Portrait of Edward Lear

List of the 100 Most Famous Paintings by Edward Lear

Updated oktober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 419 works by Edward Lear in our catalogue

Samenvatting

The most widely known painting by Edward Lear is Cogoleto, Italy. The next entries are Crescenza and Blue And Yellow Macaw. The catalogue documents 419 works by Edward Lear; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1812 – 1888, Highgate Romanticism Most works: Yale Center for British Art

Edward Lear: the 10 principal paintings

1
Cogoleto, Italy by Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) by Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Edward Lear: entries 11 to 100

11A Great Green Macaw by Edward LearA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) by Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France by Edward LearDiano, South Of France 14Philae, Egypt (1863) by Edward LearPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) by Edward LearThe Plains of Lombardy from Monte Generoso1880 · Het Ashmolean Museum van Kunst en Oudheden 16Between Olavano and Civitella (1842) by Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) by Edward LearCivita Castellana1839 18De Bergen van Thermopylae (1852) by Edward LearDe Bergen van Thermopylae1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) by Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) by Edward LearLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) by Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) by Edward LearRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) by Edward LearRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) by Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) by Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) by Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) by Edward LearVenosa1852 · Toledo Museum of Art 28Corfu from near the Village of Virós (1858) by Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) by Edward LearJerusalem from the Mount of Olives1858 · Israël Museum 30Corfu from Ascension (1860) by Edward LearCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) by Edward LearCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) by Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) by Edward LearButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) by Edward LearZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) by Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) by Edward LearView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) by Edward LearView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) by Edward LearView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) by Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) by Edward LearCorfu1863 41The Forest of Valdoniello, Corsica (1869) by Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) by Edward LearDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) by Edward LearFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) by Edward LearA Distant View of Nice from the Hills1864 45Thermopylae (1872) by Edward LearThermopylae1872 · Het Ashmolean Museum van Kunst en Oudheden 46Kinchinjunga (1877) by Edward LearKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) by Edward LearCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) by Edward LearBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) by Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) by Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) by Edward LearArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) by Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl by Edward LearSnowy Owl 54Villa Borghese, Rome by Edward LearVilla Borghese, Rome 55Studies Of Sheep And Herdsmen by Edward LearStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 by Edward LearViews In Rome And Its Environs 2 57Opposite Calvi by Edward LearOpposite Calvi 58Arabs Approaching Mount Sinai by Edward LearArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro by Edward LearBocche Di Cattaro, Montenegro 60Palaiukhora, Crete by Edward LearPalaiukhora, Crete 61Naples, Italy by Edward LearNaples, Italy 62Katholikó Akrotiri, Crete by Edward LearKatholikó Akrotiri, Crete 63Damascus 3 by Edward LearDamascus 3 64View Of Sermoneta, Italy by Edward LearView Of Sermoneta, Italy 65Arkodyllus, Corfu by Edward LearArkodyllus, Corfu 66View Of Jerusalem 1 by Edward LearView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora by Edward LearThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria by Edward LearWindermere From Lowwood, Cumbria 69View Of Philae by Edward LearView Of Philae 70Musta, Malta by Edward LearMusta, Malta 71Modica, Sicily by Edward LearModica, Sicily 72A View Of Sorrento, Italy by Edward LearA View Of Sorrento, Italy 73Parnassus by Edward LearParnassus 74Isola Pescatore, Lake Maggiore, Italy by Edward LearIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands by Edward LearA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri by Edward LearCorfu From The Hill Of Gastouri 77Pompey's Pillar by Edward LearPompey's Pillar 78Figures On The Shore Near Edfu by Edward LearFigures On The Shore Near Edfu 79Joannina, Epirus, Albania by Edward LearJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy by Edward LearTravellers On A Road, Subiaco, Italy 81The Pyramids Road by Edward LearThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 by Edward LearView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt by Edward LearAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome by Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta by Edward LearA Distant View Of Mdina, Malta 86Galata, Constantinople by Edward LearGalata, Constantinople 87Benares On The Ganges by Edward LearBenares On The Ganges 88Sunrise At Erment, Egypt by Edward LearSunrise At Erment, Egypt 89Porto Maurizio, Italy by Edward LearPorto Maurizio, Italy 90The Nile Above Aswan by Edward LearThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands by Edward LearA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon by Edward LearView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli by Edward LearStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia by Edward LearMount Oeta And Thermopylae From Near Lamia 95Damascus by Edward LearDamascus 96Arabs At Mount Sinai, Egypt by Edward LearArabs At Mount Sinai, Egypt 97View Of Cythera, Greece by Edward LearView Of Cythera, Greece 98The Upper Nile, Toske, Egypt by Edward LearThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari by Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta by Edward LearPrince Of Wales Road, Malta

Principal subjects in the work of Edward Lear

The four subjects most frequently represented among these works, each with its best-known example.

Edward Lear: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Edward Lear Paintings from this list
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondenGovernment Art Collection Londen 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Het Ashmolean Museum van Kunst en Oudheden, OxfordHet Ashmolean Museum van Kunst en Oudheden Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israël Museum, JeruzalemIsraël Museum Jeruzalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 De Bergen van Thermopylae
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear: principal painting of each decade

Works per decade

Select a decade to display its principal painting.

Edward Lear's paintings: reference questions

Which painting by Edward Lear is the most widely known?Display the answer

Cogoleto, Italy. The following entries are Crescenza and Blue And Yellow Macaw.

Which ten paintings by Edward Lear are the best known?Display the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy and Ithaca, Ionian Islands. The list above records the date and holding museum of each.

How many works by Edward Lear are documented?Display the answer

The catalogue records 419 works by Edward Lear, dated between 1839 and 1884.

Which museums hold the best-known paintings of Edward Lear?Display the answer

Principally in Yale Center for British Art (New Haven), Government Art Collection (Londen) and Het Ashmolean Museum van Kunst en Oudheden (Oxford). The museum table above gives the full distribution.

In which period were Edward Lear's best-known works painted?Display the answer

In 1860s: 14 of the 100 works listed on this page are dated to that period, including Philae, Egypt.

Which are the earliest and latest dated works by Edward Lear on this list?Display the answer

The earliest dated work listed here is Civita Castellana (1839); the latest is Argos from Mycene (1884).

Which subjects recur most in the work of Edward Lear?Display the answer

Landscape (11), Scenes (11) and Italy (11), out of the 100 works listed on this page.

Which medium predominates in the work of Edward Lear?Display the answer

Watercolor, in 2 of the 100 works listed on this page.

With which art movement is Edward Lear associated?Display the answer

Romanticism, as documented by the works on this page.

Which works by Edward Lear are in the collection of the Yale Center for British Art?Display the answer

Philae, Egypt, Between Olavano and Civitella and A Study of Ferns, Civitella are among the 14 works on this page in the collection of the Yale Center for British Art, New Haven.

Are reproductions of paintings by Edward Lear available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Edward Lear: biographical notes

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked to whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant microcosm of Victorian life – his early years were marked by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, surprisingly, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape, qualities that profoundly shaped his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work wasn’t merely technical; it was imbued with a deep respect for the natural world – a fascination that would become central to his later landscape paintings. His illustrations were meticulously rendered, capturing the subtle nuances of plumage and form with astonishing realism. This dedication brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall near Liverpool. These years spent amongst lions, tigers, and parrots weren’t just a job; they fostered a profound connection with the animal kingdom – a connection that would inform his later artistic vision. However, failing eyesight and increasingly debilitating respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not just for its beauty but also for its perceived healing qualities. His landscapes, characterized by delicate watercolors and an atmospheric sensitivity, often depicted the subtle shifts of light and shadow, revealing a remarkable understanding of color and composition.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. He wasn’t simply writing jokes; he was exploring themes of loneliness, longing, and the inherent absurdity of existence – all wrapped in a veneer of whimsicality. His work challenged established poetic conventions, prioritizing playful experimentation over rigid structure.

Influences and Artistic Development

Lear's artistic development was shaped by a complex interplay of influences:
  • Early Influences: Lear’s initial training focused on scientific illustration, demanding precision and observation. This foundation instilled in him a meticulous attention to detail, which he carried through his later work.
  • Travel & Landscape Painting: His extensive travels throughout Europe and Asia profoundly influenced his landscape style. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive approach characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

All 419 works by Edward Lear →