Portrett av Kees Jansen

Kees Jansen: Katalog over de 1 mest kjente maleriene

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Kees Jansen i vår katalog

Sammendrag

Untitled (1963) er registrert som det mest kjente maleriet til Kees Jansen; det er i Museum van Bommel van Dam sin samling i Venlo. Av de 1 verkene til Kees Jansen som er registrert i katalogen, er de 1 mest kjente oppført nedenfor, hver med dato, museum og en beskrivelse av verket.

født 1946 Flest verk: Museum van Bommel van Dam

Nr. 1 til 10: de mest kjente maleriene til Kees Jansen

Kees Jansen: innehavere av museer

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av Kees Jansen Malerier fra denne listen
Museum van Bommel van Dam, VenloMuseum van Bommel van Dam Venlo 1 Untitled

Årgangsindeks: de viktigste maleriene til Kees Jansen

Hver daterte Kees Jansen-oppføring på denne siden har datoen 1963; verkene er oppført etter rangering.

Verk per år

Velg et år for å vise de viktigste maleriene fra det året.

Ofte stilte spørsmål om Kees Jansens malerier

Hva er det mest kjente verket til Kees Jansen?Vis svaret

Untitled (1963)

Hvor gammel var Kees Jansen i året for Untitled?Vis svaret

17 år: Kees Jansen ble født i 1946, og Untitled er datert 1963.

Hvor mange verk av Kees Jansen er registrert i katalogen?Vis svaret

Katalogen inneholder 1 verk av Kees Jansen.

Hvor befinner de viktigste verkene til Kees Jansen seg?Vis svaret

Hovedsakelig i Museum van Bommel van Dam (Venlo). Tabellen over viser den fullstendige fordelingen.

Biografi om Kees Jansen

A Sculptural Presence

Born in 1946, Kees Jansen has spent decades shaping form through the medium of sculpture. His work exists in the physical space between the viewer and the object, demanding a certain awareness of volume and mass. While many artists seek to capture a fleeting moment, Jansen’s practice is rooted in the permanence of the material, a pursuit that has seen his pieces find a place within significant collections.

His presence in the contemporary art landscape is marked by a quiet, steady development. Rather than following the loud trends of a specific movement, his output suggests a focused engagement with the tactile nature of his craft. This dedication to the physical reality of sculpture is reflected in the way his works are preserved and studied by institutions.

Institutional Recognition

The significance of an artist is often measured by the permanence of their work in public and private repositories. For Jansen, this recognition is anchored in the Netherlands, specifically within the curated environments of regional museums. His contributions are held within the following collections:

The inclusion of his work in the Museum van Bommel van Dam highlights a connection to the modern and contemporary art history of the Venlo region. This placement ensures that his sculptural language remains part of a larger, evolving dialogue regarding Dutch modernism.

The Early Form

The trajectory of his career can be traced through specific, early instances of his creative output. In 1963, his work Untitled was already being recognized, appearing in the collection of the Museum van Bommel van Dam. This early entry into the record of significant art collections suggests a long-standing commitment to his chosen discipline. His work remains a part of the ongoing study of form and space within the Dutch sculptural tradition.