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Post Mortem

Navn Klasse Dato

William Crosbie, Post Mortem (1950). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Crosbie wikioo.org/no/artists/william-crosbie/
Kunstnerens levetid
1915 – 1999
Malt
1950
Opprinnelig størrelse
62 x 102 cm

I sammenheng med

Post Mortem — William Crosbie

Dimensjoner

Originalen måler 62 × 102 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 84 ved død.

Malt da kunstneren var 35. Kunstneren ble 84 år gammel. 13 av de 17 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Crosbie (1915–1999) ▲ dette verket, 1950 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1943 Hovedvirksomhetsår: 1943–1947 Senere verk: fra 1947

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

  • Inlet wikioo.org/no/art/william-crosbie-inlet-AQVC4H-en/
  • Landscape, 1943 wikioo.org/no/art/william-crosbie-landscape-AQVC3B-en/
  • Hate Poem, 1943 wikioo.org/no/art/william-crosbie-hate-poem-AQVC3D-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/william-crosbie-post-mortem-AQVC39-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #5d483a

    Lagret palett

    • #5D483A
    • #2E2720
    • #A7A7BF
    • #807363

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Espresso
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av William Crosbie i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 87.5%
    2. 2 United States of America 12.5%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 7 mest viste verkene av William Crosbie

    1. 1 Still Life 25.0%
    2. 2 Post Mortem, 1950 dette maleriet 12.5%
    3. 3 Inverary, 1944 12.5%
    4. 4 Halbert Tatlock (d.1963) 12.5%
    5. 5 Fruit 12.5%
    6. 6 Anemones 12.5%
    7. 7 Asters and White Carnation 12.5%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 31 verk av denne kunstneren, hvorav 7 ble sett på minst én gang. Dette maleriet rangerer som nummer 2 av dem, med 12.5% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Post Mortem — William Crosbie

    The painting Post Mortem by William Crosbie is a thought-provoking artwork that evokes feelings of introspection and contemplation. Created in 1950, this oil on canvas piece measures 62 x 102 cm and is currently housed at the National Galleries of Scotland (United Kingdom).

    Analysis of the Painting

    The painting depicts a man lying on the ground with his arms outstretched, appearing to be in a relaxed state. There are two other figures in the scene, one of which is also naked and lying down next to the main figure. The background features a bed with a blanket on it, adding depth to the composition. Additionally, there are several leaves scattered throughout the image, possibly representing nature or symbolizing growth. Key Elements of the painting include the use of natural imagery and the emotional expression of the figures. The artist's use of oil on canvas creates a sense of texture and depth, drawing the viewer into the scene.

    Similar Works by the Artist

    William Crosbie has created several other notable works, including In Memoriam and Heart Knife, which can be found on /art/list/?Filter=AQVC3M-William-Crosbie-In-Memoriam and /art/list/?Filter=AQVC3P-William-Crosbie-Heart-Knife. These paintings showcase the artist's ability to evoke emotion and create complex, thought-provoking scenes.

    Post Mortem is a powerful example of William Crosbie's skill as an artist.

    The painting's use of natural imagery and emotional expression creates a sense of depth and complexity.

    Viewers can explore more of William Crosbie's work on /en/art/show/art-aqvc39-en/.

    The National Galleries of Scotland is home to a diverse collection of artworks, including pieces by William Crosbie and other notable artists. Visitors can explore the gallery's collection and learn more about the art and artists on display.

    Kunstner og museum

    Kunstner

    William Crosbie

    A Life Immersed in the Scottish Landscape

    William Crosbie, often known as Bill Crosbie, was a painter deeply rooted in the artistic traditions of Scotland, though his life unfolded across much of the 20th century. Born in 1915 and passing away in 1999, Crosbie dedicated himself to capturing the essence of his homeland – its rugged landscapes, intimate portraits, and the quiet dignity of everyday life. While not a name immediately recognized alongside the giants of British art history, Crosbie’s work represents a vital continuation of the Arts & Crafts movement's principles, blended with a uniquely personal vision. His artistic journey wasn’t one of dramatic shifts or avant-garde experimentation; instead, it was a steady refinement of technique and a deepening connection to his subject matter. He spent much of his life quietly observing and translating the world around him onto canvas, building a body of work that speaks volumes about a particular time and place in Scottish art.

    Early Influences and Artistic Development

    Crosbie’s early artistic training remains somewhat shrouded in mystery; biographical details are sparse. However, it's clear his formative years were significantly influenced by the legacy of the Glasgow School painters – artists like John Lavery and Sir William Orpen, who championed realism and a direct engagement with life as subject matter. The emphasis on capturing light and atmosphere, so characteristic of these masters, is evident in Crosbie’s early works. He wasn't merely replicating scenes; he was striving to convey the feeling of being present within them. This pursuit led him towards a meticulous technique, characterized by careful brushwork and a subtle palette that prioritized nuance over bold statements. He eschewed the increasingly abstract trends emerging in the mid-20th century, choosing instead to hone his skills as a representational painter. The Arts & Crafts movement’s ethos – valuing craftsmanship, simplicity, and a connection to nature – also played a crucial role in shaping Crosbie's aesthetic. This is reflected not only in his subject matter but also in the tangible quality of his paintings; they possess a warmth and intimacy that suggests a deep personal involvement in their creation.

    Themes and Techniques: Portraits and Scottish Scenery

    Crosbie’s oeuvre can be broadly divided into two main areas: portraits and landscapes, though these often intersected. His portraiture wasn't about capturing social status or outward appearances; it was an attempt to reveal the inner lives of his sitters. He favored ordinary people – farmers, laborers, families – portraying them with a quiet dignity that elevated their everyday existence. His landscapes, meanwhile, are imbued with a sense of melancholy and reverence for the Scottish countryside. He frequently depicted scenes from around Walthamstow, where he spent much of his life, but also ventured further afield to capture the dramatic beauty of the Highlands and Islands. Crosbie’s technique was remarkably consistent throughout his career. He typically worked in oil paints, employing a layered approach that built up texture and depth. His brushwork is often described as delicate and precise, creating surfaces that are both richly detailed and subtly atmospheric. He had an exceptional ability to capture the play of light on water, the ruggedness of stone walls, and the changing moods of the Scottish sky.

    Recognition and Legacy

    Despite a long and productive career, William Crosbie remained relatively unknown during his lifetime. He exhibited regularly in local galleries and gained a loyal following among collectors who appreciated his quiet mastery and authentic portrayal of Scottish life. In recent years, however, there has been a growing recognition of his work’s significance. The William Morris Gallery holds a collection of his paintings, providing a valuable insight into his artistic vision.

    His paintings offer a compelling glimpse into the social and cultural landscape of post-war Britain.

    Crosbie's dedication to representational painting in an era dominated by abstraction is increasingly seen as a courageous act of artistic integrity.

    The enduring appeal of his work lies in its ability to evoke a sense of place and connect viewers with the beauty and tranquility of the Scottish countryside.

    Crosbie’s legacy isn't about groundbreaking innovation; it’s about quiet perseverance, meticulous craftsmanship, and a deep love for his subject matter. He stands as a testament to the enduring power of representational painting and the importance of preserving artistic traditions. His work continues to resonate with those who seek beauty in simplicity and authenticity.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Post Mortem

    wikioo.org/no/art/download/william-crosbie-post-mortem-AQVC39-en/

    Kildehenvisning for dette kunstverket

    MLA
    Crosbie, William. Post Mortem. 1950, https://wikioo.org/no/art/william-crosbie-post-mortem-AQVC39-en/
    APA
    Crosbie, William (1950). Post Mortem [Painting]. https://wikioo.org/no/art/william-crosbie-post-mortem-AQVC39-en/
    Chicago
    William Crosbie. Post Mortem. 1950. https://wikioo.org/no/art/william-crosbie-post-mortem-AQVC39-en/
    Harvard
    Crosbie, William (1950) Post Mortem. Available at: https://wikioo.org/no/art/william-crosbie-post-mortem-AQVC39-en/

    Se nærmere etter

    Post Mortem — William Crosbie

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Inlet, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. William Crosbie var omtrent 35 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor lys er "Post Mortem" totalt sett?

    Når det gjelder oppfattet lysstyrke, er "Post Mortem" av William Crosbie shadow.

    Er det mulig å laste ned "Post Mortem"?

    Nedlasting er tilgjengelig for "Post Mortem": kunstverkets Last ned-side tilbyr nedlasting av et digitalt bilde i høy oppløsning.

    Hvor mye lys ser fargene i "Post Mortem" ut til å reflektere?

    Luminansen som er registrert for "Post Mortem" av William Crosbie er Soft Shadow.