermopylae From Near Lamia 91Damascus door Edward LearDamascus 92Arabs At Mount Sinai, Egypt door Edward LearArabs At Mount Sinai, Egypt 93View Of Cythera, Greece door Edward LearView Of Cythera, Greece 94The Upper Nile, Toske, Egypt door Edward LearThe Upper Nile, Toske, Egypt 95Saffron-Coloured Aracari And Golden-Green Aracari door Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 96Prince Of Wales Road, Malta door Edward LearPrince Of Wales Road, Malta 97Piazza Di Spagna, Rome door Edward LearPiazza Di Spagna, Rome 98Kinchinjunga From Darjeeling, Himalayas door Edward LearKinchinjunga From Darjeeling, Himalayas 99Ioannina door Edward LearIoannina 100Arachova, Greece door Edward LearArachova, Greece

Edward Lear: werken per periode

Belangrijkste onderwerpen in het werk van Edward Lear

De vier onderwerpen die het meest frequent in deze werken worden afgebeeld, elk met zijn bekendste voorbeeld.

Edward Lear: musea die werken bezitten

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Edward Lear Schilderijen uit deze lijst
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondenGovernment Art Collection Londen 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art and Archaeology, OxfordThe Ashmolean Museum of Art and Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 De Bergen van Thermopylae
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós
Israël Museum, JeruzalemIsraël Museum Jeruzalem 1 Jerusalem from the Mount of Olives
Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 1 Masada on the Dead Sea

Edward Lear: belangrijkste schilderij van elk decennium

Werken per decennium

Selecteer een decennium om het belangrijkste schilderij ervan te tonen.

Schilderijen van Edward Lear: referentievragen

Welk schilderij van Edward Lear is het meest bekend?Toon het antwoord

Cogoleto, Italy. De volgende vermeldingen zijn Crescenza en Blue And Yellow Macaw.

Welke tien schilderijen van Edward Lear zijn het bekendst?Toon het antwoord

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy, Ithaca, Ionian Islands en A Great Green Macaw. De bovenstaande lijst bevat de datum en het museum waar elk werk wordt bewaard.

Hoeveel werken van Edward Lear zijn gedocumenteerd?Toon het antwoord

De catalogus bevat 419 werken van Edward Lear, gedateerd tussen 1839 en 1882.

In welke musea bevinden zich de bekendste schilderijen van Edward Lear?Toon het antwoord

Voornamelijk in Yale Center for British Art (New Haven), Government Art Collection (Londen) en The Ashmolean Museum of Art and Archaeology (Oxford). De bovenstaande museumtabel geeft de volledige verdeling weer.

In welke periode zijn de bekendste werken van Edward Lear geschilderd?Toon het antwoord

In 1860s: 14 van de 100 werken op deze pagina dateren uit die periode, waaronder Philae, Egypt.

Wat zijn de vroegste en de meest recente werken van Edward Lear op deze lijst?Toon het antwoord

Het vroegste gedateerde werk in deze lijst is Civita Castellana (1839); het laatste is The Marble Rocks - Nerbudda Jubbolpore (1882).

Welke onderwerpen komen het meest voor in het werk van Edward Lear?Toon het antwoord

Landscape (14), Scenes (10) en Italy (10), van de 100 werken die op deze pagina worden vermeld.

Welk medium overheerst in het werk van Edward Lear?Toon het antwoord

Watercolor, in 12 van de 100 werken die op deze pagina worden vermeld.

Met welke kunststroming wordt Edward Lear geassocieerd?Toon het antwoord

Romanticism, zoals vastgelegd in de werken op deze pagina.

Welke werken van Edward Lear maken deel uit van de collectie van het Yale Center for British Art?Toon het antwoord

Philae, Egypt, Between Olavano and Civitella en A Study of Ferns, Civitella behoren tot de 14 werken op deze pagina in de collectie van het Yale Center for British Art, New Haven.

Edward Lear: biografische gegevens

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked to whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant microcosm of Victorian life – his early years were marked by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, surprisingly, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape, qualities that profoundly shaped his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work wasn’t merely technical; it was imbued with a deep respect for the natural world – a fascination that would become central to his later landscape paintings. His illustrations were meticulously rendered, capturing the subtle nuances of plumage and form with astonishing realism. This dedication brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall near Liverpool. These years spent amongst lions, tigers, and parrots weren’t just a job; they fostered a profound connection with the animal kingdom – a connection that would inform his later artistic vision. However, failing eyesight and increasingly debilitating respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not just for its beauty but also for its perceived healing qualities. His landscapes, characterized by delicate watercolors and an atmospheric sensitivity, often depicted the subtle shifts of light and shadow, revealing a remarkable understanding of color and composition.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. He wasn’t simply writing jokes; he was exploring themes of loneliness, longing, and the inherent absurdity of existence – all wrapped in a veneer of whimsicality. His work challenged established poetic conventions, prioritizing playful experimentation over rigid structure.

Influences and Artistic Development

Lear's artistic development was shaped by a complex interplay of influences:
  • Early Influences: Lear’s initial training focused on scientific illustration, demanding precision and observation. This foundation instilled in him a meticulous attention to detail, which he carried through his later work.
  • Travel & Landscape Painting: His extensive travels throughout Europe and Asia profoundly influenced his landscape style. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive approach characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.