Portrett av Edward Lear

Liste over de 100 mest kjente maleriene av Edward Lear

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 419 verk av Edward Lear i vår katalog

Sammendrag

Det mest kjente maleriet av Edward Lear er Cogoleto, Italy. De neste oppføringene er Crescenza og Blue And Yellow Macaw. Katalogen dokumenterer 419 verk av Edward Lear; de 100 oppføringene nedenfor er de mest kjente, oppført i rangert rekkefølge med dato, museum og beskrivelse.

1812 – 1888, Highgate Romanticism Flest verk: Yale Center for British Art

Edward Lear: de 10 viktigste maleriene

1
Cogoleto, Italy av Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

2
Crescenza av Edward Lear

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

7
The Temple of Apollo at Bassae (1855) av Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Edward Lear: treff 11 til 100

11A Great Green Macaw av Edward LearA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) av Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France av Edward LearDiano, South Of France 14Philae, Egypt (1863) av Edward LearPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) av Edward LearThe Plains of Lombardy from Monte Generoso1880 · The Ashmolean Museum of Art And Archaeology 16Between Olavano and Civitella (1842) av Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) av Edward LearCivita Castellana1839 18Montene ved Termopyle (1852) av Edward LearMontene ved Termopyle1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) av Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) av Edward LearLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) av Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) av Edward LearRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) av Edward LearRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) av Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) av Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) av Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) av Edward LearVenosa1852 · Toledo Museum of Art 28Corfu from near the Village of Virós (1858) av Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) av Edward LearJerusalem from the Mount of Olives1858 · Israels Museum 30Corfu from Ascension (1860) av Edward LearCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) av Edward LearCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) av Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) av Edward LearButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) av Edward LearZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) av Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) av Edward LearView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) av Edward LearView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) av Edward LearView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) av Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) av Edward LearCorfu1863 41The Forest of Valdoniello, Corsica (1869) av Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) av Edward LearDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) av Edward LearFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) av Edward LearA Distant View of Nice from the Hills1864 45Thermopylae (1872) av Edward LearThermopylae1872 · The Ashmolean Museum of Art And Archaeology 46Kinchinjunga (1877) av Edward LearKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) av Edward LearCampagna di Roma1878 48Kangchenjunga from Darjeeling (1879) av Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 49The Marble Rocks - Nerbudda Jubbolpore (1882) av Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 50A View of Adam's Peak, Ceylon (1882) av Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 51Snowy Owl av Edward LearSnowy Owl 52Villa Borghese, Rome av Edward LearVilla Borghese, Rome 53Studies Of Sheep And Herdsmen av Edward LearStudies Of Sheep And Herdsmen 54Views In Rome And Its Environs 2 av Edward LearViews In Rome And Its Environs 2 55Opposite Calvi av Edward LearOpposite Calvi 56Arabs Approaching Mount Sinai av Edward LearArabs Approaching Mount Sinai 57Bocche Di Cattaro, Montenegro av Edward LearBocche Di Cattaro, Montenegro 58Palaiukhora, Crete av Edward LearPalaiukhora, Crete 59Naples, Italy av Edward LearNaples, Italy 60Katholikó Akrotiri, Crete av Edward LearKatholikó Akrotiri, Crete 61Damascus 3 av Edward LearDamascus 3 62View Of Sermoneta, Italy av Edward LearView Of Sermoneta, Italy 63Arkodyllus, Corfu av Edward LearArkodyllus, Corfu 64View Of Jerusalem 1 av Edward LearView Of Jerusalem 1 65The Monastery Of Baarlam, Meteora av Edward LearThe Monastery Of Baarlam, Meteora 66Windermere From Lowwood, Cumbria av Edward LearWindermere From Lowwood, Cumbria 67View Of Philae av Edward LearView Of Philae 68Musta, Malta av Edward LearMusta, Malta 69Modica, Sicily av Edward LearModica, Sicily 70A View Of Sorrento, Italy av Edward LearA View Of Sorrento, Italy 71Parnassus av Edward LearParnassus 72Isola Pescatore, Lake Maggiore, Italy av Edward LearIsola Pescatore, Lake Maggiore, Italy 73A View Of Santa Maura, Levkas, Ionian Islands av Edward LearA View Of Santa Maura, Levkas, Ionian Islands 74Corfu From The Hill Of Gastouri av Edward LearCorfu From The Hill Of Gastouri 75Pompey's Pillar av Edward LearPompey's Pillar 76Figures On The Shore Near Edfu av Edward LearFigures On The Shore Near Edfu 77Joannina, Epirus, Albania av Edward LearJoannina, Epirus, Albania 78Travellers On A Road, Subiaco, Italy av Edward LearTravellers On A Road, Subiaco, Italy 79The Pyramids Road av Edward LearThe Pyramids Road 80View Of Eze, Côte D'azur, France 1 av Edward LearView Of Eze, Côte D'azur, France 1 81An Arab Encampment In Wadi Feiran, Egypt av Edward LearAn Arab Encampment In Wadi Feiran, Egypt 82The Claudian Aqueduct On The Via Appia Near Rome av Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 83A Distant View Of Mdina, Malta av Edward LearA Distant View Of Mdina, Malta 84Galata, Constantinople av Edward LearGalata, Constantinople 85Benares On The Ganges av Edward LearBenares On The Ganges 86Sunrise At Erment, Egypt av Edward LearSunrise At Erment, Egypt 87Porto Maurizio, Italy av Edward LearPorto Maurizio, Italy 88The Nile Above Aswan av Edward LearThe Nile Above Aswan 89A View Of Pauna, In The Ionian Islands av Edward LearA View Of Pauna, In The Ionian Islands 90View Of Ratnapura, Ceylon av Edward LearView Of Ratnapura, Ceylon 91Stairs Leading To S. Pietro In Vincoli av Edward LearStairs Leading To S. Pietro In Vincoli 92Mount Oeta And Thermopylae From Near Lamia av Edward LearMount Oeta And Thermopylae From Near Lamia 93Damascus av Edward LearDamascus 94Arabs At Mount Sinai, Egypt av Edward LearArabs At Mount Sinai, Egypt 95View Of Cythera, Greece av Edward LearView Of Cythera, Greece 96The Upper Nile, Toske, Egypt av Edward LearThe Upper Nile, Toske, Egypt 97Saffron-Coloured Aracari And Golden-Green Aracari av Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 98Prince Of Wales Road, Malta av Edward LearPrince Of Wales Road, Malta 99Piazza Di Spagna, Rome av Edward LearPiazza Di Spagna, Rome 100Kinchinjunga From Darjeeling, Himalayas av Edward LearKinchinjunga From Darjeeling, Himalayas

Hovedmotiver i verkene til Edward Lear

De fire motivene som er hyppigst representert blant disse verkene, hver med sitt mest kjente eksempel.

Edward Lear: innehavere av museer

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Edward Lear Malerier fra denne listen
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israels Museum, JerusalemIsraels Museum Jerusalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Montene ved Termopyle
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear: hovedmaleri for hvert tiår

Verk per tiår

Velg et tiår for å vise dets viktigste maleri.

Edward Lears malerier: referansespørsmål

Hvilket maleri av Edward Lear er det mest kjente?Vis svaret

Cogoleto, Italy. De følgende oppføringene er Crescenza og Blue And Yellow Macaw.

Hvilke ti malerier av Edward Lear er de mest kjente?Vis svaret

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy og Ithaca, Ionian Islands. Listen ovenfor viser dato og museum for hvert av dem.

Hvor mange verk av Edward Lear er dokumentert?Vis svaret

Katalogen inneholder 419 verk av Edward Lear, datert mellom 1839 og 1882.

Hvilke museer har de mest kjente maleriene til Edward Lear?Vis svaret

Hovedsakelig i Yale Center for British Art (New Haven), Government Art Collection (London) og The Ashmolean Museum of Art And Archaeology (Oxford). Tabellen over viser den fullstendige fordelingen.

I hvilken periode ble Edward Lears mest kjente verk malt?Vis svaret

I 1860s: 14 av de 100 verkene som er oppført på denne siden er datert til denne perioden, inkludert Philae, Egypt.

Hvilke er de tidligste og de nyeste verkene av Edward Lear på denne listen?Vis svaret

Det eldste verket som er oppført her er fra Civita Castellana (1839); det nyeste er fra The Marble Rocks - Nerbudda Jubbolpore (1882).

Hvilke motiver går igjen hyppigst i verkene til Edward Lear?Vis svaret

Landscape (12), Scenes (11) og Italy (11) av totalt 100 verk oppført på denne siden.

Hvilket medium dominerer i verkene til Edward Lear?Vis svaret

Watercolor, i 3 av de 100 verkene som er oppført på denne siden.

Hvilken kunstretning er Edward Lear tilknyttet?Vis svaret

Romanticism, som dokumentert av verkene på denne siden.

Hvilke verk av Edward Lear er i samlingen til Yale Center for British Art?Vis svaret

Philae, Egypt, Between Olavano and Civitella og A Study of Ferns, Civitella er blant de 14 verkene på denne siden i samlingen til Yale Center for British Art, New Haven.

Edward Lear: biografiske noter

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a veritable whirlwind of siblings – Lear’s early life was profoundly shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape; qualities that are profoundly reflected in his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a truly exceptional eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to meticulously document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots were not merely a job; they fostered a deep and enduring connection with the natural world – a connection that would become a cornerstone of his later landscape paintings. The demanding nature of this work, however, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not only offering a restorative environment but also providing an abundance of breathtaking vistas that would inform his artistic vision. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating images that possess both realism and a dreamlike quality.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks, in particular, are renowned for their rhythmic precision and unexpected twists. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. The poem’s gentle humor and whimsical characters continue to delight readers of all ages.

Influences and Artistic Development

  • Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.
  • Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.