Samenvatting
Het bekendste schilderij van Sofie Ribbing is Studiehode (1860), in de collectie van het National Museum of Art, Architecture and Design, Oslo. De volgende vermeldingen zijn Self-portrait (1865) en Painting (1894). De catalogus bevat 6 werken van Sofie Ribbing; de 6 onderstaande vermeldingen zijn de bekendste, gerangschikt op volgorde met datum, museum en beschrijving.
Sofie Ribbing: de 10 belangrijkste schilderijen
Sofie Ribbing: musea die werken bezitten
De 4 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Sofie Ribbing | Schilderijen uit deze lijst |
|---|---|---|---|
| Oslo | 3 | Studiehode, Painting, Italiensk pike | |
| Florence | 1 | Self-portrait | |
| Strängnäs | 1 | Helena Roed (1843-1926), dansk, verksam i Sverige, författare, kulturskribent, g.m. professorn i estetik Carl Rupert Nyblom | |
| Gothenburg | 1 | Boys drawing |
Sofie Ribbing: belangrijkste schilderijen per jaar
De gedateerde werken van Sofie Ribbing op deze pagina lopen van 1860 tot 1894, een periode van 35 jaar, gepresenteerd jaar voor jaar.
Schilderijen van Sofie Ribbing: referentievragen
Welk schilderij van Sofie Ribbing is het meest bekend?Toon het antwoord
Studiehode (1860), National Museum of Art, Architecture and Design, Oslo. De volgende werken zijn Self-portrait (1865) en Painting (1894).
Hoe oud was Sofie Ribbing toen Studiehode werd geschilderd?Toon het antwoord
25 jaar: Sofie Ribbing werd geboren in 1835 en Studiehode dateert uit 1860.
Hoeveel werken van Sofie Ribbing zijn gedocumenteerd?Toon het antwoord
De catalogus bevat 6 werken van Sofie Ribbing, gedateerd tussen 1860 en 1894.
In welke musea bevinden zich de bekendste schilderijen van Sofie Ribbing?Toon het antwoord
Voornamelijk in National Museum of Art, Architecture and Design (Oslo), Vasari Corridor (Florence) en National Portrait Gallery of Sweden (Strängnäs). De bovenstaande museumtabel geeft de volledige verdeling weer.
Wat zijn de vroegste en de meest recente werken van Sofie Ribbing op deze lijst?Toon het antwoord
Het vroegste gedateerde werk in deze lijst is Studiehode (1860); het laatste is Painting (1894).
Welke werken van Sofie Ribbing maken deel uit van de collectie van het National Museum of Art, Architecture and Design?Toon het antwoord
Studiehode, Painting en Italiensk pike behoren tot de 3 werken op deze pagina in de collectie van het National Museum of Art, Architecture and Design, Oslo.
Sofie Ribbing: biografische gegevens
A Life of Movement and Light
The Södraholm estate in Adelöv parish holds the beginning of Sofie Amalia Ribbing’s story. Born in 1835 to Swedish nobility, her early years are framed by the Bråneryd estate near Jönköping. Her father, Per Arvid Ribbing, manages the local district court, while her mother, Karolina Augusta Ehrencrona, brings a lineage of high standing. This aristocratic upbringing provides more than just status; it offers an early immersion in fine painting collections that shape her developing eye.
The trajectory shifts in 1850. The Royal Swedish Academy of Fine Arts in Stockholm becomes her first formal training ground. But the borders of Sweden are too small for her ambitions. She moves toward the Düsseldorf Academy, seeking the guidance of Karl Ferdinand Sohn. This transition marks a departure from local tradition toward the influential Düsseldorf School style. Her education expands through the streets of Paris, where she works under Jean-BT-Ange Tissier, and into Brussels, studying under Louis Gallait.
The Mastery of Portraiture and Genre
Her brush finds its strength in the intimate and the domestic. She specializes in portraits and genre scenes, often capturing families within their private settings. In 1864, a specific moment of creation emerges: Ritande Gossar, or Boys Drawing. The work gains immediate recognition, eventually being acquired by the Gothenburg Art Association for a record sum. This painting later earns a place in the Europeana 280 project, representing Swedish art to a broader European audience.
Her technical development follows a path of geographic expansion. As she moves through Copenhagen, London, and Rome, her subject matter adapts to the light and people she encounters. Her portfolio includes:
- Portrait of Helena Nyblom, held at the Nationalmuseum in Stockholm.
- Self-portrait in the Uffizi, a reflection of her time in Italy.
- Den övergivna, completed in 1869.
- A Little Chicken Girl, from 1888.
A European Presence
The map of her life is a series of studio visits and exhibitions. She establishes herself in the Brussels Salon in 1866 and participates in the Industrial Exposition of Stockholm that same year. Her presence is felt in London’s Royal Academy during the 1870s, and she displays works in Copenhagen and Amsterdam. These are not merely travels; they are professional engagements that place her work in the hands of major institutions.
Her final chapters unfold far from her Swedish birthplace. She spends time in Rome, sharing the company of fellow artists like Agnes Börjesson. The end comes in 1894 in Christiania, now Oslo, while she is visiting Norway. Her legacy remains anchored in the permanent collections of the Uffizi Gallery, the National Gallery of Norway, and the Nationalmuseum in Stockholm.




