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random dot grid pattern v 73-121

Navn Klasse Dato

Herman de Vries, random dot grid pattern v 73-121 (1973), THAT'S CONTEMPORARY. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Herman de Vries wikioo.org/no/artists/herman-de-vries/
Kunstnerens levetid
1931 –
Malt
1973
Opprinnelig størrelse
73 x 102 cm
Arrangert på
THAT'S CONTEMPORARY wikioo.org/no/museums/that-s-contemporary-milan/

I sammenheng med

random dot grid pattern v 73-121 — Herman de Vries

Hvor stort er det?

Originalen måler 73 × 102 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 42. 1 av de 9 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1973 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1979 Hovedvirksomhetsår: 1979–2015 Senere verk: fra 2015

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #cdd0c9

    Katalogisert palett

    • #CDD0C9
    • #CBBA9C
    • #B49D80
    • #C65C2D

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Monochrome Den dominerende fargefamilien i bildet.
    Hovedfarge
    Putty
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Herman de Vries i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%200 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 1 mest viste verkene av Herman de Vries

    1. 1 random dot grid pattern v 73-121, 1973 dette maleriet 100.0%200 besøk

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 9 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet rangerer som nummer 1, med 100.0% av denne oppmerksomheten (200 besøk). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Herman de Vries

    Født i Alkmaar, Netherlands

    Herman de Vries: A Life Dedicated to the Language of Nature

    Born in Alkmaar, Netherlands, in 1931, Herman de Vries’s artistic journey is inextricably linked to a profound reverence for the natural world. From his early beginnings exploring the intricacies of plants and seeds – a fascination that began in 1953 – he embarked on a lifelong pursuit to translate the silent eloquence of nature into meticulously crafted visual narratives. De Vries wasn't merely an artist; he was, as he himself described it, a ‘translator,’ seeking to reveal the hidden order within seemingly chaotic natural forms. His work stands apart not just for its technical precision but for its quiet insistence on recognizing the inherent beauty and intelligence embedded in even the smallest botanical detail.

    De Vries’s early career was marked by experimentation with various media, including drawing and collage, reflecting a broader engagement with artistic movements of his time. The influence of the Zero group – a collective of Dutch artists pushing boundaries in the late 1950s and early 1960s – is evident in his commitment to simplicity and economy of form. This minimalist approach, coupled with a desire to capture the essence of natural phenomena, became a defining characteristic of his later work. He famously adopted a lowercase style for his name on his artwork, a deliberate choice intended to diminish hierarchy and emphasize the equal importance of the artist and the subject matter – a subtle yet powerful statement about his artistic philosophy.

    Moving into the 1970s, De Vries shifted his focus towards directly engaging with natural materials. He began collecting soil samples from around the globe, transforming them into vibrant areas of color that revealed the astonishing diversity hidden beneath our feet. This period marked a significant evolution in his work, moving beyond representation to explore the very materiality of nature itself. His pieces became less about depicting specific plants and more about conveying their fundamental qualities – texture, form, and color – through carefully arranged collections.

    Botanical Precision and Geometric Harmony

    De Vries’s technical skill is undeniable. He possessed an almost obsessive attention to detail, meticulously rendering the textures of seeds, the veins of leaves, and the intricate patterns of dried flowers. His works are characterized by a remarkable level of precision, achieved through painstaking observation and patient execution. However, this technical mastery never overshadows the underlying conceptual framework of his art. It’s not simply about accurate representation; it's about revealing the inherent geometry and order within seemingly random natural arrangements.

    Consider “Prunus Persica,” a captivating study of twelve nuts and seeds rendered in exquisite detail. The arrangement isn’t arbitrary; it follows a precise geometric pattern, mirroring the underlying structure of the botanical specimens themselves. Similarly, "An Afternoon Under a Cherry Tree" showcases dried leaves arranged in meticulously crafted diptychs – a testament to De Vries's ability to transform ephemeral natural elements into enduring works of art. These pieces demonstrate his mastery of composition and his deep understanding of how form and space interact.

    A Life Rooted in Germany

    In 1980, De Vries relocated to Eschenau, near Knetzgau, Germany, where he continues to live and work today. This move marked a deepening connection with the landscape and a continued exploration of his core themes. His studio has become a repository for collected natural materials – soil, seeds, leaves, and fragments of wood – each carefully selected and arranged to evoke a sense of wonder and contemplation.

    His current work often focuses on disrupted relationships between humanity and nature, reflecting a growing concern about environmental issues. He continues to collect and arrange these elements, not as static representations but as dynamic expressions of the interconnectedness of all things. The artist’s choice to live in Germany has undoubtedly influenced his perspective, allowing him to immerse himself in the rich cultural heritage of the region while maintaining a steadfast commitment to his artistic vision.

    Recognition and Legacy

    Herman de Vries's work has garnered significant recognition within the international art community. His pieces are held in prestigious collections including The Museum of Modern Art in New York, the Stedelijk Museum Schiedam in the Netherlands, and the Victoria and Albert Museum in London. In 2015, he was included in the Venice Biennale, a testament to his enduring influence and artistic merit.

    Beyond individual accolades, De Vries’s legacy lies in his profound respect for nature and his ability to translate its complexities into visually arresting works of art. He demonstrated that beauty could be found not only in grand landscapes but also in the smallest details – a single seed, a dried leaf, or a handful of soil. His work serves as a constant reminder of our connection to the natural world and the importance of appreciating its inherent value.

    Museum

    THAT'S CONTEMPORARY

    Utstilt i Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

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    QR-kode som lenker til nedlastingssiden for random dot grid pattern v 73-121

    wikioo.org/no/art/download/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

    Kildehenvisning for dette kunstverket

    MLA
    Vries, Herman de. random dot grid pattern v 73-121. 1973, THAT'S CONTEMPORARY. https://wikioo.org/no/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    APA
    Vries, Herman de (1973). random dot grid pattern v 73-121 [Painting]. THAT'S CONTEMPORARY. https://wikioo.org/no/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    Chicago
    Herman de Vries. random dot grid pattern v 73-121. 1973. THAT'S CONTEMPORARY. https://wikioo.org/no/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    Harvard
    Vries, Herman de (1973) random dot grid pattern v 73-121. THAT'S CONTEMPORARY. Available at: https://wikioo.org/no/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

    Se nærmere på

    random dot grid pattern v 73-121 — Herman de Vries

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på from the streets of amsterdam (2015), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Herman de Vries var omtrent 42 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hva er dateringen til "random dot grid pattern v 73-121" av Herman de Vries?

    "random dot grid pattern v 73-121" dateres til 1973. Denne datoen plasserer verket innenfor Herman de Vries sin karriere og sin epoke.

    Hvor kan jeg finne kunstverk som ligner på "random dot grid pattern v 73-121" av Herman de Vries?

    Siden Lignende verk for "random dot grid pattern v 73-121" av Herman de Vries viser relaterte kunstverk.

    Hvilken fargepalett brukes i "random dot grid pattern v 73-121" av Herman de Vries?

    "random dot grid pattern v 73-121" av Herman de Vries bruker en Monochrome fargepalett. Paletten oppsummerer verkets overordnede fargekarakter.