Papir

Veiledning for studentkunst

Pandora

Navn Klasse Dato

John Dickson Batten, Pandora (1913), The University of Reading. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
John Dickson Batten wikioo.org/no/artists/john-dickson-batten/
Kunstnerens levetid
1860 – 1932
Malt
1913
Opprinnelig størrelse
128 x 168 cm
Arrangert på
The University of Reading wikioo.org/no/museums/the-university-of-reading-reading/

I sammenheng med

Pandora — John Dickson Batten

Hvor stort er det?

Originalen måler 128 × 168 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 72 ved død.

Malt da kunstneren var 53. Kunstneren ble 72 år gammel. 5 av de 7 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til John Dickson Batten (1860–1932) ▲ dette verket, 1913 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/john-dickson-batten-pandora-ARD839-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Walnut #7b5639

    Katalogisert palett

    • #7B5639
    • #9F8056
    • #475067
    • #403127

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Walnut
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av John Dickson Batten i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 France 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 2 mest viste verkene av John Dickson Batten

    1. 1 Eve and the Serpent, 1895 100.0%
    2. — Pandora, 1913 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 8 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    John Dickson Batten

    John Dickson Batten (1860–1932): A Pioneer of Egg Tempera and Enchanting Fairy Tale Illustrations

    John Dickson Batten, born in 1860, was a British artist who achieved considerable renown for his distinctive style of egg tempera painting and his captivating illustrations of fairy tales—particularly those inspired by Celtic folklore. He stands as a pivotal figure in the revival of this traditional medium during the Edwardian era, marking a significant moment in British art history.

    Batten’s artistic journey began with an early fascination for ornithology and animal flight studies, which profoundly influenced his approach to painting. This passion translated into meticulous observation and detailed rendering—characteristics that would become hallmarks of his oeuvre. He honed his skills through self-study and experimentation, eventually establishing himself as a respected artist in Birmingham alongside fellow tempera enthusiasts like Arthur Gaskin. Their collaborative efforts fostered a renewed appreciation for the technique’s luminosity and expressive potential.

    A defining achievement was undoubtedly Batten's monumental fresco depicting Atlanta and Milanion—a retelling of Celtic legend commissioned for Reading University—which exemplifies his mastery of egg tempera and showcases his ability to convey narrative depth with visual precision. This ambitious project cemented his reputation as a visionary artist committed to preserving cultural heritage through art.

    Batten’s artistic output extended beyond monumental frescoes, encompassing a diverse range of subjects including biblical scenes and imaginative depictions of fairy tales. He skillfully adapted the egg tempera technique to illuminate narratives from Arabian Nights and Dante's Inferno, demonstrating versatility and intellectual curiosity. His illustrations for “Snow White and the Seven Dwarfs” and "Europa’s Fairy Book" are celebrated for their delicate beauty and evocative storytelling—testaments to his artistic vision.

    Furthermore, Batten was a prolific writer, delving into poetry and exploring themes of flight and imagination. He published two volumes of verse that captured the spirit of his time, reflecting both scientific observation and lyrical contemplation. His contribution to art scholarship included an insightful article on tempera painting practice, furthering understanding of this artistic tradition.

    Batten’s legacy resides not only in his stunning paintings but also in his role as a champion of egg tempera—a medium that had largely faded from prominence by the early 20th century. He revitalized interest in its expressive qualities and ensured its continued presence within British art, securing his place as an enduring figure in artistic history. His work continues to inspire admiration for its meticulous detail, luminous color palette, and ability to transport viewers into worlds of myth and wonder.

    Museum

    The University of Reading

    Utstilt i Reading, United Kingdom

    A Tapestry of Knowledge: Exploring The University of Reading’s Museums

    Nestled within the verdant landscape of Berkshire, just a short distance from London, lies a treasure trove of artistic and historical significance – The University of Reading’s museums. More than mere repositories of artifacts, these institutions represent a carefully curated journey through human experience, spanning millennia and continents. Founded as an extension college in 1892, the university has cultivated a remarkable collection, born from academic research, philanthropic donations, and a deep commitment to preserving our collective past. A visit here isn’t simply an act of observation; it's an immersion into interconnected narratives that illuminate our understanding of the world around us – a testament to the enduring power of knowledge and beauty.

    The architectural landscape itself contributes significantly to the museum experience. The Whiteknights campus, where these museums reside, is a harmonious blend of historic grandeur and modern functionality. The imposing Victorian buildings, originally designed for academic pursuits, now house collections that whisper tales of bygone eras. The Cole Museum of Zoology’s distinctive red brick façade, reminiscent of a grand scientific institute, stands in stark contrast to the more intimate, almost medieval feel of the Ure Museum of Greek Archaeology. Each building has been thoughtfully integrated into the campus environment, creating a sense of seamlessness and encouraging exploration – a deliberate design choice that reflects the university's holistic approach to learning.

    The Museum of English Rural Life: Echoes of a Vanishing World

    Stepping into The Museum of English Rural Life (MERL) is akin to stepping back in time, enveloped by the sights, sounds, and stories of a vanishing way of life. This isn’t simply a collection of agricultural tools; it's a poignant chronicle of rural England, meticulously assembled to showcase the evolution of farming practices, traditional crafts, and the very fabric of community existence. Vintage tractors stand as silent sentinels, recalling eras of hard work and innovation – their weathered metal bearing witness to countless hours spent tilling the land. Historical photographs offer intimate glimpses into the lives of those who tilled the soil, their faces etched with resilience and a deep connection to the natural world. Exhibits delve into the social history of the countryside, revealing not just how people lived, but why – exploring the traditions, beliefs, and challenges that shaped rural communities for generations. The museum’s strength lies in its ability to humanize history, transforming artifacts into tangible links to our collective past. The scent of hay seems to linger in the air, and the echoes of rural voices resonate through time, offering a poignant reminder of a way of life increasingly rare in the modern world.

    From Ancient Skeletons to Modern Science: The Cole Museum of Zoology

    A dramatic shift in focus awaits at the Cole Museum of Zoology, a captivating realm dedicated to the incredible diversity of life on Earth. This is not a sterile display of specimens; it’s an invitation to marvel at the intricate beauty and evolutionary wonders of the animal kingdom. The museum boasts an impressive array of skeletons, taxidermied creatures, and preserved animals – from delicate butterflies pinned with meticulous care to imposing whale bones that speak of vast oceanic journeys. Particular strength lies in collections from the Euromediterranean region, alongside fascinating finds from the Falkland Islands and southern South America. Rare species are showcased, offering critical insights into biodiversity and the ongoing processes of evolution. The Cole Museum isn’t just about looking at animals; it's about understanding their place within the larger ecological tapestry, prompting reflection on our responsibility to protect these fragile ecosystems for future generations. The museum serves as a vital resource for zoological research, actively contributing to our knowledge of the natural world – a testament to the enduring importance of scientific exploration.

    Echoes of Antiquity: The Ure Museum of Greek Archaeology

    Journeying further back in time, the Ure Museum of Greek Archaeology transports visitors to the sun-drenched landscapes and vibrant culture of ancient Greece. Here, pottery shards whisper tales of daily life, sculptures embody ideals of beauty and power, and coins bear witness to economic exchange and political ambition. The collection is comprised of artifacts from significant archaeological sites – fragments of intricately painted vases, imposing marble statues, and gleaming bronze weaponry – offering a tangible connection to a civilization that laid the foundations for Western thought and art. Examining these objects isn’t merely an exercise in historical observation; it's an opportunity to engage with the beliefs, rituals, and artistic sensibilities of a people who shaped our world. The Ure Museum is invaluable not only to students and researchers but also to anyone captivated by the enduring legacy of ancient Greece – a window into a civilization that continues to inspire awe and wonder.

    A Campus Steeped in Beauty and Learning

    Beyond the individual treasures housed within each museum, The University of Reading itself contributes significantly to the visitor experience. The Whiteknights campus, renowned for its picturesque setting, seamlessly blends historic architecture with modern facilities, all enveloped by lush greenery. This serene environment fosters a sense of tranquility conducive to both learning and contemplation. The integration of these museums into the academic life of the university is particularly noteworthy; they aren’t isolated repositories but active centers for research and education, ensuring that knowledge is not only preserved but also actively disseminated and expanded upon. The university's broader holdings – including rare books and art collections – enrich the experience for those seeking deeper engagement with historical and artistic developments. A visit here isn’t just a tour of museums; it’s an immersion into the vibrant intellectual life of one of Britain’s leading institutions, a place where history, science, and art converge to create a truly enriching experience.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Pandora

    wikioo.org/no/art/download/john-dickson-batten-pandora-ARD839-en/

    Kildehenvisning for dette kunstverket

    MLA
    Batten, John Dickson. Pandora. 1913, The University of Reading. https://wikioo.org/no/art/john-dickson-batten-pandora-ARD839-en/
    APA
    Batten, John Dickson (1913). Pandora [Painting]. The University of Reading. https://wikioo.org/no/art/john-dickson-batten-pandora-ARD839-en/
    Chicago
    John Dickson Batten. Pandora. 1913. The University of Reading. https://wikioo.org/no/art/john-dickson-batten-pandora-ARD839-en/
    Harvard
    Batten, John Dickson (1913) Pandora. The University of Reading. Available at: https://wikioo.org/no/art/john-dickson-batten-pandora-ARD839-en/

    Se nærmere på

    Pandora — John Dickson Batten

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på The Family (1886), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. John Dickson Batten var omtrent 53 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor intense er fargene i "Pandora" av John Dickson Batten?

    "Pandora" av John Dickson Batten har en Balanced fargeintensitet.

    Er John Dickson Batten, skaperen av "Pandora", kjent under andre navn?

    Andre navn registrert for John Dickson Batten, skaperen av "Pandora", inkluderer John Dicksen Batten, J.D. Batten, John Dixon Batten.

    Er fargene i "Pandora" sterke eller dempede?

    Fargene i "Pandora" av John Dickson Batten har en Balanced Soft metning med en Balanced intensitet.