Portrait of Jacob Philipp Hackert

Jacob Philipp Hackert: Catalogue of the 100 Most Famous Paintings

Updated oktober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 161 works by Jacob Philipp Hackert in our catalogue

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View of the Copper-Mill in Vietri (1773) is recorded as the most famous painting of Jacob Philipp Hackert. Saint Francis’ Grotto on Monte Verna (1801) and Landscape with a Waterfall and a Cowherd (1755) occupy the second and third entries. Of the 161 works by Jacob Philipp Hackert recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1737 – 1807, Prenzlau Romanticism Most works: Hermitage Museum

Entries 1 to 10: the most famous Jacob Philipp Hackert paintings

2
Saint Francis’ Grotto on Monte Verna (1801) by Jacob Philipp Hackert

Saint Francis’ Grotto on Monte Verna

1801 · Oil On Canvas · Städel Museum, Frankfurt

In the quietude of the Italian landscape, Saint Francis’ Grotto on Monte Verna emerges from the shadows of history. Painted about 1801, this work captures a sacred space within the province of Arezzo. The artist, Jacob Philipp Hackert, directs our gaze toward a rugged cave that served as a hermitage, where the heavy presence of stone meets the soft reach of the wild. It is a scene where the physical…

Jacob Philipp Hackert, further entries: 11 to 100

11The port of Livorno I (1779) by Jacob Philipp HackertThe port of Livorno I1779 12A view of Rome seen from the Villa Patrizi, with Santa Maria Maggiore and San Giovanni in Laterano beyond (1784) by Jacob Philipp HackertA view of Rome seen from the Villa Patrizi, with Santa Maria Maggiore and San Giovanni in Laterano beyond1784 13Coastal landscape near Vietri (1776) by Jacob Philipp HackertCoastal landscape near Vietri1776 14A shipwreck (1776) by Jacob Philipp HackertA shipwreck1776 15great heroic arcadic scenery with Apollo, 5 muses and cattle under oak-trees (1779) by Jacob Philipp Hackertgreat heroic arcadic scenery with Apollo, 5 muses and cattle under oak-trees1779 16View of Massa Lubrense. (1791) by Jacob Philipp HackertView of Massa Lubrense.1791 · Nationaal Museum Warschau 17Portrait of a Poodle (1795) by Jacob Philipp HackertPortrait of a Poodle1795 18View of the Sele and the Monti Alburni massif (1788) by Jacob Philipp HackertView of the Sele and the Monti Alburni massif1788 19Aeneas and Dido Flee the Storm into a Grotto (1804) by Jacob Philipp HackertAeneas and Dido Flee the Storm into a Grotto1804 · Niedersächsisches Landesmuseum 20Rome Seen from the Via Appia (1796) by Jacob Philipp HackertRome Seen from the Via Appia1796 21Imaginary Landscape with the River Volturno (1797) by Jacob Philipp HackertImaginary Landscape with the River Volturno1797 · Attingham Park 22Two Warriors in a Landscape of Trees and Rocks (1800) by Jacob Philipp HackertTwo Warriors in a Landscape of Trees and Rocks1800 · Alte Nationalgalerie 23A view of the Bay of Pozzuoli (1798) by Jacob Philipp HackertA view of the Bay of Pozzuoli1798 24Forest Landscape with the Sleeping Boy Horaz Protected by Pigeons (1805) by Jacob Philipp HackertForest Landscape with the Sleeping Boy Horaz Protected by Pigeons1805 · Staatliche Kunsthalle Karlsruhe 25River Landscape (1805) by Jacob Philipp HackertRiver Landscape1805 · Alte Nationalgalerie 26Arcadian Landscape (1805) by Jacob Philipp HackertArcadian Landscape1805 · Alte Nationalgalerie 27Great Cascades at Tivoli (1783) by Jacob Philipp HackertGreat Cascades at Tivoli1783 · Hermitage Museum 28Landscape with a ancient Festival (1781) by Jacob Philipp HackertLandscape with a ancient Festival1781 · Hermitage Museum 29Destruction of the Turkish Fleet in the Bay of Chesme (1771) by Jacob Philipp HackertDestruction of the Turkish Fleet in the Bay of Chesme1771 · Hermitage Museum 30Landscape with River (1778) by Jacob Philipp HackertLandscape with River1778 · Szépművészeti Múzeum 31Landscape with the Palace of Caserta and Vesuvius by Jacob Philipp HackertLandscape with the Palace of Caserta and Vesuvius 32View of Caserta (1784) by Jacob Philipp HackertView of Caserta1784 · Hermitage Museum 33The Tents in the Tiergarten (1761) by Jacob Philipp HackertThe Tents in the Tiergarten1761 34Park Landscape with the Goldfish Pond in the Berlin Tiergarten I (The Venus Pond in the Berlin Tiergarten with the Statue of Venus in the Foreground) (1761) by Jacob Philipp HackertPark Landscape with the Goldfish Pond in the Berlin Tiergarten I (The Venus Pond in the Berlin Tiergarten with the Statue of Venus in the Foreground)1761 · Stiftung Stadtmuseum 35The Spree with the Palace Bridge by Charlottenburg II. (1762) by Jacob Philipp HackertThe Spree with the Palace Bridge by Charlottenburg II.1762 36Forest Landscape (1766) by Jacob Philipp HackertForest Landscape1766 · Bayerische Staatsgemäldesammlungen 37Fisher on the Coast. Left in the Background a Fortress on a Rock (1767) by Jacob Philipp HackertFisher on the Coast. Left in the Background a Fortress on a Rock1767 38Ruins of the Palaces of the Emperors on the Palatine Hill in Rome (1771) by Jacob Philipp HackertRuins of the Palaces of the Emperors on the Palatine Hill in Rome1771 39View of Saint Peter’s in Rome (1774) by Jacob Philipp HackertView of Saint Peter’s in Rome1774 · Städel Museum 40Vesuvius Eruption in 1774 (1774) by Jacob Philipp HackertVesuvius Eruption in 17741774 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 41Landscape in Switzerland (1769) by Jacob Philipp HackertLandscape in Switzerland1769 · Royal Collection 42Fireworks over Castel Sant'Angelo in Rome (1775) by Jacob Philipp HackertFireworks over Castel Sant'Angelo in Rome1775 43French Landscape (1767) by Jacob Philipp HackertFrench Landscape1767 · Nationalmuseum 44River Landscape with Ruins (1768) by Jacob Philipp HackertRiver Landscape with Ruins1768 · Nationalmuseum 45A view across the Alban Hills a hilltop on the right and the ses in the far distance (1772) by Jacob Philipp HackertA view across the Alban Hills a hilltop on the right and the ses in the far distance1772 46Peasants grazing their cattle beside a lake, in a campagna landscape (1770) by Jacob Philipp HackertPeasants grazing their cattle beside a lake, in a campagna landscape1770 47Coastal landscape with Sea Storm (1773) by Jacob Philipp HackertCoastal landscape with Sea Storm1773 48The Eruption of Vesuvius in 1774 (1774) by Jacob Philipp HackertThe Eruption of Vesuvius in 17741774 49Sea Battle Episode (1771) by Jacob Philipp HackertSea Battle Episode1771 50Study of Two Cows (1781) by Jacob Philipp HackertStudy of Two Cows1781 51The Plain of Capua, Seen from Caserta (1784) by Jacob Philipp HackertThe Plain of Capua, Seen from Caserta1784 52Southern Landscape with Lake and Staffage (1779) by Jacob Philipp HackertSouthern Landscape with Lake and Staffage1779 53Ferdinand I hunting the wild boar at Carditello (1783) by Jacob Philipp HackertFerdinand I hunting the wild boar at Carditello1783 · Musée Condé 54Rocky Landscape with Anglers (1776) by Jacob Philipp HackertRocky Landscape with Anglers1776 55View of the Plain of Caserta seen from the Royal Belvedere with Vesuvius in the distance (1785) by Jacob Philipp HackertView of the Plain of Caserta seen from the Royal Belvedere with Vesuvius in the distance1785 · Saltram House 56The Lake of Nemi (1784) by Jacob Philipp HackertThe Lake of Nemi1784 · Szépművészeti Múzeum 57Villa of Maecenas and the Waterfalls at Tivoli (1783) by Jacob Philipp HackertVilla of Maecenas and the Waterfalls at Tivoli1783 · Hermitage Museum 58View of the Bay of Baja (1785) by Jacob Philipp HackertView of the Bay of Baja1785 · Hermitage Museum 59View of the Basilica and Poseidon Temple of Paestum (1777) by Jacob Philipp HackertView of the Basilica and Poseidon Temple of Paestum1777 60The Temple of Hercules in Cori near Velletri (1783) by Jacob Philipp HackertThe Temple of Hercules in Cori near Velletri1783 · J. Paul Getty Museum 61Rome Viewed from the Baths of Caracalla (1779) by Jacob Philipp HackertRome Viewed from the Baths of Caracalla1779 62Landscape with the Sanctuary of Loreto by Ancona/Marche (Landscape with a Resting Shepherd) (1776) by Jacob Philipp HackertLandscape with the Sanctuary of Loreto by Ancona/Marche (Landscape with a Resting Shepherd)1776 63The falls at Tivoli (1780) by Jacob Philipp HackertThe falls at Tivoli1780 64A custom house, Naples, by moonlight with dancers and musicians by a fire (1780) by Jacob Philipp HackertA custom house, Naples, by moonlight with dancers and musicians by a fire1780 65Landscape with Cattle (1781) by Jacob Philipp HackertLandscape with Cattle1781 · Hermitage Museum 66The Seasons: Summer (1784) by Jacob Philipp HackertThe Seasons: Summer1784 · Germanisches Nationalmuseum 67The Seasons: Winter (1784) by Jacob Philipp HackertThe Seasons: Winter1784 · Germanisches Nationalmuseum 68View of Villa Albani in Rome (1779) by Jacob Philipp HackertView of Villa Albani in Rome1779 69View of Lipari and Stromboli (1778) by Jacob Philipp HackertView of Lipari and Stromboli1778 · Tsarskoye Selo 70Fisher Family at Nighttime Campfire with Turbulent Sea (1778) by Jacob Philipp HackertFisher Family at Nighttime Campfire with Turbulent Sea1778 · Museum Georg Schäfer 71View of Catania and Etna (1778) by Jacob Philipp HackertView of Catania and Etna1778 · Tsarskoye Selo 72Russian navy near Catania coast (1778) by Jacob Philipp HackertRussian navy near Catania coast1778 73Italianate Landscape (1778) by Jacob Philipp HackertItalianate Landscape1778 74The Waterfalls at Terni (1779) by Jacob Philipp HackertThe Waterfalls at Terni1779 75An italian capriccio veduta, with a greek temple near a shoreline, and a distant volcano (1779) by Jacob Philipp HackertAn italian capriccio veduta, with a greek temple near a shoreline, and a distant volcano1779 76River Valley of Isernia near Neapel (1791) by Jacob Philipp HackertRiver Valley of Isernia near Neapel1791 77Villa d'Este near Tivoli (1792) by Jacob Philipp HackertVilla d'Este near Tivoli1792 78Returning Long-Haired Cattle in the Roman Campagna. Evening Mood (1793) by Jacob Philipp HackertReturning Long-Haired Cattle in the Roman Campagna. Evening Mood1793 · Kunsthalle 79View of the Small Marina of Sorrento (1794) by Jacob Philipp HackertView of the Small Marina of Sorrento1794 · Royal Residence 80Two Views of a Dead Boar with a Mastiff and two other Dogs (1795) by Jacob Philipp HackertTwo Views of a Dead Boar with a Mastiff and two other Dogs1795 · Attingham Park 81Landscape with a Bridge, with a View of Monte Sarchio (1792) by Jacob Philipp HackertLandscape with a Bridge, with a View of Monte Sarchio1792 · Attingham Park 82Imaginary River Landscape (1795) by Jacob Philipp HackertImaginary River Landscape1795 · Attingham Park 83Veduta d’Itri (Landscape with a View of Itri) (1788) by Jacob Philipp HackertVeduta d’Itri (Landscape with a View of Itri)1788 · Museum Kunstpalast 84La Perdita del Liri a Anatrelle (1793) by Jacob Philipp HackertLa Perdita del Liri a Anatrelle1793 · Royal Collection 85River Landscape with Women Playing with a Child (1791) by Jacob Philipp HackertRiver Landscape with Women Playing with a Child1791 · Royal Collection 86The Large Waterfall at Tivoli near Rome (1790) by Jacob Philipp HackertThe Large Waterfall at Tivoli near Rome1790 87View of Montesarchio (1791) by Jacob Philipp HackertView of Montesarchio1791 · Hermitage Museum 88Marina Piccola in Sorrento (1794) by Jacob Philipp HackertMarina Piccola in Sorrento1794 89View of Posillipo on the Isle of Capri (1795), (1795) by Jacob Philipp HackertView of Posillipo on the Isle of Capri (1795),1795 90Isola di Sora (1794) by Jacob Philipp HackertIsola di Sora1794 91Ideal Landscape with Juno Temple of Agrigento (1794) by Jacob Philipp HackertIdeal Landscape with Juno Temple of Agrigento1794 · Germanisches Nationalmuseum 92View of the Volturno Valley towards Capua (1802) by Jacob Philipp HackertView of the Volturno Valley towards Capua1802 93Hare in the Bush (1803) by Jacob Philipp HackertHare in the Bush1803 94View of the Gulf of Pozzuoli from Solfatara (1803) by Jacob Philipp HackertView of the Gulf of Pozzuoli from Solfatara1803 · Cleveland Museum of Art 95The Lake of Avernus (1800) by Jacob Philipp HackertThe Lake of Avernus1800 · Attingham Park 96The Excavations at Pompeii (1799) by Jacob Philipp HackertThe Excavations at Pompeii1799 · Attingham Park 97The Gulf of Pozzuoli (1799) by Jacob Philipp HackertThe Gulf of Pozzuoli1799 · Attingham Park 98Capriccio View of the River Volturno with Monte Epomeo beyond (1796) by Jacob Philipp HackertCapriccio View of the River Volturno with Monte Epomeo beyond1796 · Attingham Park 99River Landscape with Elements of the English Garden at Caserta (1797) by Jacob Philipp HackertRiver Landscape with Elements of the English Garden at Caserta1797 · Attingham Park 100Goat and Lamb (1804) by Jacob Philipp HackertGoat and Lamb1804 · Alte Nationalgalerie

Principal subjects in the work of Jacob Philipp Hackert

The four subjects most frequently represented among these works, each with its best-known example.

Jacob Philipp Hackert: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Jacob Philipp Hackert Paintings from this list
Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 10 Temple Ruins in Sicily, Great Cascades at Tivoli, Landscape with a ancient Festival
Attingham ParkAttingham Park 10 Imaginary Landscape with the River Volturno, Two Views of a Dead Boar with a Mastiff and two other Dogs, Landscape with a Bridge, with a View of Monte Sarchio
Alte Nationalgalerie, BerlijnAlte Nationalgalerie Berlijn 6 Two Warriors in a Landscape of Trees and Rocks, River Landscape, Arcadian Landscape
Royal Collection, LondenRoyal Collection Londen 4 Landscape in Switzerland, La Perdita del Liri a Anatrelle, River Landscape with Women Playing with a Child
Germanisches Nationalmuseum, NürnbergGermanisches Nationalmuseum Nürnberg 3 The Seasons: Summer, The Seasons: Winter, Ideal Landscape with Juno Temple of Agrigento
Nationalmuseum, StockholmNationalmuseum Stockholm 4 French Landscape, River Landscape with Ruins
Städel Museum, FrankfurtStädel Museum Frankfurt 2 Saint Francis’ Grotto on Monte Verna, View of Saint Peter’s in Rome
Szépművészeti Múzeum, BoedapestSzépművészeti Múzeum Boedapest 2 Landscape with River, The Lake of Nemi

Decade index: the principal Jacob Philipp Hackert painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Jacob Philipp Hackert's paintings

What is the best-known work of Jacob Philipp Hackert?Display the answer

View of the Copper-Mill in Vietri (1773). The following entries are Saint Francis’ Grotto on Monte Verna (1801) and Landscape with a Waterfall and a Cowherd (1755).

How old was Jacob Philipp Hackert in the year of View of the Copper-Mill in Vietri?Display the answer

36 years: Jacob Philipp Hackert was born in 1737 and View of the Copper-Mill in Vietri is dated 1773.

What are the ten best-known works by Jacob Philipp Hackert?Display the answer

View of the Copper-Mill in Vietri, Saint Francis’ Grotto on Monte Verna, Landscape with a Waterfall and a Cowherd, River Landscape with Lovers, From the Banks of Arques, The Tiber in Rome, View of ruins by a river (the Seine), View of Château Gaillard and the Seine, Travellers resting beside a river, with a town and Temple Ruins in Sicily. The list above records the date and holding museum of each.

How many works by Jacob Philipp Hackert does the catalogue record?Display the answer

The catalogue records 161 works by Jacob Philipp Hackert, dated between 1755 and 1805.

Where are the principal works of Jacob Philipp Hackert held?Display the answer

Principally in Hermitage Museum (Sint-Petersburg), Attingham Park and Alte Nationalgalerie (Berlijn). The museum table above gives the full distribution.

During which period did Jacob Philipp Hackert produce the best-known works?Display the answer

In 1770s: 31 of the 100 works listed on this page are dated to that period, including View of the Copper-Mill in Vietri.

What are the earliest and latest best-known works by Jacob Philipp Hackert?Display the answer

The earliest dated work listed here is Landscape with a Waterfall and a Cowherd (1755); the latest is Forest Landscape with the Sleeping Boy Horaz Protected by Pigeons (1805).

What subjects did Jacob Philipp Hackert treat most often?Display the answer

Landscape (5), Pastoral (3) and People (2), out of the 100 works listed on this page.

What medium did Jacob Philipp Hackert employ most often?Display the answer

Oil On Canvas, in 6 of the 100 works listed on this page.

To which art movement is Jacob Philipp Hackert attributed?Display the answer

Romanticism, as documented by the works on this page.

Which paintings by Jacob Philipp Hackert does the Hermitage Museum hold?Display the answer

Temple Ruins in Sicily, Great Cascades at Tivoli and Landscape with a ancient Festival are among the 9 works on this page in the collection of the Hermitage Museum, Sint-Petersburg.

Can reproductions of Jacob Philipp Hackert's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of Jacob Philipp Hackert

Early Life and Artistic Foundations

Jacob Philipp Hackert emerged onto the artistic landscape in 1737, born in Prenzlau, Brandenburg – a region now nestled within Germany. His upbringing was steeped in artistry; his father, Philipp Hackert, practiced as both a portraitist and an animal painter, laying the initial groundwork for young Jacob’s creative journey. This familial influence extended to his uncle, under whose guidance he further honed his skills. Formal training followed at the prestigious Prussian Academy of Arts in Berlin beginning in 1758, where he diligently developed the technical foundations that would later define his style. However, Hackert's early career wasn’t confined to studio walls. His travels took him through Swedish Pomerania and eventually to Stockholm, where a pivotal commission from Baron Adolf Friedrich von Olthof – decorative murals for the baron’s estate – broadened his artistic horizons and exposed him to diverse aesthetic sensibilities. These formative years were crucial in shaping Hackert's eye and preparing him for the grander stages of his career.

The Italian Awakening: Paris, Rome, and Naples

A defining chapter unfolded with Hackert’s relocation to Paris between 1765 and 1768 alongside fellow Swiss artist Balthasar Anton Dunker. This period proved transformative, immersing him in a vibrant artistic milieu. He found himself profoundly influenced by Claude Joseph Vernet, the celebrated painter of landscapes and seascapes, absorbing elements of Vernet’s dramatic compositions and atmospheric effects into his own burgeoning style. Simultaneously, studies under German engraver Johann Georg Wille refined his precision and attention to detail. In 1768, Hackert embarked on a journey that would irrevocably alter his artistic trajectory – he moved to Italy with his brother Georg, establishing himself primarily in Rome and Naples. This move marked the beginning of an extraordinarily prolific period fueled by numerous commissions for views of the Italian countryside, most notably from Sir William Hamilton. He traversed the length and breadth of Italy, meticulously documenting its beauty and gaining recognition as a master landscape painter. The light, the colors, the very essence of the Italian peninsula captivated him, becoming the defining characteristic of his work.

Patronage, Recognition, and Artistic Flourishing

Hackert’s artistic career ascended to new heights through a combination of talent and strategic patronage. His ability to capture the sublime beauty of Italy resonated with prominent figures across Europe. A landmark commission arrived from Catherine the Great of Russia – a cycle of paintings depicting the pivotal Battle of Chesma, solidifying his reputation on an international scale. Further bolstering his standing was a fruitful relationship with Pope Pius VI, resulting in significant artistic projects that showcased his skill and versatility. In 1786, Hackert reached the pinnacle of his career when he was appointed court painter to Ferdinand I of the Two Sicilies in Naples. This prestigious role extended beyond mere painting; he was entrusted with advising on the creation of a painting restoration laboratory at the Museo di Capodimonte and overseeing the transfer of the esteemed Farnese collections from Rome to Naples, demonstrating his deep understanding of art history and conservation. He produced notable paintings depicting Caserta and the Royal Palace of Caserta, as well as a series illustrating the Bourbon ports. Intriguingly, Hackert also served as a secret informant for Russia during this time, maintaining contact with Andrey Razumovsky – a testament to the complex political landscape in which he operated. A particularly cherished connection blossomed between Hackert and Johann Wolfgang von Goethe during the latter’s visit to Naples in 1786, forging a friendship that further elevated his intellectual standing.

Style, Legacy, and Historical Significance

Jacob Philipp Hackert's artistic style represents a compelling synthesis of classical landscape painting and an emerging Romantic sensibility. Heavily influenced by the works of Claude Lorrain, his compositions are characterized by carefully balanced arrangements that blend observed reality with an idealized aesthetic vision. However, Hackert distinguished himself through an unwavering commitment to botanical accuracy and a desire for recognizable depictions of place. His paintings are marked by sharp renderings of natural details and realistic portrayals of Italian scenery, often bathed in a warm, golden light. He is rightfully considered one of the greatest interpreters of the *vedutismo* genre – paintings that meticulously depict city views and landscapes with topographical precision. Hackert’s historical significance extends beyond his artistic contributions; he served as a vital cultural ambassador between Germany and Italy during the late 18th century, bridging artistic traditions and fostering cross-cultural exchange. He passed away on April 28, 1807, in San Pietro di Careggi near Florence, leaving behind a substantial body of work that continues to inspire awe and admiration for its beauty, technical mastery, and enduring historical importance. His landscapes are not merely representations of scenery; they are windows into a world imbued with both classical grace and Romantic emotion.

All 161 works by Jacob Philipp Hackert →