Portrait of Anthonis Mor

List of the 75 Most Famous Paintings by Anthonis Mor

Updated oktober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 75 works by Anthonis Mor in our catalogue

Samenvatting

The most widely known painting by Anthonis Mor is Cardinal Granvelle's Dwarf (1560), in the collection of the Louvre, Parijs. The next entries are Portrait of Mary, Queen of England (1554) and Queen Mary Tudor of England (1554). The catalogue documents 75 works by Anthonis Mor; the 75 entries below are the best known, listed in rank order with date, holding museum and description.

1519 – 1575, Utrecht Northern renaissance Most works: Museo del Prado

Anthonis Mor: the 10 principal paintings

1
Cardinal Granvelle's Dwarf (1560) by Anthonis Mor

Cardinal Granvelle's Dwarf

1560 · Oil On Panel · Louvre, Parijs

To stand before Anthonis Mor Van Dashorst’s Cardinal Granvelle's Dwarf is to step directly into the opulent, richly textured world of the sixteenth-century Dutch aristocracy. This oil on panel painting, executed in 1560, transcends a mere portrait; it is a meticulously crafted tableau vivant, whispering tales of power, lineage, and social standing. The subject—a young boy with dwarfism, adorned in clothing of breathtaking extravagance—is presented not just as an individual,…

2
Portrait of Mary, Queen of England (1554) by Anthonis Mor

Portrait of Mary, Queen of England

1554 · Oil On Panel · Szépművészeti Múzeum, Boedapest

Anthonis Mor van Dashorst captured the likeness of Mary Tudor in 1554, a period defined by the shifting religious and political tides of the Northern Renaissance. The subject sits with a stern, direct gaze that meets the viewer without hesitation. Her red hair is framed by a structured, ruffled collar, a detail rendered with meticulous precision. Through the use of chiaroscuro, Mor employs a controlled interplay of light and shadow…

3
Queen Mary Tudor of England (1554) by Anthonis Mor

Queen Mary Tudor of England

1554 · Oil On Panel · Museo del Prado, Madrid

The portrait of Queen Mary Tudor of England, executed by Antonis Mor in 1554, captures a sovereign at a threshold of history. She sits as the sole surviving child of Henry VIII and Catherine of Aragon, a figure of singular lineage. The oil on panel preserves her likeness during a season of profound political and religious shifts. Her presence is fixed, a quiet anchor amidst the changing tides of the…

4
Portrait of William of Orange (1555) by Anthonis Mor

Portrait of William of Orange

1555 · Oil On Panel · Staatliche Museen, Kassel

To stand before this portrait of William of Orange is to encounter not merely a likeness, but an embodiment of nascent authority. Rendered in the meticulous vein of the Northern Renaissance, the work captures the sitter in a moment of profound stillness, yet one charged with palpable resolve. The composition immediately draws the eye into the three-quarter view, presenting a figure encased in elaborate armor against a background so deep…

5
Joanna of Austria (1560) by Anthonis Mor

Joanna of Austria

1560 · Oil On Canvas · Museo del Prado, Madrid

Antonis Mor's Joanna of Austria presents a formal likeness of the princess, who was the daughter of Emperor Charles V and sister to King Philip II of Spain. The subject commissioned this portrait personally, seeking a representation that reflected her specific station and history. In 1552, she married the Portuguese Prince John Manuel, a union that defined her political and personal landscape during the mid-sixteenth century.

6
Jane Dormer, Duchess of Feria (?) (1558) by Anthonis Mor

Jane Dormer, Duchess of Feria (?)

1558 · Oil On Canvas · Museo del Prado, Madrid

The portrait of Jane Dormer, Duchess of Feria (?) captures a high-status female figure in a moment of quiet, aristocratic stillness. Painted by Antonis Mor, the work emerged around 1558. The subject gazes toward the viewer, her presence defined by the weight of her station and the gravity of her social standing.

7
Portrait of a lady (1557) by Anthonis Mor

Portrait of a lady

1557 · Oil On Canvas · National Gallery of Victoria, Melbourne

A single light source from the upper left carves the subject out of a dark, indeterminate void. She is a presence of quietude, a three-quarter length figure caught in a moment of poised introspection. The darkness behind her pushes her forward, making the pale skin of her forehead and cheek feel immediate, almost tactile. Her expression is calm, a mask of high social status that hides the pulse of the…

8
Catherine of Hapsburg, the Wife of King John III of Portugal (1552) by Anthonis Mor

Catherine of Hapsburg, the Wife of King John III of Portugal

1552 · Oil On Panel · Museo del Prado, Madrid

The gaze of Catherine of Hapsburg, the Wife of King John III of Portugal, meets the viewer from within this formal portrait. Painted by Antonis Mor, the work captures the presence of Catherine of Austria in a moment of quiet, regal composure. She occupies the space with a heavy, dignified stillness that speaks to her high station and the weight of her lineage.

10
Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse (1565) by Anthonis Mor

Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse

1565 · Oil On Panel · Museo del Prado, Madrid

Two women exist in a state of perpetual prayer, suspended within the dark, velvet silence of a Renaissance interior. Margaret, Duchess of Parma, and Mary of Portugal appear as twin pillars of piety, their profiles or three-quarter views turned toward an unseen divine presence. The air around them feels heavy, thick with the solemnity of their task. They do not look at the viewer; instead, their gazes drift downward or…

Anthonis Mor: entries 11 to 75

11Portrait of a man (1550) by Anthonis MorPortrait of a man1550 · Kunsthistorisches Museum 12Philip II (1555) by Anthonis MorPhilip II1555 · Museo del Prado 13Portrait of a Seated Woman (1565) by Anthonis MorPortrait of a Seated Woman1565 · Art Institute of Chicago 14Margaret, Duchess of Parma (1562) by Anthonis MorMargaret, Duchess of Parma1562 · Staatliche Museen zu Berlin 15Portrait of Giovanni Battista di Castaldo (1550) by Anthonis MorPortrait of Giovanni Battista di Castaldo1550 · Thyssen-Bornemisza Museum 16Empress Maria of Austria, Wife of Maximilian II (1551) by Anthonis MorEmpress Maria of Austria, Wife of Maximilian II1551 · Museo del Prado 17Lady with the Jewel (1552) by Anthonis MorLady with the Jewel1552 · Museo del Prado 18Emperor Maximilian II (1550) by Anthonis MorEmperor Maximilian II1550 · Museo del Prado 19Portrait of a young prince (1548) by Anthonis MorPortrait of a young prince1548 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 20Portrait of a young man as St. Sebastian (1546) by Anthonis MorPortrait of a young man as St. Sebastian1546 · Bayerische Staatsgemäldesammlungen 21Portrait of a Man (1547) by Anthonis MorPortrait of a Man1547 · Het Prinsenhof 22Lady with Gold Chains (1560) by Anthonis MorLady with Gold Chains1560 · Museo del Prado 23Portrait of a Lady (1538) by Anthonis MorPortrait of a Lady1538 · Museo del Prado 24The Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen (1544) by Anthonis MorThe Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen1544 · Gemäldegalerie 25Portrait of Philip II of Spain (1549) by Anthonis MorPortrait of Philip II of Spain1549 · Bilbao Fine Arts Museum 26Fernando Álvarez de Toledo, Third Duke of Alba (1549) by Anthonis MorFernando Álvarez de Toledo, Third Duke of Alba1549 · Hispanic Society Museum - Library 27Portrait of Maria of Portugal, Duchess of Parma (1538-1577). (1555) by Anthonis MorPortrait of Maria of Portugal, Duchess of Parma (1538-1577).1555 · Nationaal Museum van Oude Kunst 28Portrait of a Lady (1560) by Anthonis MorPortrait of a Lady1560 · National Gallery of Canada 29Portrait of Jean Lecocq (1559) (1559) by Anthonis MorPortrait of Jean Lecocq (1559)1559 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 30Portrait of Anna of Saxony (1560) by Anthonis MorPortrait of Anna of Saxony1560 · National Museum in Wrocław 31Christina of Denmark (1522-90) (1554) by Anthonis MorChristina of Denmark (1522-90)1554 · Hampton Court Palace 32Portrait of a man with narcissus and a hyacinth. (1550) by Anthonis MorPortrait of a man with narcissus and a hyacinth.1550 · Nationaal Museum Warschau 33Steven van Herwijck (1564) by Anthonis MorSteven van Herwijck1564 · Mauritshuis 34Portrait of a Man (1550) by Anthonis MorPortrait of a Man1550 35Portret of a sitting man holding a pair of gloves (1560) by Anthonis MorPortret of a sitting man holding a pair of gloves1560 · Herzog Anton Ulrich Museum 36Portrait of Jeanne Lullier, wife of Simon Renard (1557) by Anthonis MorPortrait of Jeanne Lullier, wife of Simon Renard1557 · Time museum 37Portrait of Simon Renard (1553) by Anthonis MorPortrait of Simon Renard1553 · Time museum 38Portrait of a Man (1550) by Anthonis MorPortrait of a Man1550 · Hispanic Society Museum - Library 39Portrait of a Man, Possibly Ottavio Farnese (1524–1586), Duke of Parma and Piacenza (1563) by Anthonis MorPortrait of a Man, Possibly Ottavio Farnese (1524–1586), Duke of Parma and Piacenza1563 · Metropolitan Museum of Art 40Portrait of a Man Pointing to a Table Clock (1565) by Anthonis MorPortrait of a Man Pointing to a Table Clock1565 41Portrait of two boys. (1570) by Anthonis MorPortrait of two boys.1570 · Nationaal Museum Warschau 42Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 1650 (1650) by Anthonis MorPortrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 16501650 · Rijksmuseum 43Sir Thomas Gresham (1560) by Anthonis MorSir Thomas Gresham1560 · Rijksmuseum 44Anne of Austria, Queen of Spain (1570) by Anthonis MorAnne of Austria, Queen of Spain1570 · Kunsthistorisches Museum 45Portrait of Margaret of Parma (1559) by Anthonis MorPortrait of Margaret of Parma1559 · Philadelphia Museum of Art 46Portrait of a Goldsmith (1564) by Anthonis MorPortrait of a Goldsmith1564 · Mauritshuis 47Resurrected Jesus Christ surrounded by St. Peter and St. Paul (1556) by Anthonis MorResurrected Jesus Christ surrounded by St. Peter and St. Paul1556 · Château de Chantilly 48Anne Fernel, the Wife of Sir Thomas Gresham (1560) by Anthonis MorAnne Fernel, the Wife of Sir Thomas Gresham1560 · Rijksmuseum 49Portrait of a Man (1557) by Anthonis MorPortrait of a Man1557 · National Gallery of Canada 50Portrait of Philip II in Armour (1557) by Anthonis MorPortrait of Philip II in Armour1557 · Monasterio de San Lorenzo 51Knight of the Spanish St James Order (1558) by Anthonis MorKnight of the Spanish St James Order1558 · Szépművészeti Múzeum 52Portrait of the Philip II, King of Spain (1554) by Anthonis MorPortrait of the Philip II, King of Spain1554 · Szépművészeti Múzeum 53Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1562 (1562) by Anthonis MorPortrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 15621562 · Rijksmuseum 54Portrait of Hubert Goltzius (1574) by Anthonis MorPortrait of Hubert Goltzius1574 · Koninklijke Musea voor Schone Kunsten van België 55Portrait of a Gentleman of the order of Saint James by Anthonis MorPortrait of a Gentleman of the order of Saint JamesMuseu Nacional d'Art de Catalunya 56Portrait of a Man by Anthonis MorPortrait of a ManNational Gallery 57Portraits of Sir Thomas Gresham and Anne Fernely, Anthonis Mor, c. 1560 - c. 1565 (1565) by Anthonis MorPortraits of Sir Thomas Gresham and Anne Fernely, Anthonis Mor, c. 1560 - c. 15651565 · Rijksmuseum 58Portrait of a Man by Anthonis MorPortrait of a ManDetroit Institute of Arts 59Portrait of a Lady with a Parrot (1564) by Anthonis MorPortrait of a Lady with a Parrot1564 · The Hunterian Museum and Art Gallery 60Portrait of a Man (1560) by Anthonis MorPortrait of a Man1560 61Sir William Hewett (d.1564) (1555) by Anthonis MorSir William Hewett (d.1564)1555 62Jan van Scorel (1495–1562) (1560) by Anthonis MorJan van Scorel (1495–1562)1560 63Sir Henry Lee (1568) by Anthonis MorSir Henry Lee1568 · National Portrait Gallery 64The Corpse of Christ by Anthonis MorThe Corpse of ChristGemäldegalerie 65Portrait of a Man (1561) by Anthonis MorPortrait of a Man1561 · Mauritshuis 66Portrait of a Gentleman (1569) by Anthonis MorPortrait of a Gentleman1569 · National Gallery of Art 67Portrait of a Gentleman by Anthonis MorPortrait of a GentlemanNorth Carolina Museum of Art 68William Brooke (1527–1597), Lord Cobham, Lord Warden of the Cinque Ports by Anthonis MorWilliam Brooke (1527–1597), Lord Cobham, Lord Warden of the Cinque Ports 69George, 5th Lord Seton, and Family (after Frans Pourbus the Elder) by Anthonis MorGeorge, 5th Lord Seton, and Family (after Frans Pourbus the Elder)Traquair House 70Cardinal Granvelle's Dwarf (1560) by Anthonis MorCardinal Granvelle's Dwarf1560 71Portrait of a Seated Woman (1554) by Anthonis MorPortrait of a Seated Woman1554 · Museo del Prado 72Perejon, the Buffoon of the Count of Benavente and of the Grand Duke of Alba (1560) by Anthonis MorPerejon, the Buffoon of the Count of Benavente and of the Grand Duke of Alba1560 · Museo del Prado 73Von Sachsen vs. a Spaniard (1548) by Anthonis MorVon Sachsen vs. a Spaniard1548 · Friedenstein Castle 74Self-portrait (1558) by Anthonis MorSelf-portrait1558 75Portrait of Alexander Farnese (1557) by Anthonis MorPortrait of Alexander Farnese1557 · Galleria Nazionale

Principal subjects in the work of Anthonis Mor

The four subjects most frequently represented among these works, each with its best-known example.

Anthonis Mor: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Anthonis Mor Paintings from this list
Museo del Prado, MadridMuseo del Prado Madrid 13 Queen Mary Tudor of England, Joanna of Austria, Jane Dormer, Duchess of Feria (?)
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 5 Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 1650, Sir Thomas Gresham, Anne Fernel, the Wife of Sir Thomas Gresham
Szépművészeti Múzeum, BoedapestSzépművészeti Múzeum Boedapest 3 Portrait of Mary, Queen of England, Knight of the Spanish St James Order, Portrait of the Philip II, King of Spain
Kunsthistorisches Museum, WenenKunsthistorisches Museum Wenen 3 Portrait of Anton Perrenot de Granvelle, Portrait of a man, Anne of Austria, Queen of Spain
Mauritshuis, Den HaagMauritshuis Den Haag 3 Steven van Herwijck, Portrait of a Goldsmith, Portrait of a Man
Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe, KasselGemäldegalerie Alte Meister im Schloss Wilhelmshöhe Kassel 2 Portrait of a young prince, Portrait of Jean Lecocq (1559)
Gemäldegalerie, BerlijnGemäldegalerie Berlijn 2 The Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen, The Corpse of Christ
Hispanic Society Museum - Library, New YorkHispanic Society Museum - Library New York 2 Fernando Álvarez de Toledo, Third Duke of Alba, Portrait of a Man

Anthonis Mor: principal painting of each decade

Works per decade

Select a decade to display its principal painting.

Anthonis Mor's paintings: reference questions

Which painting by Anthonis Mor is the most widely known?Display the answer

Cardinal Granvelle's Dwarf (1560), Louvre, Parijs. The following entries are Portrait of Mary, Queen of England (1554) and Queen Mary Tudor of England (1554).

What was the age of Anthonis Mor when Cardinal Granvelle's Dwarf was painted?Display the answer

41 years: Anthonis Mor was born in 1519 and Cardinal Granvelle's Dwarf is dated 1560.

Which ten paintings by Anthonis Mor are the best known?Display the answer

Cardinal Granvelle's Dwarf, Portrait of Mary, Queen of England, Queen Mary Tudor of England, Portrait of William of Orange, Joanna of Austria, Jane Dormer, Duchess of Feria (?), Portrait of a lady, Catherine of Hapsburg, the Wife of King John III of Portugal, Portrait of Anton Perrenot de Granvelle and Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse. The list above records the date and holding museum of each.

How many works by Anthonis Mor are documented?Display the answer

The catalogue records 75 works by Anthonis Mor, dated between 1538 and 1574.

Which museums hold the best-known paintings of Anthonis Mor?Display the answer

Principally in Museo del Prado (Madrid), Rijksmuseum (Amsterdam) and Szépművészeti Múzeum (Boedapest). The museum table above gives the full distribution.

In which period were Anthonis Mor's best-known works painted?Display the answer

In 1550s: 30 of the 75 works listed on this page are dated to that period, including Portrait of Mary, Queen of England.

Which are the earliest and latest dated works by Anthonis Mor on this list?Display the answer

The earliest dated work listed here is Portrait of a Lady (1538); the latest is Portrait of Hubert Goltzius (1574).

Which subjects recur most in the work of Anthonis Mor?Display the answer

Woman (14), Black dress (10) and Portrait (8), out of the 75 works listed on this page.

Which medium predominates in the work of Anthonis Mor?Display the answer

Oil On Canvas, in 14 of the 75 works listed on this page.

With which art movement is Anthonis Mor associated?Display the answer

Northern renaissance and Renaissance, as documented by the works on this page.

Which works by Anthonis Mor are in the collection of the Museo del Prado?Display the answer

Queen Mary Tudor of England, Joanna of Austria and Jane Dormer, Duchess of Feria (?) are among the 13 works on this page in the collection of the Museo del Prado, Madrid.

Are reproductions of paintings by Anthonis Mor available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Anthonis Mor: biographical notes

Anthonis Mor van Dashorst: De Schilder van Koninklijke Waardigheid

Anthonis Mor van Dashorst (1517-1577) staat als een hoeksteen van de Nederlandse Renaissance-portretkunst, waarbij hij het minutieuze realisme en de symbolische diepgang belichaamt die zo kenmerkend zijn voor zijn tijdperk. Geboren in Utrecht, Nederland, kwam hij voort uit een familie die diep geworteld was in de artistieke traditie – zijn vader was een beeldhouwer, waarmee een bloedlijn werd gevestigd die volledig gewijd was aan de visuele representatie. Hoewel de biografische details over zijn leven enigszins schaars blijven, spreekt het enorme oeuvre van Mor boekdelen over zijn talent en zijn onwankelbare toewijding aan het vastleggen van de essentie van zijn onderwerpen. Hij verwierf al snel grote bekendheid door zijn vermogen om de adel met een ongeëvenaarde nauwkeurigheid af te beelden, wat hem opdrachten opleverde van invloedrijke figuren in heel Europa. Zijn vormende jaren buiten zijn opvoeding in Utrecht zijn niet met zekerheid vastgesteld, maar het is bekend dat hij in Antwerpen onder de meester Pieter Bruegel de Oude studeerde. Daar absorbeerde hij Bruegels meesterlijke observatie van de menselijke natuur en het landschap, invloeden die diep doordrongen in de artistieke visie van Mor. Zijn verblijf in Antwerpen bleek cruciaal voor zijn artistieke rijping. Hij verfijnde zijn vaardigheden naast tijdgenoten zoals Quentin Massys en Hendrik Golse, en doopte zich in het levendige artistieke milieu van de Vlaamse Republiek. Deze blootstelling stimuleerde een verfijnd begrip van perspectief en chiaroscuro—technieken die hij met meesterschap hanteerde om zijn portretten te verlichten met een dramatisch spel van licht en schaduw.

De Regeerperiode van Mary Tudor: Een Meesterwerk van de Noordelijke Renaissance

De roem van Mor steeg spectaculair na de voltooiing van zijn portret van Mary Tudor, koningin van Engeland (1554). Dit monumentale canvas vormt het hoogtepunt van Mor's artistieke kunnen. Met een bijna obsessieve aandacht voor detail vastgelegd, vangt het werk de koninklijke houding en de innerlijke beheersing van Mary—een getuigenis van Mor's vermogen om psychologische nuance te combineren met fysieke gelijkenis. De compositie is uiterst evenwichtig, waarbij gebruik wordt gemaakt van een piramidale structuur en subtiele plooien in de draperie om de status en waardigheid van Mary te benadrukken. Bovendien creëert het gebruik van chiaroscuro een betoverend samenspel van licht en donker, dat het gezicht van Mary accentueert en een aura van plechtige grandeur uitstraalt. Dit portret bezegelde de reputatie van Mor als een van de belangrijkste portrettisten van zijn tijd en blijft een gevierd voorbeeld van de kunst uit de Noordelijke Renaissance. Mor profiteerde sterk van koninklijk mecenaat en ontving opdrachten van vorsten door heel Europa, waaronder Filips II van Spanje. Deze prestigieuze opdrachten boden hem de ruimte om ambitieuze projecten te verkennen en zijn artistieke stijl te verfijnen, wat zijn nalatenschap als hofschilder verder versterkte. Naast het portret van Mary Tudor nam Mor talloze opdrachten aan voor prominente staatslieden, diplomaten en aristocraten. Zijn kenmerkende stijl—gekenmerkt door minutieus realisme, meesterlijk perspectief en expressieve lichtwerking—werd direct herkenbaar. Hij gaf er consequent de voorkeur aan om niet enkel het uiterlijk, maar ook het karakter en de emotie over te brengen, waardoor hij zijn portretten verhief van loutere gelijkenissen tot diepgaande verklaringen over de menselijke waardigheid.

Invloed en Nalatenschap

De invloed van Mor reikte veel verder dan zijn directe tijdgenoten. Zijn nauwgezette benadering van de portretkunst schiep een precedent voor latere generaties kunstenaars, die hij inspireerde om te streven naar grotere nauwkeurigheid en psychologisch inzicht. Hij was een voorvechter van de humanistische idealen die tijdens de Renaissance heersten, wat zijn onwankelbare geloof weerspiegelde in de kracht van de kunst om de menselijke ervaring te verlichten. Vandaag de dag blijven de schilderijen van Mor van Dashorst een wereldwijd publiek fascineren; zij dienen als blijvende herinneringen aan de artistieke genialiteit die werd bereikt tijdens de Nederlandse Gouden Eeuw—een periode gedefinieerd door innovatie, ambitie en een diepgaande waardering voor schoonheid.

All 75 works by Anthonis Mor →