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Lijst van de 6 beroemdste schilderijen van Hans Ødegaard
Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 6 werken van Hans Ødegaard in onze catalogus
Samenvatting
Het bekendste schilderij van Hans Ødegaard is Salvage Depot at Vaterland (1903), in de collectie van het National Museum of Art, Architecture and Design, Oslo. De volgende vermeldingen zijn Portrait of the Painter Rudolph Thygesen (1911) en Severin Grande (1909). De catalogus bevat 6 werken van Hans Ødegaard; de 6 onderstaande vermeldingen zijn de bekendste, gerangschikt op volgorde met datum, museum en beschrijving.
1876 – 1943, Norderhov Municipality
Meeste werken: National Museum of Art, Architecture and Design
Hans Ødegaard: de 10 belangrijkste schilderijen
Hans Ødegaard: musea die werken bezitten
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Hans Ødegaard | Schilderijen uit deze lijst |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 4 | Salvage Depot at Vaterland, Portrait of the Painter Rudolph Thygesen, Spansk danserinne |
Hans Ødegaard: belangrijkste schilderij van elk decennium
Werken per decennium
Selecteer een decennium om het belangrijkste schilderij ervan te tonen.
Schilderijen van Hans Ødegaard: referentievragen
Welk schilderij van Hans Ødegaard is het meest bekend?Toon het antwoord
Salvage Depot at Vaterland (1903), National Museum of Art, Architecture and Design, Oslo. De volgende werken zijn Portrait of the Painter Rudolph Thygesen (1911) en Severin Grande (1909).
Hoe oud was Hans Ødegaard toen Salvage Depot at Vaterland werd geschilderd?Toon het antwoord
27 jaar: Hans Ødegaard werd geboren in 1876 en Salvage Depot at Vaterland dateert uit 1903.
Hoeveel werken van Hans Ødegaard zijn gedocumenteerd?Toon het antwoord
De catalogus bevat 6 werken van Hans Ødegaard, gedateerd tussen 1903 en 1930.
In welke musea bevinden zich de bekendste schilderijen van Hans Ødegaard?Toon het antwoord
Voornamelijk in National Museum of Art, Architecture and Design (Oslo). De bovenstaande museumtabel geeft de volledige verdeling weer.
In welke periode zijn de bekendste werken van Hans Ødegaard geschilderd?Toon het antwoord
In 1900s: 2 van de 6 werken op deze pagina dateren uit die periode, waaronder Salvage Depot at Vaterland.
Wat zijn de vroegste en de meest recente werken van Hans Ødegaard op deze lijst?Toon het antwoord
Het vroegste gedateerde werk in deze lijst is Salvage Depot at Vaterland (1903); het laatste is Cæsar Boeck Bang (1930).
Welke werken van Hans Ødegaard maken deel uit van de collectie van het National Museum of Art, Architecture and Design?Toon het antwoord
Salvage Depot at Vaterland, Portrait of the Painter Rudolph Thygesen en Spansk danserinne behoren tot de 4 werken op deze pagina in de collectie van het National Museum of Art, Architecture and Design, Oslo.
Hans Ødegaard: biografische gegevens
The Weight of Norwegian Realism
Hans Ødegaard remains a vital figure for anyone seeking to understand the visual identity of early 20th-century Norway. His work does not rely on abstraction or fleeting trends; instead, it anchors itself in the tangible reality of the era. When looking at his contributions, one sees a painter who understood the gravity of his surroundings. His presence in the National Gallery of Norway confirms his standing within the canon of Norwegian art, moving beyond mere decoration to provide a factual, painted record of a changing nation.
His brushwork carries a specific, disciplined intent. In works like Skraphandel i Vaterland from 1903, he captures a sense of place that feels lived-in and unvarnished. He was not interested in idealizing the world. He chose to document it, focusing on the textures of daily life and the specific light of the Norwegian landscape.
A Curatorial Legacy
Ødegaard’s influence extended beyond the canvas and into the very structure of how Norwegian art was organized and perceived. He was not merely a creator of images but a gatekeeper of visual history. His work in the 1914 Jubilee Exhibition at Frogner in Kristiania was a decisive moment for the preservation of the national aesthetic. By organizing the presentation of older Norwegian art, he ensured that the lineage of the country's painters was recognized and maintained.
His efforts focused on several key figures who shaped the national style:
By bringing these artists into a prominent position, Ødegaard helped define the historical trajectory of Norwegian painting. He understood that for a modern art scene to function, it must have a firm grasp on its predecessors.
The Final Record
The progression of his career shows a steady commitment to his craft, moving from the gritty urban observations of the early 1900s to the more settled landscapes seen in Fra Tvedestrand in 1919. His work provides a bridge between the 19th-century traditions and the evolving sensibilities of the 20th century. He did not chase the avant-garde; he mastered the observation of the real. This makes his body of work a reliable, sharp-edged window into the Norwegian experience during a period of significant transition.