Sammendrag
Nicolas Dahlmann, brigadier general (1769-1807) (1814) er registrert som det mest kjente maleriet til Albert Gregorius; det er i Opera House sin samling i Versailles. Av de 2 verkene til Albert Gregorius som er registrert i katalogen, er de 2 mest kjente oppført nedenfor, hver med dato, museum og en beskrivelse av verket.
Nr. 1 til 10: de mest kjente maleriene til Albert Gregorius
Albert Gregorius: innehavere av museer
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Albert Gregorius | Malerier fra denne listen |
|---|---|---|---|
| Versailles | 1 | Nicolas Dahlmann, brigadier general (1769-1807) | |
| Brugge | 1 | Portrait of Count Charles A. Chasset |
Årgangsindeks: de viktigste maleriene til Albert Gregorius
Tidslinje for Albert Gregorius: 2 år, fra 1813 til 1814. Hvert år er oppført med sine viktigste verk.
Ofte stilte spørsmål om Albert Gregoriuss malerier
Hva er det mest kjente verket til Albert Gregorius?Vis svaret
Nicolas Dahlmann, brigadier general (1769-1807) (1814)
Hvor gammel var Albert Gregorius i året for Nicolas Dahlmann, brigadier general (1769-1807)?Vis svaret
40 år: Albert Gregorius ble født i 1774, og Nicolas Dahlmann, brigadier general (1769-1807) er datert 1814.
Hvor mange verk av Albert Gregorius er registrert i katalogen?Vis svaret
Katalogen inneholder 2 verk av Albert Gregorius, datert mellom 1813 og 1814.
Hvor befinner de viktigste verkene til Albert Gregorius seg?Vis svaret
Hovedsakelig i Opera House (Versailles) og Groeninge Museum (Brugge). Tabellen over viser den fullstendige fordelingen.
Hva er de tidligste og nyeste mest kjente verkene til Albert Gregorius?Vis svaret
Det eldste verket som er oppført her er fra Portrait of Count Charles A. Chasset (1813); det nyeste er fra Nicolas Dahlmann, brigadier general (1769-1807) (1814).
Biografi om Albert Gregorius
Albert Jacob Frans Gregorius: A Life in Portraiture
Early Life and Education
- Born in Bruges, Belgium in 1774 into a laboring family, Albert Jacob Frans Gregorius demonstrated artistic talent from a young age.
- His abilities were recognized by François van der Donckt, a local amateur painter who provided initial lessons and facilitated his enrollment at the Bruges art academy in 1791.
- Gregorius excelled at the academy, receiving several awards before continuing his artistic journey.
Parisian Studies and Influences
- In 1801, Gregorius moved to Paris, initially apprenticing with Joseph-Benoît Suvée, a fellow Bruges native.
- Following Suvée’s appointment as director of the French Academy in Rome, Gregorius secured a position in the studio of the renowned neoclassical painter, Jacques-Louis David.
- David's influence is evident in Gregorius’ later work, particularly his emphasis on precise draftsmanship and classical composition.
Artistic Development and Career
- Gregorius returned to Bruges in 1805 but soon resumed his Parisian career, establishing himself as a respected portrait painter.
- He became associated with “De Club van de Belgen,” a group of expatriate Flemish artists working in Paris.
- Gregorius regularly exhibited at the Ghent and Paris Salons from 1812 until his departure, gaining recognition for his refined portraits.
- His clientele included members of the French nobility and prominent figures like August Wilhelm Schlegel, whose portrait is now housed in Coppet Castle.
Directorship and Later Years
- In 1835, at the age of 61, Gregorius was appointed director of “De Vrije Academie” (now “De Stedelijke Academie”) in Bruges.
- He served until 1852, but his conservative artistic views led to conflicts with colleagues, students, and city officials, ultimately resulting in his resignation.
- Ford Madox Brown, a notable Pre-Raphaelite painter, was among his students.
Legacy and Historical Significance
- Gregorius’ work represents a blend of classical principles and Flemish artistic traditions.
- His portraits are characterized by their meticulous detail, elegant composition, and psychological insight.
- Though not widely known today, Gregorius played an important role in the development of portraiture during the 19th century and contributed to the artistic landscape of both Belgium and France.
- His life story, including the mystery surrounding his marital status (described as a widower on his death certificate with no known wife), adds to his intriguing historical profile.
