Samenvatting
Het bekendste schilderij van Wilhelm Morgner is Goats (1911). De volgende vermeldingen zijn The Lumberjack (1911) en Soest Farmer (1912). De catalogus bevat 39 werken van Wilhelm Morgner; de 39 onderstaande vermeldingen zijn de bekendste, gerangschikt op volgorde met datum, museum en beschrijving.
Wilhelm Morgner: de 10 belangrijkste schilderijen
Wilhelm Morgner: resultaten 11 tot 39
Wilhelm Morgner: musea die werken bezitten
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Wilhelm Morgner | Schilderijen uit deze lijst |
|---|---|---|---|
| Dortmund | 1 | Entry of Christ into Jerusalem | |
| Frankfurt | 1 | Astrale Komposition VI |
Wilhelm Morgner: belangrijkste schilderijen per jaar
De gedateerde werken van Wilhelm Morgner die hier worden vermeld, beslaan een periode van 5 jaar, van 1909 tot 1913, een korte periode die hieronder jaar voor jaar wordt gepresenteerd.
Werken per jaar
Selecteer een jaar om de belangrijkste schilderijen te bekijken.
Schilderijen van Wilhelm Morgner: referentievragen
Welk schilderij van Wilhelm Morgner is het meest bekend?Toon het antwoord
Goats (1911). De volgende vermeldingen zijn The Lumberjack (1911) en Soest Farmer (1912).
Hoe oud was Wilhelm Morgner toen Goats werd geschilderd?Toon het antwoord
20 jaar: Wilhelm Morgner werd geboren in 1891 en Goats dateert uit 1911.
Welke tien schilderijen van Wilhelm Morgner zijn het bekendst?Toon het antwoord
Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape en The Porter. De bovenstaande lijst bevat de datum en het museum waar elk werk wordt bewaard.
Hoeveel werken van Wilhelm Morgner zijn gedocumenteerd?Toon het antwoord
De catalogus bevat 39 werken van Wilhelm Morgner, gedateerd tussen 1909 en 1913.
In welke musea bevinden zich de bekendste schilderijen van Wilhelm Morgner?Toon het antwoord
Voornamelijk in Museum Ostwall (Dortmund) en Städel Museum (Frankfurt). De bovenstaande museumtabel geeft de volledige verdeling weer.
In welke periode zijn de bekendste werken van Wilhelm Morgner geschilderd?Toon het antwoord
In 1911: 15 van de 39 werken op deze pagina dateren uit die periode, waaronder Goats.
Wat zijn de vroegste en de meest recente werken van Wilhelm Morgner op deze lijst?Toon het antwoord
Het vroegste gedateerde werk in deze lijst is Schulte Stands at Open Door (1909); het laatste is Ascension (1913).
Met welke kunststroming wordt Wilhelm Morgner geassocieerd?Toon het antwoord
Expressionism, zoals vastgelegd in de werken op deze pagina.
Zijn er reproducties van schilderijen van Wilhelm Morgner beschikbaar?Toon het antwoord
Ja. Elk werk dat op deze pagina wordt vermeld, kan via de eigen pagina worden besteld als een handgeschilderde olieverfreproductie of als een fine art print, in een door u gewenste afmeting.
Wilhelm Morgner: biografische gegevens
The Brief, Radiant Life of Wilhelm Morgner
In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.
Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.
A Symphony of Color and Abstraction
As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.
This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:
- Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
- Die Aktion: A platform for the most provocative voices of German Expressionism.
- The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
- The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.
A Legacy Forged in Fire and Memory
The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.
Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.





