Sammendrag
Queen Victoria (1838) er registrert som det mest kjente maleriet til Thomas Sully; det er i Wallace Collection sin samling i London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) og George Washington (1840) innehar andre- og tredjeplassen. Av de 437 verkene til Thomas Sully som er registrert i katalogen, er de 100 mest kjente oppført nedenfor, hver med dato, museum og en beskrivelse av verket.
Nr. 1 til 10: de mest kjente maleriene til Thomas Sully
Thomas Jefferson (1743-1826), LL.D. 1786
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
George Washington
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Dr. Edward Hudson
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
Child Asleep (The Rosebud)
In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…
The Coleman Sisters
Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.
William B. Wood as "Charles de Moor"
In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…
Thomas Sully
The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…
Colonel Samuel Boyer Davis
Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…
Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)
The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…
Thomas Sully, flere treff: 11 til 100
Thomas Sully: verk etter periode
Early Period
1807 – 1811 · 6 verk i denne listenMature Period
1810 – 1854 · 33 verk i denne listenLate Period
1848 – 1866 · 3 verk i denne listenHovedmotiver i verkene til Thomas Sully
De fire motivene som er hyppigst representert blant disse verkene, hver med sitt mest kjente eksempel.
Man 19 verk
Portrait 18 verk
Woman 11 verk
Thomas Sully: innehavere av museer
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Thomas Sully | Malerier fra denne listen |
|---|---|---|---|
| New York | 22 | George Washington, Child Asleep (The Rosebud), John Finley | |
| Washington | 22 | The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams | |
| Philadelphia | 8 | George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice | |
| Washington, D.C. | 6 | Thomas Sully, John Sergeant, Thomas Ash II | |
| Boston | 7 | John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte | |
| New Haven | 4 | Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl | |
| Cincinnati | 4 | Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston | |
| Dallas | 3 | Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman |
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Thomas Ash II
This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is directed toward the viewer. He is depicted with a white cravat that provides a sharp tonal contrast against the darker elements of his attire and the background. The lighting originates from the upper left, casting shadows along the right side of his…
Dr. Edward Hudson
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
Thomas Jefferson (1743-1826), LL.D. 1786
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
George Washington
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Heyward, Jr.
Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American portrait painter. Sully, who was born in Great Britain and spent much of his career in Philadelphia, Pennsylvania, was a prominent figure in nineteenth-century American art.
Mischief (Girl's Head)
Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a focused, intimate lens.
Ofte stilte spørsmål om Thomas Sullys malerier
Hva er det mest kjente verket til Thomas Sully?Vis svaret
Queen Victoria (1838), Wallace Collection, London. De følgende oppføringene er Thomas Jefferson (1743-1826), LL.D. 1786 (1823) og George Washington (1840).
Hvor gammel var Thomas Sully i året for Queen Victoria?Vis svaret
55 år: Thomas Sully ble født i 1783, og Queen Victoria er datert 1838.
Hva er de ti mest kjente verkene til Thomas Sully?Vis svaret
Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis og Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Listen ovenfor viser dato og museum for hvert av dem.
Hvor mange verk av Thomas Sully er registrert i katalogen?Vis svaret
Katalogen inneholder 437 verk av Thomas Sully, datert mellom 1802 og 1866.
Hvor befinner de viktigste verkene til Thomas Sully seg?Vis svaret
Hovedsakelig i Metropolitan Museum of Art (New York), National Gallery of Art (Washington) og Pennsylvania Academy of Fine Arts (Philadelphia). Tabellen over viser den fullstendige fordelingen.
I hvilken periode skapte Thomas Sully sine mest kjente verk?Vis svaret
I 1830s: 26 av de 100 verkene som er oppført på denne siden er datert til denne perioden, inkludert Queen Victoria.
Hva er de tidligste og nyeste mest kjente verkene til Thomas Sully?Vis svaret
Det eldste verket som er oppført her er fra Mrs. Thomas Sully (Sarah Annis) (1802); det nyeste er fra Mischief (Girl's Head) (1866).
Hvilke motiver malte Thomas Sully oftest?Vis svaret
Man (19), Portrait (18) og Woman (11) av totalt 100 verk oppført på denne siden.
Hvilket medium brukte Thomas Sully oftest?Vis svaret
Oil On Canvas, i 32 av de 100 verkene som er oppført på denne siden.
Hvilken kunstretning tilhører Thomas Sully?Vis svaret
Romanticism og Neoclassicism, som dokumentert av verkene på denne siden.
Hvilke malerier av Thomas Sully har Metropolitan Museum of Art i sin samling?Vis svaret
George Washington, Child Asleep (The Rosebud) og John Finley er blant de 10 verkene på denne siden i samlingen til Metropolitan Museum of Art, New York.