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Mount Sinai

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Edward Lear, Mount Sinai. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Edward Lear wikioo.org/no/artists/edward-lear_no/
Kunstnerens levetid
1812 – 1888

I sammenheng med

Mount Sinai — Edward Lear

Når kan dette ha blitt malt?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 76 ved død.

Skyggelagt: livsløpet til Edward Lear (1812–1888) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1858 Hovedvirksomhetsår: 1858–1872 Senere verk: fra 1872

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/edward-lear-mount-sinai-8LHSKM-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Espresso #46362a

    Katalogisert palett

    • #46362A
    • #FFFFFE
    • #241812
    • #6B6B68

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Espresso
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Edward Lear i løpet av de siste tolv månedene — totalt 12 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 67.8%
    2. 2 United States of America 13.0%
    3. 3 Hong Kong 4.8%
    4. 4 Singapore 4.8%
    5. 5 Romania 3.4%
    6. 6 Australia 1.4%
    7. 7 Storbritannia 1.4%
    8. 8 Brazil 0.7%
    9. 9 Switzerland 0.7%
    10. 10 Spain 0.7%
    11. · 2 andre land 1.3%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Edward Lear

    1. 1 The Temple of Apollo at Bassae, 1855 1.9%
    2. 2 Road near Galle, Ceylon, 1879 1.9%
    3. 3 Montene ved Termopyle, 1852 1.9%
    4. 4 Study Of Palm Trees 1.9%
    5. 5 The Pyramids of Ghizeh, 1873 1.9%
    6. 6 The nile at kaasr-es-saiyyad 1.9%
    7. 7 Esneh On The Nile, Near Luxor, Egypt 2 1.9%
    8. 8 Certosa Di Pesio Con Le Missioni Della Consolata 1.9%
    9. 9 View Over The Lake, Kandy, Ceylon 1.9%
    10. 10 Damascus 3 1.9%
    11. 11 Quarries of Syracuse, 1847 1.3%
    12. 12 View of Florence from Villa San Firenze, 1862 1.3%
    13. 13 Launce and His Dog 1.3%
    14. 14 Ceylon Scenery 1.3%
    15. 15 Walls Of Constantinople 1.3%
    16. 16 Figure On A Balcony Overlooking The Citadel, Corfu 1.3%
    17. 17 Porta Maggiore, Rome 1.3%
    18. 18 Smakieras, Corfu 1.3%
    19. 19 Erbalunga, Corsica 1.3%
    20. — Mount Sinai dette maleriet 0.0%

    Sammen utgjør disse verkene 30.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 395 verk av denne kunstneren, hvorav 114 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Edward Lear

    Født i London, Storbritannia

    A Life Painted in Nonsense and Light

    Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a veritable whirlwind of siblings – Lear’s early life was profoundly shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape; qualities that are profoundly reflected in his art and writing.

    From Ornithological Precision to Landscape’s Embrace

    Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a truly exceptional eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to meticulously document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots were not merely a job; they fostered a deep and enduring connection with the natural world – a connection that would become a cornerstone of his later landscape paintings. The demanding nature of this work, however, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not only offering a restorative environment but also providing an abundance of breathtaking vistas that would inform his artistic vision. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating images that possess both realism and a dreamlike quality.

    The Poet of Nonsense: A World Unbound

    While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. A Book of Nonsense, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks, in particular, are renowned for their rhythmic precision and unexpected twists. The Owl and the Pussy-Cat, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. The poem’s gentle humor and whimsical characters continue to delight readers of all ages.

    Influences and Artistic Development

    Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.

    Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.

    Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.

    Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

    A Legacy of Innovation and Enduring Charm

    Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

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    QR-kode som lenker til nedlastingssiden for Mount Sinai

    wikioo.org/no/art/download/edward-lear-mount-sinai-8LHSKM-en/

    Kildehenvisning for dette kunstverket

    MLA
    Lear, Edward. Mount Sinai. n.d., https://wikioo.org/no/art/edward-lear-mount-sinai-8LHSKM-en/
    APA
    Lear, Edward (n.d.). Mount Sinai [Painting]. https://wikioo.org/no/art/edward-lear-mount-sinai-8LHSKM-en/
    Chicago
    Edward Lear. Mount Sinai. n.d. https://wikioo.org/no/art/edward-lear-mount-sinai-8LHSKM-en/
    Harvard
    Lear, Edward (n.d.) Mount Sinai. Available at: https://wikioo.org/no/art/edward-lear-mount-sinai-8LHSKM-en/

    Se nærmere på

    Mount Sinai — Edward Lear

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: mountains. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Mount Athos and the Monastery of Stavronikétes (1857), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er "Mount Sinai" av Edward Lear et portrett, landskap eller en kvadratisk komposisjon?

    Formatet på "Mount Sinai" er Panoramic. Dette er nyttig når du planlegger hvor en reproduksjon skal plasseres.

    Er fargene i "Mount Sinai" sterke eller dempede?

    "Mount Sinai" av Edward Lear er gjengitt med en Muted metning og en Monochromatic intensitet.

    Hvor intens er fargebruken i "Mount Sinai" av Edward Lear?

    Fargeintensiteten i "Mount Sinai" er Monochromatic. Intensitet beskriver hvor sterke fargene fremstår.