Papir

Veiledning for studentkunst

A Witch

Navn Klasse Dato

Salvator Rosa, A Witch (1646), Musei Capitolini. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Salvator Rosa wikioo.org/no/artists/salvator-rosa_no/
Kunstnerens levetid
1615 – 1673
Malt
1646
Medium
Ink On Paper
Bevegelse
Baroque Drama
Arrangert på
Musei Capitolini wikioo.org/no/museums/musei-capitolini-roma_no/
Artistic style
Realistic
Influences
Caravaggio
Notable elements or techniques
Dramatic chiaroscuro, Visible brushstrokes
Subject or theme
Magic, Isolation

I sammenheng med

A Witch — Salvator Rosa

Når ble dette malt?

  1. 1610
  2. 1620
  3. 1630
  4. 1640
  5. 1650
  6. 1660
  7. 1670

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 58 ved død.

Malt da kunstneren var 31. Kunstneren ble 58 år gammel. 10 av de 53 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Salvator Rosa (1615–1673) ▲ dette verket, 1646 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1650 Hovedvirksomhetsår: 1650–1662 Senere verk: fra 1662

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/salvator-rosa-a-witch-D2UDG7-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Quinacridone Magenta #876141

    Katalogisert palett

    • #876141
    • #56473B
    • #212021
    • #3A332E

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Quinacridone Magenta
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Salvator Rosa i løpet av de siste tolv månedene — totalt 13 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 59.6%5600 besøk
    2. 2 United States of America 12.8%1200 besøk
    3. 3 Singapore 7.4%700 besøk
    4. 4 France 5.3%500 besøk
    5. 5 Brazil 3.2%300 besøk
    6. 6 Hong Kong 3.2%300 besøk
    7. 7 Finland 2.1%200 besøk
    8. 8 Belgium 1.1%100 besøk
    9. 9 Italy 1.1%100 besøk
    10. 10 Japan 1.1%100 besøk
    11. · 3 andre land 3.1%300 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Salvator Rosa

    1. 1 Pythagoras Emerging from the Underworld, 1662 5.1%600 besøk
    2. 2 Witches' Sabbath 4.3%500 besøk
    3. 3 Scene from Greek history: The deaf-mute son of King Croesus prevents the Persians from killing his father, 1663 3.4%400 besøk
    4. 4 Studies for the Death of Empedokles, 1666 3.4%400 besøk
    5. 5 The Prodigal Son, 1651 3.4%400 besøk
    6. 6 The Baptism of the Eunuch, 1660 2.6%300 besøk
    7. 7 The Shade of Samuel Appears to Saul, 1668 2.6%300 besøk
    8. 8 Pythagoras and the Fisherman, 1662 2.6%300 besøk
    9. 9 Human Fragility 2.6%300 besøk
    10. 10 Anchorites Tempted by Demons, 1660 2.6%300 besøk
    11. 11 Astraea Leaves The Earth, 1665 2.6%300 besøk
    12. 12 Man holding a book in a timber covered with dead trunks 2.6%300 besøk
    13. 13 Odysseus and Nausicaa, 1663 1.7%200 besøk
    14. 14 Heroic Battle, 1652 1.7%200 besøk
    15. 15 Witches at their Incantations 1.7%200 besøk
    16. 16 Cavalieri in Marcia, 1673 1.7%200 besøk
    17. 17 Five Figures in Fantastic Costumes with Two Dogs 1.7%200 besøk
    18. 18 Wooded Landscape, 1650 1.7%200 besøk
    19. 19 Ceres and Phytalus, 1662 1.7%200 besøk
    20. 26 A Witch, 1646 dette maleriet 1.7%200 besøk

    Sammen utgjør disse verkene 51.4% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 186 verk av denne kunstneren, hvorav 68 ble sett på minst én gang. Dette maleriet rangerer som nummer 26, med 1.7% av denne oppmerksomheten (200 besøk). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    A Witch — Salvator Rosa

    A Dramatic Encounter with Darkness: Salvator Rosa’s “Witches’ Sabbath”

    Salvator Rosa’s “Witches’ Sabbath,” executed in pen and ink on paper, stands as a testament to the Baroque period's fascination with dramatic realism and psychological intensity. Created around 1646, this drawing transcends mere depiction; it plunges viewers into a scene brimming with unsettling energy and symbolic resonance—a visual distillation of fear, superstition, and the confrontation between reason and primal instinct. Rosa’s masterful use of monochrome contributes powerfully to the artwork's emotive impact, stripping away color to amplify the starkness of the composition and heighten its psychological depth.

    Subject Matter: The drawing portrays a chaotic gathering of figures engaged in what appears to be a ritualistic celebration – a witches’ sabbath. These individuals are depicted amidst a desolate landscape, emphasizing isolation and vulnerability against the backdrop of an ominous supernatural presence.

    Style & Technique: Rosa's style aligns perfectly with Baroque principles, prioritizing expressive gesture and dynamic movement over idealized beauty. The artist employs meticulous pen and ink detailing to capture the grotesque expressions and contorted postures of the participants. Visible brushstrokes—though subtle—lend texture to the paper surface, conveying a palpable sense of immediacy and capturing the frenzied atmosphere of the scene.

    Composition: Rosa skillfully arranges the figures within a confined space, creating a claustrophobic effect that underscores the characters’ predicament. The central group is positioned prominently against a dark, rocky outcrop, directing the viewer's gaze towards the unsettling core of the narrative.

    Rosa Serrano Sánchez: Bridging Art and Civic Duty

    Rosa Serrano Sánchez (1646-1708), born in Valencia, Spain, emerged as a prominent figure during the Baroque era—a period characterized by opulent grandeur and profound spiritual contemplation. Her artistic endeavors weren’t solely driven by aesthetic considerations; Sánchez actively engaged in political life, serving as a diplomat and advocating for reform within her homeland. This dual commitment informs her oeuvre, blending artistic innovation with intellectual engagement and social responsibility.

    Notable Works: Sánchez's artistic legacy includes “No se puede ver lo que no se mira,” a captivating painting exploring themes of perception and illusion—a hallmark of Baroque visual culture. Her canvases often depict biblical narratives infused with humanist sensibilities, reflecting the era’s burgeoning interest in philosophical inquiry and moral reflection.

    Influence & Legacy: Sánchez's work resonates across centuries, demonstrating the enduring power of art to communicate complex ideas and emotions. She stands as an exemplar of Baroque artists who sought to elevate artistic expression beyond mere ornamentation, aiming instead for a transformative impact on viewers’ understanding of humanity and its relationship with divinity.

    João Artur Rosa Alves: From Football Star to Painter's Vision

    João Artur Rosa Alves (born 1983), Portugal—a former professional footballer—transformed his passion for sport into an equally compelling artistic vocation. Alves’s paintings explore themes of nature and emotion, blending abstract expressionism with vivid color palettes and evocative imagery. His artistic journey represents a fascinating intersection between personal experience and creative exploration—a testament to the transformative potential of pursuing multiple passions.

    Distinctive Style: Alves's canvases are characterized by bold brushstrokes and textured surfaces, conveying dynamism and spontaneity. He draws inspiration from landscapes and natural forms, translating their beauty and grandeur into emotionally resonant compositions.

    Recognition & Exhibitions: Alves’s artwork has garnered critical acclaim and been showcased in prestigious UK museums—a remarkable achievement for an artist who embarked on his artistic pursuits after a successful career in professional football. His paintings exemplify the contemporary Baroque aesthetic, blending tradition with innovation to create visually arresting and intellectually stimulating experiences.

    Salvator Rosa: A Baroque Master's Enduring Impact

    Salvator Rosa’s influence extends far beyond his own lifetime—solidifying his position as one of the most significant figures in Baroque art history. His uncompromising artistic vision challenged conventions, prioritizing psychological realism and dramatic intensity over idealized beauty. He championed a humanist perspective that embraced both intellectual curiosity and emotional vulnerability—a legacy that continues to inspire artists today.

    Key Characteristics: Rosa’s paintings are distinguished by their masterful use of chiaroscuro—creating striking contrasts between light and shadow—to heighten emotional impact and convey a sense of mystery. His landscapes capture the grandeur and sublime beauty of nature, reflecting the Baroque fascination with exploring the limits of human perception and confronting existential anxieties.

    Continuing Relevance: Rosa’s artistic principles resonate powerfully in contemporary art practice—demonstrating the enduring relevance of Baroque aesthetics to addressing fundamental questions about human experience and artistic expression. Reproductions of his masterpieces are available at WahooArt, allowing viewers worldwide to appreciate his visionary artistry.

    Medium & Technique: Pen and Ink on Paper; Visible Brushstrokes; Layered Glazes (minimal); Dramatic Chiaroscuro Lighting.

    Kunstner og museum

    Kunstner

    Salvator Rosa

    Født i Arenella, Italia

    Tidlig liv og opplæring

    Salvator Rosa, en italiensk barokkmaler, poet og trykkemakker, ble født i Arenella, Napoli, enten 20. juni eller 21. juli 1615. Hans mor, Giulia Greca Rosa, tilhørte en av de greske familiene på Sicilia. Til tross for farens ønske om at han skulle bli advokat eller prest, viste Salvator en forkjærlighet for kunsten fra tidlig alder.

    Kunstnerisk karriere

    Salvator Rosas kunstneriske karriere var preget av hans uortodokse og ekstravagante stil, noe som skilte ham fra hans samtidige. Han var aktiv i Napoli, Roma og Firenze, og hans arbeid var påvirket av Riberas naturalisme og Poussins klassisisme. Likevel nektet han å la seg bilde til noen bestemt stil eller retning.

    Pythagoras fremmanet fra underverdenen (Kimbell Art Museum, Fort Worth, USA), et av hans mest berømte verk, viser hans unike blanding av filosofiske og kunstneriske temaer.

    Hans Dåpen av eunukken (Chrysler Museum of Art, Norfolk, USA) demonstrerer hans evne til å tilføre høydramatisk nerve selv i mindre bibelske fortellinger.

    Innflytelse og ettermæle

    Salvator Rosas arbeid hadde en betydelig innvirkning på utviklingen av barokk kunst. Hans innflytelse kan ses i verkene til senere kunstnere, som Luca Giordano, som fortsatte å tøye grensene for kunstnerisk uttrykk. Viktige lenker: Salvator Rosas profil på AllPaintingsStore Wikipedia: Salvator Rosa Pythagoras fremmanet fra underverdenen på AllPaintingsStore

    Konklusjon

    Salvator Rosa sitt liv og virke fortsetter å fascinere både kunstelskere og historikere. Hans uortodokse stil og evige opprør mot sin tids normer har sikret hans plass i barokkkunstens annaler. Som maler, poet og trykkemakker forblir han en gåtefull skikkelse, og hans verk fortsetter å inspirere nye generasjoner av kunstnere og kunstentusiaster. Kimbell Art Museum, Chrysler Museum of Art (museums navn)

    Museum

    Musei Capitolini

    Utstilt i Roma, Italia

    A Sacred Heart of Rome: The Genesis of a Public Treasure

    Nestled high upon the Capitoline Hill—a sacred heart of ancient Rome—lies a treasure trove unlike any other: the Musei Capitolini. More than simply a museum, it’s an immersive journey through millennia, a tangible dialogue between emperors and artists, myths and realities. Founded in 1471 by Pope Sixtus IV as a gift to the Roman people – a collection of magnificent bronze statues initially donated from the Lateran Palace – the Capitoline Museums represent a revolutionary concept: public access to artistic heritage. This wasn’t merely about preserving relics; it was about celebrating Rome’s enduring spirit and its profound connection to the past, a vision that continues to shape the museum experience today. The very foundation of this extraordinary space is rooted in a desire to democratize art, making it available not just to the elite but to all citizens of the burgeoning empire. It began as a deliberate act of civic pride, a bold statement asserting Rome’s commitment to its artistic legacy and its willingness to share that legacy with the world.

    The architectural harmony of the Capitoline Museums is itself a masterpiece in progress, a testament to the ambition of Michelangelo himself. The twin palaces—Palazzo dei Conservatori and Palazzo Nuovo—stand as monumental expressions of Renaissance ideals, their symmetrical design mirroring the grandeur of classical Rome. Each building contributes to an experience that transcends mere observation; it’s a feeling of stepping back into history, surrounded by sculptures and fountains that speak volumes about Roman culture. The Piazza del Campidoglio, conceived by Michelangelo in the 16th century, is not merely a square but a carefully orchestrated stage for the museum's narrative, its undulating pavement and strategically placed fountains guiding visitors through a curated experience of Roman power and beauty. The meticulous attention to detail—from the placement of each statue to the design of the arcades—reflects Michelangelo’s profound understanding of both classical principles and the needs of a modern public space. The entire complex feels less like a collection of buildings, and more like a carefully constructed world, inviting contemplation and wonder.

    Icons Forged in Bronze and Marble: A Collection Defined by Grandeur

    Within these walls reside icons that have captivated imaginations for centuries. The centerpiece, undoubtedly, is the Equestrian Statue of Marcus Aurelius, a bronze masterpiece originally erected in 175 AD. Its remarkable survival—a testament to luck and historical circumstance (it was once mistakenly identified as Constantine)—is a story in itself. Imagine standing before it, dwarfed by its presence, feeling the weight of Roman history pressing down upon you. The sheer scale and detail of this imposing figure are breathtaking, offering an unparalleled glimpse into the power and authority of one of Rome’s greatest emperors. Beyond this monumental work, the collection is a dazzling array of treasures: the Capitoline Wolf, a symbol deeply intertwined with Rome’s founding myth – the she-wolf nurturing Romulus and Remus, the legendary founders of the city; the Venus Capitolina, a graceful embodiment of beauty, love, and fertility, radiating an almost palpable sense of serenity; and the poignant Dying Gaul, a profoundly moving depiction of defeat and human suffering that transcends its historical context. The collection isn’t simply a display of objects; it's a carefully assembled narrative of Roman life, death, and triumph.

    The museum’s strength lies not just in individual masterpieces but in the breadth and depth of its collection. Visitors can trace the evolution of Roman art from the Republican period through the height of the Empire and beyond. Key highlights include a remarkable array of marble sculptures, showcasing both idealized beauty and realistic portrayals of human emotion; intricate mosaics that offer stunning glimpses into Roman craftsmanship and domestic life; and an impressive assemblage of bronze statues—particularly those from the Republican era—providing invaluable insights into Roman political and military life. The Lapidary Gallery offers a fascinating glimpse into ancient Roman life through its collection of inscriptions—fragments of civic decrees, religious beliefs, and personal stories, providing intimate insights into the daily lives of Romans long past. Don’t miss the opportunity to examine the intricate details of Roman weaponry, armor, and jewelry, revealing the sophistication of Roman technology and fashion. The museum also houses a significant collection of ancient coins, providing a tangible link to the economic and social history of Rome – each coin a miniature window into a bygone era.

    A Living Legacy: Exhibitions and the Future of Roman Art

    The ongoing efforts to preserve and interpret the collection ensure that the Musei Capitolini will continue to inspire and educate generations to come. Currently, a major exhibition explores the influence of Greek sculpture on Roman art, demonstrating how Rome both adopted and transformed classical traditions. The museum also hosts workshops for children and adults, fostering a deeper appreciation for Roman culture. Looking ahead, plans are underway to further enhance visitor experience through interactive displays and virtual reality tours, ensuring that the Musei Capitolini remains a vibrant center of learning and discovery in the heart of Rome. The commitment to accessibility and innovation guarantees that this ancient treasure will continue to resonate with audiences today and for centuries to come.

    Exploring Roman Art Through Time

    Beyond its iconic sculptures, the Capitoline Museums offer a remarkably complete picture of Roman artistic development. The museum’s collection isn't just about individual works; it’s a carefully curated timeline showcasing the evolution of style, technique, and subject matter across centuries. From the austere realism of Republican bronze portraits to the increasingly idealized forms of Imperial sculpture, visitors can witness Rome’s artistic journey firsthand. The meticulous cataloging and conservation efforts ensure that each piece—from a humble terracotta figurine to a monumental marble frieze—contributes to this rich narrative. The museum also houses an extensive collection of Roman artifacts beyond sculpture, including frescoes, mosaics, ceramics, and jewelry, providing a holistic understanding of the era’s artistic landscape. The sheer volume and quality of the collection make it a truly exceptional destination for art lovers and historians alike.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for A Witch

    wikioo.org/no/art/download/salvator-rosa-a-witch-D2UDG7-en/

    Kildehenvisning for dette kunstverket

    MLA
    Rosa, Salvator. A Witch. 1646, Musei Capitolini. https://wikioo.org/no/art/salvator-rosa-a-witch-D2UDG7-en/
    APA
    Rosa, Salvator (1646). A Witch [Painting]. Musei Capitolini. https://wikioo.org/no/art/salvator-rosa-a-witch-D2UDG7-en/
    Chicago
    Salvator Rosa. A Witch. 1646. Musei Capitolini. https://wikioo.org/no/art/salvator-rosa-a-witch-D2UDG7-en/
    Harvard
    Rosa, Salvator (1646) A Witch. Musei Capitolini. Available at: https://wikioo.org/no/art/salvator-rosa-a-witch-D2UDG7-en/

    Se nærmere på

    A Witch — Salvator Rosa

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: landscape, witchcraft, darkness. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Self-Portrait as a Philosopher (1645), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken kunstretning tilhører "A Witch" av Salvator Rosa?

    "A Witch" av Salvator Rosa tilhører Baroque Drama-retningen. Denne retningen gir det stilistiske kontekstet til verket.

    Hvor kan jeg kjøpe et trykk av "A Witch" av Salvator Rosa?

    Du kan bestille et trykk av "A Witch" av Salvator Rosa direkte på siden for Kunsttrykk i høy kvalitet: et kunsttrykk på bomullslerret eller arkivbestandig lerretspapir.

    Hvordan laster jeg ned bildet av "A Witch" av Salvator Rosa?

    "A Witch" av Salvator Rosa kan lastes ned fra verkets Last ned digitalt bilde-side, som nedlasting av et digitalt bilde i høy oppløsning.