Portrett av Emil Carlsen

Liste over de 94 mest kjente maleriene av Emil Carlsen

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 95 verk av Emil Carlsen i vår katalog

Sammendrag

Det mest kjente maleriet av Emil Carlsen er Ruby Reflection (1895). De neste oppføringene er The Picture from Thibet (1920) og Leeds Jug (1920). Katalogen dokumenterer 95 verk av Emil Carlsen; de 94 oppføringene nedenfor er de mest kjente, oppført i rangert rekkefølge med dato, museum og beskrivelse.

1848 – 1932, København Impressionism Flest verk: Museum of Fine Arts, Houston

Emil Carlsen: de 10 viktigste maleriene

1
Ruby Reflection (1895) av Emil Carlsen

Ruby Reflection

1895 · Oil On Canvas

In 1895, Emil Carlsen captured a quiet moment in Ruby Reflection. This oil on canvas work emerges from the hand of an American Impressionist painter. The surface holds the weight of pigment and intent, a stillness caught in the grain of the fabric. It is a study of light and form, anchored by the artist's presence in the corner of the frame.

4
Mums in an Oriental Vase (1893) av Emil Carlsen

Mums in an Oriental Vase

1893

The painting Mums in an Oriental Vase by Soren Emil Carlsen is a stunning example of still life art, showcasing the artist's skill in capturing the delicate details of nature. Created in 1893, this oil on canvas piece features a beautiful arrangement of flowers in a white vase with blue accents, creating an elegant and harmonious display. The Artist's Style Soren Emil Carlsen was a master of still life painting,…

6
Blackfish and Clams (1880) av Emil Carlsen

Blackfish and Clams

1880 · Oil On Canvas · Metropolitan Museum of Art, New York

To gaze upon Blackfish and Clams is to be drawn into a moment suspended in time—a quiet tableau of sustenance and domestic grace. Søren Emil Carlsen, with his masterful hand, has captured not merely objects, but the very essence of a bountiful catch laid out for contemplation. The composition itself speaks volumes; it is structured around a gentle, almost unconscious triangle, drawing the eye from the central woven basket outward…

Emil Carlsen: treff 11 til 94

11The Root Cellar (1884) av Emil CarlsenThe Root Cellar1884 12A Young Girl Preparing Poultry (1885) av Emil CarlsenA Young Girl Preparing Poultry1885 13Still Life with Skate (1884) av Emil CarlsenStill Life with Skate1884 14The Root Cellar (1884) av Emil CarlsenThe Root Cellar1884 15Cape Ann Sands (1885) av Emil CarlsenCape Ann Sands1885 16Still Life with Fish (1882) av Emil CarlsenStill Life with Fish1882 · National Gallery of Art 17Still LIfe with Goose (1883) av Emil CarlsenStill LIfe with Goose1883 18Still LIfe with Flowers (1883) av Emil CarlsenStill LIfe with Flowers1883 19Haddock (1886) av Emil CarlsenHaddock1886 · Smithsonian American Art Museum 20Still Life with Bust and White Roses (1888) av Emil CarlsenStill Life with Bust and White Roses1888 21Still Life (1892) av Emil CarlsenStill Life1892 22White Asparagus (1891) av Emil CarlsenWhite Asparagus1891 23Still LIfe with Strawberries (1891) av Emil CarlsenStill LIfe with Strawberries1891 24Still Life with Fish (1893) av Emil CarlsenStill Life with Fish1893 25Chrysanthemums in a Canton Vase (1893) av Emil CarlsenChrysanthemums in a Canton Vase1893 26Vase of Roses (1895) av Emil CarlsenVase of Roses1895 27Still Life of Chrysanthemums in a Canton Vase (1893) av Emil CarlsenStill Life of Chrysanthemums in a Canton Vase1893 28Still Life with Dead Game (1895) av Emil CarlsenStill Life with Dead Game1895 29May (1895) av Emil CarlsenMay1895 30Still Life with Fish (1897) av Emil CarlsenStill Life with Fish1897 · Museum of Fine Arts, Houston 31Roses (1894) av Emil CarlsenRoses1894 32Still Life with Squash and PItcher (1893) av Emil CarlsenStill Life with Squash and PItcher1893 33Still Life with Fish and Copper Bowl (1894) av Emil CarlsenStill Life with Fish and Copper Bowl1894 34Orchard in Bloom (1904) av Emil CarlsenOrchard in Bloom1904 · Rhode Island School of Design Museum of Art 35Still Life with Oriental Works of Art (1901) av Emil CarlsenStill Life with Oriental Works of Art1901 36Study in Grey (1906) av Emil CarlsenStudy in Grey1906 · Dallas Museum of Art 37The South Strand (1909) av Emil CarlsenThe South Strand1909 · Smithsonian American Art Museum 38Wood Interior (1910) av Emil CarlsenWood Interior1910 · Cleveland Museum of Art 39Meeting of the Two Seas (1908) av Emil CarlsenMeeting of the Two Seas1908 40Moonlilt Seascape (1909) av Emil CarlsenMoonlilt Seascape1909 41Moonlight on the Kattegat (1910) av Emil CarlsenMoonlight on the Kattegat1910 42Still LIfe with Garlic (1906) av Emil CarlsenStill LIfe with Garlic1906 43The Open Sea (1910) av Emil CarlsenThe Open Sea1910 44Still Life with Kettle and Jug (1906) av Emil CarlsenStill Life with Kettle and Jug1906 45Oriental Jars (1914) av Emil CarlsenOriental Jars1914 · Saint Louis Art Museum 46Still Life (1914) av Emil CarlsenStill Life1914 47Entrance to the Harbor of St. Thomas (1915) av Emil CarlsenEntrance to the Harbor of St. Thomas1915 · Reading Public Museum 48Summer Light (1915) av Emil CarlsenSummer Light1915 49The Sky and the Ocean (1913) av Emil CarlsenThe Sky and the Ocean1913 50Moonlight Scene (1913) av Emil CarlsenMoonlight Scene1913 51The Fan (1919) av Emil CarlsenThe Fan1919 · Saint Louis Art Museum 52Landscape (1919) av Emil CarlsenLandscape1919 · Dayton Kunstmuseum 53Still Life (1920) av Emil CarlsenStill Life1920 · Museum of Fine Arts, Houston 54The French Fan (1922) av Emil CarlsenThe French Fan1922 55Meeting of the Seas (1919) av Emil CarlsenMeeting of the Seas1919 56The Leeds Jug (1920) av Emil CarlsenThe Leeds Jug1920 57Iron Kettle and Clams (1926) av Emil CarlsenIron Kettle and Clams1926 58Connecticut Farmhouse (1928) av Emil CarlsenConnecticut Farmhouse1928 59A Cleaaring beyond the Trees (also known as Green Trees) (1928) av Emil CarlsenA Cleaaring beyond the Trees (also known as Green Trees)1928 60Wood Pasture (1930) av Emil CarlsenWood Pasture1930 61Evening Light (1930) av Emil CarlsenEvening Light1930 62Still Life with Self-Portrait Reflection (1931) av Emil CarlsenStill Life with Self-Portrait Reflection1931 63October Summer (1904) av Emil CarlsenOctober Summer1904 64The Open Sea (1909) av Emil CarlsenThe Open Sea1909 · Metropolitan Museum of Art 65Still Life with Yellow Roses av Emil CarlsenStill Life with Yellow RosesMuseum of Fine Arts, Houston 66Oriental Still Life av Emil CarlsenOriental Still Life 67Still Life with Teapot and Onion av Emil CarlsenStill Life with Teapot and Onion 68Cliff and Sea, Ogunquit av Emil CarlsenCliff and Sea, Ogunquit 69Surf Breaking on Rocks av Emil CarlsenSurf Breaking on Rocks 70Woods av Emil CarlsenWoods 71Through the Woods av Emil CarlsenThrough the Woods 72The Majestic Sea av Emil CarlsenThe Majestic Sea 73Trees in Forest av Emil CarlsenTrees in Forest 74The Market, Venice av Emil CarlsenThe Market, Venice 75Lakeside Landscape av Emil CarlsenLakeside Landscape 76Wooded Interior av Emil CarlsenWooded Interior 77Still Life with Teapot and Onion av Emil CarlsenStill Life with Teapot and Onion 78Still Life of Chrysanthemums av Emil CarlsenStill Life of Chrysanthemums 79Jade and Ancient Glass av Emil CarlsenJade and Ancient Glass 80Silver and Gray av Emil CarlsenSilver and Gray 81Misty Sea av Emil CarlsenMisty Sea 82Vase and Flowers av Emil CarlsenVase and Flowers 83Still Life with Mallards and Copper Pots av Emil CarlsenStill Life with Mallards and Copper Pots 84A Freshening Breeze av Emil CarlsenA Freshening Breeze 85Still LIfe with Pitcher and Pivar av Emil CarlsenStill LIfe with Pitcher and Pivar 86The Caribbean av Emil CarlsenThe Caribbean 87The Ocean at Sunrise av Emil CarlsenThe Ocean at Sunrise 88Landscape av Emil CarlsenLandscape 89Landscape, Orange Mountain av Emil CarlsenLandscape, Orange Mountain 90Still LIfe with Chinese Porcelain av Emil CarlsenStill LIfe with Chinese Porcelain 91The Valley, Moonlight av Emil CarlsenThe Valley, Moonlight 92The Samovar (1920) av Emil CarlsenThe Samovar1920 93The Canal av Emil CarlsenThe CanalReading Public Museum 94Still Life with Copper, Brass and Onions (1888) av Emil CarlsenStill Life with Copper, Brass and Onions1888

Hovedmotiver i verkene til Emil Carlsen

De fire motivene som er hyppigst representert blant disse verkene, hver med sitt mest kjente eksempel.

Emil Carlsen: innehavere av museer

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Emil Carlsen Malerier fra denne listen
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 3 Still Life with Fish, Still Life, Still Life with Yellow Roses
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 The Picture from Thibet, Still Life with Fish
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 Blackfish and Clams, The Open Sea
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Haddock, The South Strand
Saint Louis Art Museum, Saint LouisSaint Louis Art Museum Saint Louis 2 Oriental Jars, The Fan
Reading Public Museum, ReadingReading Public Museum Reading 2 Entrance to the Harbor of St. Thomas, The Canal
Taubman Museum of Art, RoanokeTaubman Museum of Art Roanoke 1 Leeds Jug
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Nantasket Beach

Emil Carlsen: hovedmaleri for hvert tiår

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Velg et tiår for å vise dets viktigste maleri.

Emil Carlsens malerier: referansespørsmål

Hvilket maleri av Emil Carlsen er det mest kjente?Vis svaret

Ruby Reflection (1895). De følgende oppføringene er The Picture from Thibet (1920) og Leeds Jug (1920).

Hvor gammel var Emil Carlsen da Ruby Reflection ble malt?Vis svaret

47 år: Emil Carlsen ble født i 1848, og Ruby Reflection er datert 1895.

Hvilke ti malerier av Emil Carlsen er de mest kjente?Vis svaret

Ruby Reflection, The Picture from Thibet, Leeds Jug, Mums in an Oriental Vase, Old Sycamore, Blackfish and Clams, Nantasket Beach, Sailor's Wife, Chrysanthemums og The River Bank. Listen ovenfor viser dato og museum for hvert av dem.

Hvor mange verk av Emil Carlsen er dokumentert?Vis svaret

Katalogen inneholder 95 verk av Emil Carlsen, datert mellom 1876 og 1931.

Hvilke museer har de mest kjente maleriene til Emil Carlsen?Vis svaret

Hovedsakelig i Museum of Fine Arts, Houston (Houston), National Gallery of Art (Washington) og Metropolitan Museum of Art (New York). Tabellen over viser den fullstendige fordelingen.

I hvilken periode ble Emil Carlsens mest kjente verk malt?Vis svaret

I 1890s: 15 av de 94 verkene som er oppført på denne siden er datert til denne perioden, inkludert Ruby Reflection.

Hvilke er de tidligste og de nyeste verkene av Emil Carlsen på denne listen?Vis svaret

Det eldste verket som er oppført her er fra Nantasket Beach (1876); det nyeste er fra Still Life with Self-Portrait Reflection (1931).

Hvilke motiver går igjen hyppigst i verkene til Emil Carlsen?Vis svaret

Life (17), Vase (7) og Still life (7) av totalt 94 verk oppført på denne siden.

Hvilket medium dominerer i verkene til Emil Carlsen?Vis svaret

Oil On Canvas, i 4 av de 94 verkene som er oppført på denne siden.

Hvilken kunstretning er Emil Carlsen tilknyttet?Vis svaret

Impressionism, som dokumentert av verkene på denne siden.

Hvilke verk av Emil Carlsen er i samlingen til Museum of Fine Arts, Houston?Vis svaret

Still Life with Fish, Still Life og Still Life with Yellow Roses er blant de 3 verkene på denne siden i samlingen til Museum of Fine Arts, Houston, Houston.

Emil Carlsen: biografiske noter

Soren Emil Carlsen: The Quiet Mastery of Light and Stillness

Soren Emil Carlsen (1848 or 53 – 1932) stands as a singular figure in American painting, embodying the harmonious convergence of Danish artistic heritage and Californian Impressionist innovation. Born October 19, 1853, in Copenhagen, Denmark—though records vary slightly—Carlsen’s early life was marked by exposure to artistic sensibilities fostered by his mother's own creative pursuits and the influence of cousin Viggo Johansen, a celebrated Danish painter. This familial connection instilled within him a profound appreciation for visual expression from a young age. His formal education began at the Royal Academy in Copenhagen where he studied architecture, grounding him in structural principles that would subtly inform his later artistic endeavors. However, it was his passion for painting—fueled by Holst’s mentorship—that truly propelled him toward artistic distinction.
  • Early Influences: Lauritz Holst and Tonalism
  • The Parisian Awakening: Jean-Baptiste Chardin's Legacy
  • Emigration to America and the Chicago School
  • California Impressionism: Embracing Light and Atmosphere
  • A Lifetime Dedicated to Teaching and Artistic Preservation

Early Influences: Lauritz Holst and Tonalism

Carlsen’s artistic journey commenced with a foundational understanding of architectural design, honed at the Royal Academy. Simultaneously, he absorbed techniques of marine painting from Lauritz Bernhard Holst, whose studio he assisted—a partnership that exposed him to the expressive possibilities of capturing atmospheric conditions on water. This formative experience instilled in Carlsen a sensitivity to light and texture—qualities that would become central to his distinctive style. Holst’s guidance proved invaluable, shaping Carlsen's initial artistic vision and establishing a connection to the traditions of Danish art. Notably, Holst returned to Denmark shortly after Carlsen began his studies, leaving him with a studio and fostering an independent path toward artistic exploration.

The Parisian Awakening: Jean-Baptiste Chardin's Legacy

A transformative period unfolded when Carlsen traveled to Paris in 1875, seeking further refinement of his craft under the tutelage of Jean-Baptiste-Siméon Chardin—the revered French master of still life. Chardin’s approach to depicting objects imbued with dignity and poetic resonance profoundly impacted Carlsen's artistic sensibilities. He meticulously studied Chardin’s techniques, absorbing his masterful use of tonal gradations and subtle atmospheric effects. This immersion in Chardin’s oeuvre solidified Carlsen’s commitment to portraying the essence of subjects—rather than merely their outward appearance—a stylistic hallmark that would characterize his entire career.

Emigration to America and the Chicago School

In 1872, Carlsen embarked on a momentous journey westward, immigrating to Chicago, Illinois, where he established himself as an architect’s assistant and pursued artistic studies independently. Recognizing the burgeoning artistic dynamism of Chicago—fueled by immigration from Europe—he joined the newly founded Chicago Arts Institute under Holst's encouragement. This move marked not only a geographical relocation but also a decisive step toward embracing American Impressionism—a movement that championed capturing fleeting moments of light and color on canvas. He collaborated closely with Arthur Mathews, fostering a friendship rooted in shared artistic passions and furthering his understanding of Californian artistic trends.

California Impressionism: Embracing Light and Atmosphere

Carlsen’s engagement with California Impressionism culminated in his role as director of the San Francisco Arts Association School from 1887 to 1889—a position that allowed him to cultivate a new generation of artists while simultaneously experimenting with innovative techniques. Influenced by Claude Monet and Auguste Renoir, he adopted their emphasis on capturing atmospheric conditions and portraying vibrant hues—reflecting the radiant beauty of the Californian landscape. His paintings from this period exemplify his unwavering dedication to conveying mood and emotion through subtle tonal variations and luminous color palettes—a testament to his artistic evolution and enduring legacy.

A Lifetime Dedicated to Teaching and Artistic Preservation

Throughout his prolific career, Carlsen remained steadfast in his commitment to educating aspiring artists—serving as instructor at the National Academy of Design, Art Students League, and Pennsylvania Academy of Fine Arts for over four decades. He championed observation, technique, and a deep appreciation for artistic principles—inspiring countless students to pursue their own creative visions. His pedagogical approach extended beyond mere instruction; it fostered a love of art and encouraged experimentation—resulting in a remarkable cohort of artists who would contribute significantly to the American art landscape. Carlsen’s accomplishments were recognized with numerous accolades, including the Samuel T. Shaw Purchase Prize, Gold Medal at the Louisiana Purchase Exposition, and the Medal of Honor at the Panama-Pacific International Exposition—affirming his stature as a leading figure in American artistic excellence. He died January 2, 1932, in New York City, leaving behind an enduring body of work that continues to captivate audiences today.