Samenvatting
Queen Victoria (1838) staat bekend als het beroemdste schilderij van Thomas Sully; het is in bezit van het Wallace Collection, Londen. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) en George Washington (1840) nemen de tweede en derde plaats in. Van de 437 werken van Thomas Sully die in de catalogus zijn opgenomen, staan de 100 bekendste hieronder vermeld, elk met de datum, het museum waar het werk zich bevindt en een toelichting op het werk.
Items 1 tot en met 10: de beroemdste schilderijen van Thomas Sully
Thomas Jefferson (1743-1826), LL.D. 1786
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
George Washington
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Dr. Edward Hudson
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
Child Asleep (The Rosebud)
In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…
The Coleman Sisters
Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.
William B. Wood as "Charles de Moor"
In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…
Thomas Sully
The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…
Colonel Samuel Boyer Davis
Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…
Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)
The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…
Thomas Sully, verdere resultaten: 11 tot 100
Thomas Sully: werken per periode
Early Period
1807 – 1811 · 6 werken in deze lijstMature Period
1810 – 1854 · 33 werken in deze lijstLate Period
1848 – 1866 · 3 werken in deze lijstBelangrijkste onderwerpen in het werk van Thomas Sully
De vier onderwerpen die het meest frequent in deze werken worden afgebeeld, elk met zijn bekendste voorbeeld.
Man 19 werken
Portrait 18 werken
Woman 11 werken
Portraiture 7 werken
Thomas Sully: musea die werken bezitten
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Thomas Sully | Schilderijen uit deze lijst |
|---|---|---|---|
| New York | 22 | George Washington, Child Asleep (The Rosebud), John Finley | |
| Washington | 22 | The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams | |
| Philadelphia | 8 | George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice | |
| Washington, D.C. | 6 | Thomas Sully, John Sergeant, Thomas Ash II | |
| Boston | 7 | John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte | |
| New Haven | 4 | Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl | |
| Cincinnati | 4 | Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston | |
| Dallas | 3 | Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman |
Decenniumindex: het belangrijkste schilderij van Thomas Sully uit elk
Werken per decennium
Selecteer een decennium om het belangrijkste schilderij ervan te tonen.
Thomas Ash II
This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is directed toward the viewer. He is depicted with a white cravat that provides a sharp tonal contrast against the darker elements of his attire and the background. The lighting originates from the upper left, casting shadows along the right side of his…
Dr. Edward Hudson
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
Thomas Jefferson (1743-1826), LL.D. 1786
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
George Washington
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Heyward, Jr.
Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American portrait painter. Sully, who was born in Great Britain and spent much of his career in Philadelphia, Pennsylvania, was a prominent figure in nineteenth-century American art.
Mischief (Girl's Head)
Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a focused, intimate lens.
Veelgestelde vragen over de schilderijen van Thomas Sully
Wat is het bekendste werk van Thomas Sully?Toon het antwoord
Queen Victoria (1838), Wallace Collection, Londen. De volgende werken zijn Thomas Jefferson (1743-1826), LL.D. 1786 (1823) en George Washington (1840).
Hoe oud was Thomas Sully in het jaar van Queen Victoria?Toon het antwoord
55 jaar: Thomas Sully werd geboren in 1783 en Queen Victoria dateert uit 1838.
Wat zijn de tien bekendste werken van Thomas Sully?Toon het antwoord
Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis en Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). De bovenstaande lijst bevat de datum en het museum waar elk werk wordt bewaard.
Hoeveel werken van Thomas Sully staan er in de catalogus?Toon het antwoord
De catalogus bevat 437 werken van Thomas Sully, gedateerd tussen 1802 en 1866.
Waar bevinden zich de belangrijkste werken van Thomas Sully?Toon het antwoord
Voornamelijk in Metropolitan Museum of Art (New York), National Gallery of Art (Washington) en Pennsylvania Academy of Fine Arts (Philadelphia). De bovenstaande museumtabel geeft de volledige verdeling weer.
In welke periode maakte Thomas Sully de bekendste werken?Toon het antwoord
In 1830s: 26 van de 100 werken op deze pagina dateren uit die periode, waaronder Queen Victoria.
Wat zijn de vroegste en de meest recente bekende werken van Thomas Sully?Toon het antwoord
Het vroegste gedateerde werk in deze lijst is Mrs. Thomas Sully (Sarah Annis) (1802); het laatste is Mischief (Girl's Head) (1866).
Welke onderwerpen behandelde Thomas Sully het vaakst?Toon het antwoord
Man (19), Portrait (18) en Woman (11), van de 100 werken die op deze pagina worden vermeld.
Welk medium gebruikte Thomas Sully het vaakst?Toon het antwoord
Oil On Canvas, in 32 van de 100 werken die op deze pagina worden vermeld.
Bij welke kunststroming wordt Thomas Sully gerekend?Toon het antwoord
Romanticism en Neoclassicism, zoals vastgelegd in de werken op deze pagina.
Welke schilderijen van Thomas Sully zijn in de collectie van het Metropolitan Museum of Art?Toon het antwoord
George Washington, Child Asleep (The Rosebud) en John Finley behoren tot de 10 werken op deze pagina in de collectie van het Metropolitan Museum of Art, New York.
Biografie van Thomas Sully
A Transatlantic Brushstroke: The Life and Art of Thomas Sully
Thomas Sully’s journey, a remarkable transatlantic passage – not merely geographical but artistic and cultural – began in 1783 under the skies of Horncastle, Lincolnshire. His story isn't simply that of a painter; it is a reflection of the burgeoning American identity finding its voice through portraiture. Born into a family of traveling actors—Matthew and Sarah Chester Sully—young Thomas experienced an itinerant childhood before settling in Charleston, South Carolina, in 1792, seeking new opportunities on the American stage. This early exposure to performance, to capturing fleeting expressions and embodying character, profoundly shaped his artistic sensibility. Initially drawn into the world of theatre himself as a tumbler, Sully’s innate talent soon found expression through a different medium: paint. An apprenticeship with an insurance broker revealed an aptitude for detail, but it was the guidance of Charles Fraser, a local artist, and later his brother-in-law Jean Belzons, that truly ignited his passion for miniature painting – a foundation upon which he would build a distinguished career.From Miniature to Monumental: Forging an American Style
Sully’s artistic development wasn't confined by geographical boundaries. A period of study in London with the esteemed Benjamin West, beginning in 1808, proved pivotal. While West was a significant figure in his own right, it was the influence of Thomas Lawrence that truly captivated Sully. Lawrence’s elegant style, his mastery of light and texture, and his ability to capture both likeness and character resonated deeply with the young American artist. He returned to the United States imbued with this aesthetic, earning him the moniker “the Sir Thomas Lawrence of America.” However, Sully didn't merely imitate; he adapted and refined these influences, forging a distinctly American style that blended European sophistication with a uniquely New World sensibility. His portraits weren’t simply representations of wealth or status; they were explorations of personality, imbued with psychological depth and emotional resonance. He quickly established himself in Philadelphia, becoming a leading portraitist and capturing the likenesses of prominent figures like Thomas Jefferson, John Quincy Adams, and Andrew Jackson – men who shaped the nation's destiny. His technique involved layering thin glazes of paint to achieve luminous effects, a hallmark of Lawrence’s style but executed with a subtle American warmth.Beyond Likeness: Historical Narratives and Artistic Legacy
While celebrated for his portraits, Sully’s artistic ambition extended beyond capturing individual faces. He ventured into historical painting with works like *The Passage of the Delaware* (1819), a grand depiction of Washington's iconic crossing – a piece that demonstrated his ability to handle large-scale compositions and imbue them with dramatic power. This willingness to engage with historical narratives broadened his appeal and cemented his place in the American art world. He also produced numerous landscapes, often infused with a romantic sensibility reminiscent of the Hudson River School. His prolific output—over 2,000 paintings over seven decades—testifies to both his skill and his relentless dedication. He wasn’t merely a painter of the elite; he documented an era, preserving the faces and stories of a nation undergoing rapid transformation. Sully's influence extended beyond his own canvases. He was a dedicated teacher, mentoring numerous artists including Marcus Aurelius Root, who would later become a pioneer in photography.A Patron of Culture: Music, Society, and Enduring Influence
Sully’s contributions weren’t limited to the visual arts. As a founding member of Philadelphia's Musical Fund Society, he demonstrated a deep commitment to fostering cultural life within his community. This involvement speaks to a broader artistic sensibility – an understanding that art in all its forms enriches society and elevates the human spirit. His portraits often depicted subjects engaged in social activities, reflecting his belief in the importance of civic engagement. He was known for his impeccable manners and refined taste, embodying the ideals of the American gentry. Sully’s work was even adapted for use on United States coinage, further solidifying his place in the national consciousness. Though Romanticism and Neoclassicism were dominant movements during his lifetime, Sully’s style transcended easy categorization. He skillfully blended elements of both, creating a unique aesthetic that prioritized emotional depth, technical precision, and psychological insight. Today, Thomas Sully's paintings hang in prestigious museums across the country, continuing to captivate audiences with their beauty, elegance, and enduring power. His legacy remains as a testament to the transformative potential of art and the enduring allure of the human face.Key Portraits
- Thomas Jefferson: A dignified portrait capturing the statesman’s intellectual gravitas.
- John Quincy Adams: A more intimate portrayal, revealing a thoughtful and introspective nature.
- Andrew Jackson: A dynamic depiction of the frontiersman-turned-president, conveying his strength and determination.
- The Passage of the Delaware: A monumental historical painting illustrating Washington’s leadership during a pivotal moment in American history.