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Evening

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William Blake, Evening (1825). Fri for opphavsrett.

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Kunstner
William Blake wikioo.org/no/artists/william-blake_no/
Kunstnerens levetid
1757 – 1827
Malt
1825
Medium
Acrylic
Opprinnelig størrelse
101 x 39 cm
Bevegelse
Romantic Symbolism
Artistic style
Symbolic
Influences
Neo-classical art
Notable elements or techniques
Detailed depiction of angelic figure
Subject or theme
Religious allegory

I sammenheng med

Evening — William Blake

Dimensjoner

Originalen måler 101 × 39 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Skyggelagt: livsløpet til William Blake (1757–1827) ▲ dette verket, 1825

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/william-blake-evening-D38J5B-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Putty #edddc3

    Lagret palett

    • #EDDDC3
    • #E5D4B8
    • #DBC8AB
    • #CCB291
    Palett
    Monochrome Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Putty
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Evening — William Blake

    Evening – A Vision of Serenity Amidst Complexity

    Evening” by William Blake stands as a testament to the artist’s singular vision—a captivating portrayal that transcends mere representation and delves into profound spiritual contemplation. Painted in 1825, this artwork captures a moment suspended between day and night, mirroring Blake's preoccupation with cycles of creation and destruction, and embodying the Romantic ideal of sublime beauty found within nature’s quiet grandeur. The image depicts a woman adorned with wings, positioned centrally against a backdrop of hazy mountains—a composition deliberately designed to evoke feelings of peace and transcendence.

    Subject Matter: Blake's depiction centers on an angelic figure, symbolizing purity and divine grace. Her posture exudes tranquility, suggesting acceptance of fate and communion with the celestial realm.

    Style & Technique: Executed in Blake’s characteristic mezzotint etching technique—a process known for its tonal gradations and ability to achieve remarkable detail—the print showcases a masterful manipulation of light and shadow. This meticulous approach contributes significantly to the artwork's ethereal atmosphere.

    The historical context surrounding “Evening” is crucial to understanding its significance. Blake’s artistic output coincided with the burgeoning Romantic movement, which championed emotion, imagination, and individualism as responses to Enlightenment rationalism. He drew inspiration from biblical narratives and esoteric traditions, fusing mythology and symbolism into his artworks—a practice that distinguishes him from many of his contemporaries. The artist's exploration of spiritual themes reflects a broader cultural yearning for solace amidst the anxieties of industrialization and social upheaval.

    Symbolism: The woman’s wings represent ascension to heaven, signifying liberation from earthly concerns and embracing divine grace. The hazy mountains symbolize obscurity and mystery—elements that invite viewers to contemplate the unseen forces shaping existence.

    Emotional Impact: Blake intended “Evening” to inspire awe and reverence for the sublime—a feeling of wonder mingled with terror—as described by Edmund Burke. It aims to transport the viewer beyond the mundane, fostering introspection and prompting contemplation on spiritual truths.

    Blake’s enduring legacy rests upon his ability to communicate complex ideas through deceptively simple imagery. “Evening” exemplifies this genius, offering a timeless meditation on beauty, faith, and the interconnectedness of humanity and nature—a piece that continues to resonate with audiences today. Its exquisite reproduction allows collectors and interior designers alike to experience the profound emotional depth and artistic brilliance of one of Romanticism’s most influential figures.

    Kunstner og museum

    Kunstner

    William Blake

    Født i London, Storbritannia

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Early Years: A Spark of Imagination

    Blake’s formative years instilled within him a remarkable sensitivity to beauty and an unwavering belief in the power of imagination. Growing up in Soho, London, he absorbed the artistic currents of his era—particularly the ornate style of Gothic architecture—which fostered a fascination with elaborate ornamentation and storytelling. Despite lacking formal training, Blake possessed an innate aptitude for drawing, honing his skills through self-directed study and experimentation. His apprenticeship under James Basire, a respected engraver, provided invaluable experience in printmaking, equipping him with the technical tools necessary to realize his ambitious artistic visions. This early exposure to craftsmanship combined with a burgeoning inner life would become central to Blake’s distinctive creative process.

    Illuminated Printing: A Revolutionary Technique

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods—which he considered sterile and incapable of conveying the full richness of his imagination—he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then painstakingly hand-coloring the resulting prints—a laborious but deeply personal undertaking that allowed for complete artistic control. It wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. Blake's breakthrough came from a profound spiritual experience following his brother’s death—an event that spurred him to explore visionary techniques rooted in alchemy and symbolism. This method allowed for unparalleled textural depth and color vibrancy, elevating printmaking beyond mere reproduction into a form of artistic expression akin to painting.

    Major Works: Visions of Innocence and Experience

    Blake's oeuvre encompasses a vast range of poetic and visual works—each imbued with symbolic significance and reflecting his unwavering commitment to exploring the complexities of human consciousness. Among his most celebrated achievements are Songs of Innocence and of Experience (1794), a dual collection that presents contrasting depictions of childhood—one characterized by purity and joy, the other marred by corruption and disillusionment. These poems are accompanied by exquisitely detailed engravings that amplify their emotional impact and reinforce their thematic unity. Equally remarkable is The Marriage of Heaven & Hell (1793)—a provocative prose poem that challenges conventional morality and celebrates energy, desire, and rebellion against restrictive doctrines. Blake’s illustrations for Dante's Divine Comedy, commissioned by John Flaxman, demonstrate his mastery of dramatic composition and his ability to translate complex narratives into powerful visual imagery—works that continue to captivate audiences today. Furthermore, Jerusalem (1804-1820), a sprawling epic poem exploring themes of prophecy, redemption, and the struggle between good and evil, stands as testament to Blake’s enduring imaginative power.

    Legacy: An Influence That Endures

    Blake's artistic vision profoundly impacted subsequent generations of artists and writers—particularly the Pre-Raphaelites, who embraced his style and symbolism as inspiration for their own creative endeavors. His rejection of academic conventions and his insistence on subjective experience paved the way for movements like Symbolism and Modernism, which recognized him as a precursor to avant-garde artistic expression. Blake’s enduring influence can be seen in contemporary artists who grapple with themes of mythology, spirituality, and social critique—artists who strive to capture the essence of human emotion and imagination through unconventional mediums. William Blake remains an artist whose work continues to provoke contemplation and inspire awe—a beacon of visionary creativity in a world increasingly dominated by rational thought. He died August 12, 1827, leaving behind a legacy that transcends time and borders, securing his place as one of the most important figures in British Romanticism.

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    wikioo.org/no/art/download/william-blake-evening-D38J5B-en/

    Kildehenvisning for dette kunstverket

    MLA
    Blake, William. Evening. 1825, https://wikioo.org/no/art/william-blake-evening-D38J5B-en/
    APA
    Blake, William (1825). Evening [Painting]. https://wikioo.org/no/art/william-blake-evening-D38J5B-en/
    Chicago
    William Blake. Evening. 1825. https://wikioo.org/no/art/william-blake-evening-D38J5B-en/
    Harvard
    Blake, William (1825) Evening. Available at: https://wikioo.org/no/art/william-blake-evening-D38J5B-en/

    Se nærmere etter

    Evening — William Blake

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: angel wings, female figure, mythology. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Newton, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. William Blake var omtrent 68 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Evening — William Blake

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the primary subject depicted in William Blake’s ‘Evening’?

      • A A detailed landscape scene.
      • B A portrait of a noblewoman.
      • C An angelic figure with wings.
    2. 2. According to the image description, what is notable about the composition of the painting?

      • A It utilizes vibrant colors and dramatic lighting.
      • B It focuses on a single prominent subject surrounded by less detailed figures.
      • C It adheres to strict geometric principles.
    3. 3. ‘Evening’ is considered part of which artistic movement?

      • A Renaissance
      • B Baroque
      • C Romantic
    4. 4. What technique was Blake known for utilizing during his apprenticeship with James Basire?

      • A Oil painting
      • B Sculpture
      • C Printmaking
    5. 5. Where is ‘Evening’ currently housed?

      • A The Louvre Museum
      • B The Metropolitan Museum of Art
      • C The National Gallery of Art

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1C · 2B · 3C · 4C · 5C