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Redfields Learney

Navn Klasse Dato

Wilma Dunbar, Redfields Learney (1994), Nhs Lothian. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Wilma Dunbar wikioo.org/no/artists/wilma-dunbar/
Kunstnerens levetid
1946 –
Malt
1994
Opprinnelig størrelse
30 x 36 cm
Arrangert på
Nhs Lothian wikioo.org/no/museums/nhs-lothian-edinburgh/

I sammenheng med

Redfields Learney — Wilma Dunbar

Dimensjoner

Originalen måler 30 × 36 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 48. 3 av de 4 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1994 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wikioo.org/no/art/similar/wilma-dunbar-redfields-learney-AR2CTU-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Putty #ddc4bb

    Lagret palett

    • #DDC4BB
    • #5F4A43
    • #A75539
    • #BA9261

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Putty
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Wilma Dunbar i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 3 mest viste verkene av Wilma Dunbar

    1. 1 Untitled 66.7%
    2. 2 Tuscany Hill, 1993 33.3%
    3. — Redfields Learney, 1994 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 5 verk av denne kunstneren, hvorav 2 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Wilma Dunbar

    Wilma Dunbar: A Southwest Soul Painted

    Wilma Dunbar, born in 1946 and still actively creating today, is a singular voice within contemporary American art—a painter deeply rooted in the landscapes and cultural narratives of the American Southwest. Her work isn’t merely representation; it's an immersive experience, a vibrant dialogue between observation, emotion, and a profound connection to the land. Dunbar’s journey began not in a formal studio, but within the bustling environment of Delaware State University’s dining hall at the tender age of fourteen – a formative period that instilled in her a keen awareness of human interaction and the rhythms of daily life.

    Her artistic education unfolded across several institutions, culminating in a degree in Psychology from Howard University followed by a Master's in Student Personnel Administration. However, it was her return to Gray’s School of Art in Aberdeen, Scotland, that truly ignited her creative fire. There, she honed her skills and developed the distinctive style that would become her hallmark: bold color palettes, dynamic compositions, and an evocative use of texture—all deeply informed by the Southwestern vistas she began to explore.

    The Southwest as Muse

    Dunbar’s artistic focus quickly settled on the American Southwest – a region she experienced firsthand during extended periods of travel. This wasn't simply a picturesque backdrop; it was a complex tapestry of Native American heritage, rugged landscapes, and a spirit of resilience. Her paintings aren’t static depictions of mesas and canyons; they pulsate with energy, capturing the heat, light, and sense of timelessness that define the region. Influences are evident in her work – from the vibrant hues of Georgia O'Keeffe to the expressive brushwork of Marsden Hartley, but Dunbar forged a unique path, imbuing her paintings with an intensely personal vision.

    She frequently depicts scenes of rural life—cattle drives, solitary figures against vast horizons, and glimpses into Native American communities. These aren’t romanticized portrayals; rather, they are honest explorations of the human condition within a challenging environment. Her use of color is particularly striking – deep reds and ochres evoke the earth itself, while brilliant blues and yellows capture the intensity of the Southwestern sky. The layering of paint creates a tactile quality, inviting the viewer to reach out and feel the texture of the landscape.

    Technique and Style

    Dunbar’s technique is characterized by an intuitive approach—a willingness to let the painting evolve organically. She often begins with loose washes of color, building up layers of paint until a sense of depth and movement emerges. Her brushwork is both expressive and precise, conveying not only the visual appearance of her subjects but also their emotional weight. She’s known for using an all-over composition style, avoiding traditional focal points and instead creating a unified field of color and form.

    Her work has been exhibited extensively throughout Scotland and in the United States, earning her numerous accolades including The Mobil Prize at Aberdeen Art Gallery and The Robert Gordon Purchase Awards. Her paintings are held in public collections across both countries, testament to their enduring appeal and artistic merit. Notably, her pieces reside within the Robert Gordon University Art & Heritage Collections, a significant recognition of her contribution to contemporary art.

    Legacy and Significance

    Wilma Dunbar’s legacy extends beyond her individual paintings; she represents a vital link between tradition and innovation in American art. Her work speaks to the enduring power of landscape, the importance of cultural heritage, and the capacity of art to capture the essence of a place and its people. She continues to paint with an unwavering commitment to her vision, ensuring that her voice—a vibrant echo of the Southwest—will resonate for generations to come.

    Her work is frequently featured in online databases such as Art UK and MutualArt, providing accessible avenues for art enthusiasts to explore her oeuvre. The Robert Gordon University Art & Heritage Collections offers a valuable resource for those seeking deeper insights into her artistic journey.

    Museum

    Nhs Lothian

    Utstilt på Edinburgh, United Kingdom

    A Legacy of Care and Heritage in the Heart of Edinburgh

    Nestled within the historic fabric of Scotland’s capital,

    Nhs Lothian

    stands not merely as a pillar of modern healthcare but as a profound custodian of the city's enduring spirit. To wander through the spaces associated with this legacy is to experience a unique intersection where the rigorous demands of science meet the storied atmosphere of the United Kingdom’s historic landscapes. The institution’s presence is deeply intertwined with the architectural and social evolution of Edinburgh, offering a narrative that transcends simple utility to become a cornerstone of community identity. It is a place where the pulse of the present beats in rhythm with the echoes of the past, creating an environment where medical excellence and historical continuity coexist.

    The Architecture of Resilience and Innovation

    The essence of this institution lies in its ability to blend the functional with the monumental. The architecture surrounding its various sites reflects the layered history of Edinburgh itself, ranging from the sturdy, pragmatic structures of the industrial era to more contemporary designs that prioritize light, openness, and human connection. For those who appreciate the aesthetic appeal of heritage integrated with innovation, there is a quiet beauty found in the way these spaces have been adapted over decades to meet the changing needs of a growing population. The halls carry an atmosphere of resilience, much like the grand galleries of the city’s most famous landmarks, where every corridor tells a story of service, progress, and the relentless pursuit of human well-being.

    A Tapestry of Service and Community

    What truly distinguishes this collection of sites is the intangible art of care that permeates every corner. Beyond its clinical functions, Nhs Lothian serves as a vital network across the region, providing essential services through:

    Extensive Hospital Networks:

    Including four major teaching hospitals and various specialized units such as the Royal Infirmary of Edinburgh and St. John's Hospital.

    Community Integration:

    A vast reach encompassing GP practices, community pharmacies, and dental and ophthalmic practices throughout Edinburgh, East Lothian, Midlothian, and West Lothian.

    Commemorative Presence:

    The use of landscapes and installations to celebrate the triumphs of medical history and the evolution of healthcare within the Lothian region.

    For the historian and the observer alike, the institution offers a poignant reminder that progress is never isolated; it is built upon the foundations of those who came before. It remains a profound thread of human compassion woven through both the clinical and the monumental.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Redfields Learney

    wikioo.org/no/art/download/wilma-dunbar-redfields-learney-AR2CTU-en/

    Kildehenvisning for dette kunstverket

    MLA
    Dunbar, Wilma. Redfields Learney. 1994, Nhs Lothian. https://wikioo.org/no/art/wilma-dunbar-redfields-learney-AR2CTU-en/
    APA
    Dunbar, Wilma (1994). Redfields Learney [Painting]. Nhs Lothian. https://wikioo.org/no/art/wilma-dunbar-redfields-learney-AR2CTU-en/
    Chicago
    Wilma Dunbar. Redfields Learney. 1994. Nhs Lothian. https://wikioo.org/no/art/wilma-dunbar-redfields-learney-AR2CTU-en/
    Harvard
    Dunbar, Wilma (1994) Redfields Learney. Nhs Lothian. Available at: https://wikioo.org/no/art/wilma-dunbar-redfields-learney-AR2CTU-en/

    Se nærmere etter

    Redfields Learney — Wilma Dunbar

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Crowfields, Dunning (1993), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Wilma Dunbar var omtrent 48 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor intens er fargebruken i "Redfields Learney" av Wilma Dunbar?

    "Redfields Learney" av Wilma Dunbar viser en Vivid fargeintensitet.

    Hvordan beskrives fargepaletten i "Redfields Learney" av Wilma Dunbar?

    Fargepaletten i "Redfields Learney" av Wilma Dunbar beskrives som Earthy. Det er en kortfattet beskrivelse av verkets farger.

    Kan jeg se et røntgenbilde av "Redfields Learney" av Wilma Dunbar?

    Røntgenvisningen av "Redfields Learney" av Wilma Dunbar finnes på verkets Røntgen-side: en interaktiv undersøkelse av bildet gjennom elleve optiske lag.