Portret van Frank E. Case

Frank E. Case: De 1 bekendste schilderijen, gedocumenteerd

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 1 werken van Frank E. Case in onze catalogus

Samenvatting

Volgens deze ranglijst is Snow Scene (1901) het beroemdste schilderij van Frank E. Case; het wordt bewaard in het Cleveland Museum of Art in Cleveland. Deze lijst is gebaseerd op de 1 werken van Frank E. Case in de catalogus en bevat de 1 bekendste werken, inclusief datum, museum en beschrijving voor elk item.

1849 – 1932 Meeste werken: Cleveland Museum of Art

Frank E. Case: de top 10 resultaten van de lijst

Frank E. Case: musea die werken bezitten

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van Frank E. Case Schilderijen uit deze lijst
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Snow Scene

Frank E. Case per jaar: de beroemdste schilderijen

De gedateerde werken van Frank E. Case die op deze pagina worden vermeld, stammen allemaal uit 1901.

Werken per jaar

Selecteer een jaar om de belangrijkste schilderijen te bekijken.

Frank E. Case: vragen en gedocumenteerde antwoorden

Welk schilderij van Frank E. Case staat bovenaan de lijst met de beroemdste werken?Toon het antwoord

Snow Scene (1901)

Hoe oud was Frank E. Case toen Snow Scene werd geschilderd?Toon het antwoord

52 jaar: Frank E. Case werd geboren in 1849 en Snow Scene dateert uit 1901.

Hoeveel werken van Frank E. Case zijn geregistreerd?Toon het antwoord

De catalogus bevat 1 werken van Frank E. Case.

In welke collecties bevinden zich de bekendste werken van Frank E. Case?Toon het antwoord

Voornamelijk in Cleveland Museum of Art (Cleveland). De bovenstaande museumtabel geeft de volledige verdeling weer.

Frank E. Case: leven en werk

A Life of Many Facets

Frank E. Case was a man of many identities, a figure whose life moved through the disparate worlds of law, industry, and the canvas. Born on a farm in Ashland, his early years were rooted in the soil before he transitioned into the structured life of a lawyer in Stark County. He was a man of restless invention and enterprise, accumulating a diverse list of roles that spanned from educator and banker to real estate developer and businessman. His most enduring contribution to the physical world, however, was not found in a courtroom or a bank, but in the invention of the first reclining dental chair, a device that secured a fortune and a place in industrial history.

This wealth allowed him to build a life of significant scale. He constructed a massive stone mansion that resembled a castle, a structure built with the intent to win the hand of a woman named Theano. His success in business provided the means for a later, more quiet pursuit. In his later years, Case turned his attention to the arts, transitioning from a collector to an amateur painter. It was a pursuit that offered a different kind of fulfillment, even as his financial fortunes began to wane in the twilight of his life.

The Canvas and the Memory

His relationship with painting was deeply personal, often tied to the landscapes and structures of his own life. His work frequently captured the essence of the places he inhabited, from the quietude of a snow-covered scene to the architectural presence of his own estate. His output was characterized by a desire to preserve the visual history of his surroundings, often working from memory or through the guidance of others when his physical strength began to fail.

The nature of his artistic output is best understood through the various roles he occupied:

  • Inventor of the reclining dental chair
  • Lawyer and businessman in Stark County
  • Amateur painter and art collector
  • Real estate developer and banker

One of his notable works, Snow Scene, remains part of the Cleveland Museum of Art collection. Other pieces, such as The Case Mansion in Winter, provide a visual record of the grand architecture that defined his era. His paintings often served as a bridge between his lived experience and the historical record of the region.

A Quiet Departure

The final years of Case's life were marked by a quiet irony. The man who once built a stone castle and amassed a significant fortune saw his wealth dwindle, leaving him with modest means by the time of his death in the early 1930s. His transition from a titan of industry to a man of limited resources did not diminish the importance of the artifacts he left behind. His home, once a symbol of competitive grandeur, was eventually purchased by a neighbor and donated to become the first permanent home of the Canton Museum of Art. His presence remains in the preservation of the local landscape through his oil on canvas works.