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Triptych

Navn Klasse Dato

morris kantor, Triptych (1963). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
morris kantor wikioo.org/no/artists/morris-kantor/
Kunstnerens datoer
1896 – 1974
Malt
1963
Opprinnelig størrelse
135 x 188 cm
Bevegelse
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

I sammenheng

Triptych — morris kantor

Hvor stor er den?

Originalen måler 135 × 188 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Skyggelagt: livsløpet til morris kantor (1896–1974) ▲ dette verket, 1963

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/morris-kantor-triptych-AS7RWD-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Mahogany #d44214

    Katalogisert palett

    • #D44214
    • #3E9E8C
    • #BB806F
    • #523736
    Palett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Mahogany
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    morris kantor

    Morris Kantor (1896–1974): Bridging Cubism and American Realism

    Morris Kantor (1896–1974) was a Russian-born American painter whose artistic journey spanned diverse styles, ultimately establishing him as a significant figure in 20th-century art. Born in Minsk, Russia—now Belarus—Kantor emigrated to the United States in 1906, settling primarily in New York City where he cultivated his career and honed his distinctive vision. His formative years were marked by exposure to European avant-garde movements, particularly Cubism and Futurism, experiences that profoundly shaped his artistic sensibilities.

    Early Influences: Kantor’s initial training encompassed traditional Russian academic painting, providing him with a foundational understanding of composition and technique. However, he quickly gravitated toward the revolutionary ideas championed by artists like Picasso and Braque, immersing himself in the geometric explorations characteristic of Cubism.

    Futurist Experimentation: Embracing the dynamism and energy of Futurism—a movement advocating for speed, technology, and rejection of traditional artistic conventions—Kantor produced canvases infused with bold colors and fragmented forms. This period demonstrated his willingness to challenge established norms and push boundaries within the art world.

    Kantor’s artistic breakthrough arrived in 1926 when he joined the Art Students League in New York City, a pivotal moment that solidified his connection to American artistic culture. Under the guidance of influential instructors like George Bridgman and Robert Delaunay, Kantor refined his skills and developed a more nuanced approach to representation. He began to synthesize Cubist principles with realistic observation, resulting in paintings that captured both formal innovation and emotional depth.

    Notable Works: Kantor’s oeuvre includes iconic pieces such as “Baseball at Night,” a mesmerizing depiction of a baseball game illuminated by moonlight—a masterful blend of Cubist fragmentation and atmospheric realism. This artwork exemplifies his ability to convey complex narratives through visual language.

    Smithsonian Legacy: Kantor's paintings are housed in the Smithsonian American Art Museum’s collection, ensuring that his artistic contributions endure for generations to come. His work continues to inspire artists and scholars alike, serving as a testament to his enduring influence on American art history.

    Kantor continued to paint prolifically throughout his life, exploring themes of urban landscapes, portraits, and still lifes with unwavering dedication. He remained committed to experimenting with new techniques and perspectives, demonstrating an intellectual curiosity that permeated every facet of his artistic practice. Though Kantor’s style evolved over time—moving from Futurism to Impressionistic realism—his underlying conviction in the transformative power of art persisted until his death in Nyack, NY, in 1974. His legacy resides not only in his celebrated artworks but also in his role as a teacher and mentor who nurtured the talents of aspiring artists, ensuring that his artistic spirit lived on through subsequent generations.

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    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Triptych

    wikioo.org/no/art/download/morris-kantor-triptych-AS7RWD-en/

    Kildehenvisning for dette kunstverket

    MLA
    kantor, morris. Triptych. 1963, https://wikioo.org/no/art/morris-kantor-triptych-AS7RWD-en/
    APA
    kantor, morris (1963). Triptych [Painting]. https://wikioo.org/no/art/morris-kantor-triptych-AS7RWD-en/
    Chicago
    morris kantor. Triptych. 1963. https://wikioo.org/no/art/morris-kantor-triptych-AS7RWD-en/
    Harvard
    kantor, morris (1963) Triptych. Available at: https://wikioo.org/no/art/morris-kantor-triptych-AS7RWD-en/

    Se nøye etter

    Triptych — morris kantor

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: abstract figures, dynamic composition, energetic movement. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Baseball at Night (1934), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.