Portrait of Chaim Soutine

Chaim Soutine: Catalogue of the 100 Most Famous Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 118 works by Chaim Soutine in our catalogue

Summary

Chicken Hanging in Front of a Brick Wall (1924) is recorded as the most famous painting of Chaim Soutine; it is held by the Kunstmuseum Bern, Bern. Hengete Kanin (1925) and Suburban Landscape with Red Houses (1917) occupy the second and third entries. Of the 118 works by Chaim Soutine recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1893 – 1943, Smilovichi Expressionism Most works: Musée de l'Orangerie

Entries 1 to 10: the most famous Chaim Soutine paintings

2
Hengete Kanin (1925) by Chaim Soutine

Hengete Kanin

1925 · Olje på lerret · Ohara Museum of Art, Kurashiki

Chaim Soutine’s “Hanging Duck”: A Study in Texture and Emotion “Hanging Duck,” painted circa 1925 by Chaim Soutine, is more than just an image; it's a distillation of the artist’s distinctive vision—a landscape imbued with psychological depth and rendered with uncompromising physicality. Measuring 91 x 54.5 cm, this oil on canvas resides within the Ohara Museum of Art in Kurashiki, Japan, offering visitors a rare glimpse into Soutine’s artistic process…

3
Suburban Landscape with Red Houses (1917) by Chaim Soutine

Suburban Landscape with Red Houses

1917 · Oil On Canvas

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

4
Girl in Red (1919) by Chaim Soutine

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

5
Portrait of a Child (1937) by Chaim Soutine

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

6
Untitled (1411) by Chaim Soutine

Untitled (1411)

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

7
Beef and calf's head (1923) by Chaim Soutine

Beef and calf's head

1923 · Oil On Canvas · Musée de l'Orangerie, Paris

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

8
The Gipsy (1926) by Chaim Soutine

The Gipsy

1926 · Oil On Canvas · Statens Museum for Kunst, København

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

9
Return from School After the Storm by Chaim Soutine

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

Chaim Soutine, further entries: 11 to 100

11Still Life with Fowl [Nature Morte à La Volaille] (1918) by Chaim SoutineStill Life with Fowl [Nature Morte à La Volaille]1918 · Nagoya City Art Museum 12Self-Portrait (1916) by Chaim SoutineSelf-Portrait1916 · Eremitasjen 13The big altar boy (1925) by Chaim SoutineThe big altar boy1925 · Centre Pompidou 14Woman in Red Blouse (1919) by Chaim SoutineWoman in Red Blouse1919 · Metropolitan Museum of Art 15Portrait of Moise Kisling (1920) by Chaim SoutinePortrait of Moise Kisling1920 16Woman in a Blue Dress (1924) by Chaim SoutineWoman in a Blue Dress1924 · Musée d’Art Moderne de la Ville de Paris 17Young Woman in a White Blouse (1923) by Chaim SoutineYoung Woman in a White Blouse1923 · Courtauld Gallery 18Seated Woman (1923) by Chaim SoutineSeated Woman1923 · Cleveland Museum of Art 19Pastry Chef (1923) by Chaim SoutinePastry Chef1923 20Servant Girl in Blue (1934) by Chaim SoutineServant Girl in Blue1934 21Man with Horse (1920) by Chaim SoutineMan with Horse1920 · Metropolitan Museum of Art 22Still Life with Violin, Bread, and Fish (1922) by Chaim SoutineStill Life with Violin, Bread, and Fish1922 · Kunstmuseum Basel 23Duck on Blue Background (1925) by Chaim SoutineDuck on Blue Background1925 · Staatliche Kunsthalle Karlsruhe 24Little Girl in Blue (1935) by Chaim SoutineLittle Girl in Blue1935 · Kunstmuseum Bern 25Dead Fowl (1926) by Chaim SoutineDead Fowl1926 · Art Institute of Chicago 26untitled (8824) by Chaim Soutineuntitled (8824) 27The Table (1919) by Chaim SoutineThe Table1919 · Musée de l'Orangerie 28The Turkey (1925) by Chaim SoutineThe Turkey1925 · Musée de l'Orangerie 29Landscape by Chaim SoutineLandscapeIsraels Museum 30The Child by Chaim SoutineThe Child 31untitled (4004) by Chaim Soutineuntitled (4004) 32Apples (1917) by Chaim SoutineApples1917 · Metropolitan Museum of Art 33Self Portrait with Beard (1917) by Chaim SoutineSelf Portrait with Beard1917 34Self Portrait by Curtain (1917) by Chaim SoutineSelf Portrait by Curtain1917 35The Plane Trees at Céret (1920) by Chaim SoutineThe Plane Trees at Céret1920 36Vase of Flowers (1918) by Chaim SoutineVase of Flowers1918 · Musée d’Unterlinden 37Landscape with Flight of Stairs (1922) by Chaim SoutineLandscape with Flight of Stairs1922 · National Gallery of Ireland 38Hill in Céret (1921) by Chaim SoutineHill in Céret1921 · Israels Museum 39View of Céret (1921) by Chaim SoutineView of Céret1921 · Cincinnati Art Museum 40Landscape with character (1918) by Chaim SoutineLandscape with character1918 · Musée de l'Orangerie 41The Houses (1920) by Chaim SoutineThe Houses1920 · Musée de l'Orangerie 42Landscape at Ceret (1918) by Chaim SoutineLandscape at Ceret1918 · Fine Arts Museums of San Francisco 43Still Life with Fish (1920) by Chaim SoutineStill Life with Fish1920 · Metropolitan Museum of Art 44Chemin de la Fontaine des Tins at Céret (1920) by Chaim SoutineChemin de la Fontaine des Tins at Céret1920 45Steeple of Saint-Pierre at Céret (1922) by Chaim SoutineSteeple of Saint-Pierre at Céret1922 46Houses at Ceret (1920) by Chaim SoutineHouses at Ceret1920 47View of Ceret (1921) by Chaim SoutineView of Ceret1921 48Ceret Landscape (1920) by Chaim SoutineCeret Landscape1920 49Self Portrait (1918) by Chaim SoutineSelf Portrait1918 50Farm Girl [La Fille de Ferme] (1919) by Chaim SoutineFarm Girl [La Fille de Ferme]1919 · Nagoya City Art Museum 51Portrait of a Boy (1928) by Chaim SoutinePortrait of a Boy1928 · Worcester Art Museum 52Calf and Red Curtain (1924) by Chaim SoutineCalf and Red Curtain1924 · Israels Museum 53Still Life with Rayfish (1923) by Chaim SoutineStill Life with Rayfish1923 · Cleveland Museum of Art 54The Chicken (1926) by Chaim SoutineThe Chicken1926 · Museum of Fine Arts, Houston 55The Village (1923) by Chaim SoutineThe Village1923 · Musée de l'Orangerie 56Landscape at Cagnes (1923) by Chaim SoutineLandscape at Cagnes1923 · Art Institute of Chicago 57Dead fowl, (1924) by Chaim SoutineDead fowl,1924 58(Carcass of beef) Minneapolis Institute of Arts (1926) by Chaim Soutine(Carcass of beef) Minneapolis Institute of Arts1926 · Minneapolis Institute of Art 59Gorge de Loup-sur-Vence (1923) by Chaim SoutineGorge de Loup-sur-Vence1923 · Scottish National Gallery of Modern Art 60Houses of Cagnes (1925) by Chaim SoutineHouses of Cagnes1925 61The White House (1933) by Chaim SoutineThe White House1933 · Musée de l'Orangerie 62The Alley of Trees (1935) by Chaim SoutineThe Alley of Trees1935 · Musée de Grenoble 63Woman in Profile (Portrait of Madame Tennent) (1937) by Chaim SoutineWoman in Profile (Portrait of Madame Tennent)1937 64Landscape at Céret [Paysage à Céret] (1922) by Chaim SoutineLandscape at Céret [Paysage à Céret]1922 · Nagoya City Art Museum 65The old mill by Chaim SoutineThe old mill 66Landscape with trees in the wind (1919) by Chaim SoutineLandscape with trees in the wind1919 · The Ema Klabin House Museum 67Windy Day, Auxerre by Chaim SoutineWindy Day, AuxerreThe Phillips Collection 68Jeune Servante (Waiting Maid, also known as La Soubrette) (1933) by Chaim SoutineJeune Servante (Waiting Maid, also known as La Soubrette)1933 · Ben Uri Gallery and Museum 69The Pheasant by Chaim SoutineThe PheasantThe Phillips Collection 70Woman in Profile by Chaim SoutineWoman in ProfileThe Phillips Collection 71Return from School After the Storm by Chaim SoutineReturn from School After the StormThe Phillips Collection 72Landscape of Gréolières by Chaim SoutineLandscape of Gréolières 73The Artist's Workshop in the City of Falguière by Chaim SoutineThe Artist's Workshop in the City of Falguière 74The Falguière City by Chaim SoutineThe Falguière City 75Homes in a Landscape by Chaim SoutineHomes in a Landscape 76untitled (7655) by Chaim Soutineuntitled (7655) 77untitled (9695) by Chaim Soutineuntitled (9695) 78untitled (7349) by Chaim Soutineuntitled (7349) 79untitled (8701) by Chaim Soutineuntitled (8701) 80untitled (2675) by Chaim Soutineuntitled (2675) 81untitled (4171) by Chaim Soutineuntitled (4171) 82untitled (1043) by Chaim Soutineuntitled (1043) 83untitled (1362) by Chaim Soutineuntitled (1362) 84untitled (7544) by Chaim Soutineuntitled (7544) 85untitled (4036) by Chaim Soutineuntitled (4036) 86untitled (484) by Chaim Soutineuntitled (484) 87untitled (1818) by Chaim Soutineuntitled (1818) 88untitled (7142) by Chaim Soutineuntitled (7142) 89untitled (2412) by Chaim Soutineuntitled (2412) 90untitled (3452) by Chaim Soutineuntitled (3452) 91untitled (2795) by Chaim Soutineuntitled (2795) 92untitled (7502) by Chaim Soutineuntitled (7502) 93untitled (2684) by Chaim Soutineuntitled (2684) 94untitled (2219) by Chaim Soutineuntitled (2219) 95untitled (5106) by Chaim Soutineuntitled (5106) 96untitled (80) by Chaim Soutineuntitled (80) 97untitled (3865) by Chaim Soutineuntitled (3865) 98untitled (7795) by Chaim Soutineuntitled (7795) 99untitled (1693) by Chaim Soutineuntitled (1693) 100untitled (5980) by Chaim Soutineuntitled (5980)

Chaim Soutine: works by period

Principal subjects in the work of Chaim Soutine

The four subjects most frequently represented among these works, each with its best-known example.

Chaim Soutine: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Chaim Soutine Paintings from this list
Musée de l'Orangerie, ParisMusée de l'Orangerie Paris 9 Beef and calf's head, The Table, The Turkey
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 7 Woman in Red Blouse, Man with Horse, Apples
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
Nagoya City Art Museum, NagoyaNagoya City Art Museum Nagoya 3 Still Life with Fowl [Nature Morte à La Volaille], Farm Girl [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
Israels Museum, JerusalemIsraels Museum Jerusalem 3 Landscape, Hill in Céret, Calf and Red Curtain
Kunstmuseum Bern, BernKunstmuseum Bern Bern 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Seated Woman, Still Life with Rayfish
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Dead Fowl, Landscape at Cagnes

Decade index: the principal Chaim Soutine painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Chaim Soutine's paintings

What is the best-known work of Chaim Soutine?Display the answer

Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Bern. The following entries are Hengete Kanin (1925) and Suburban Landscape with Red Houses (1917).

How old was Chaim Soutine in the year of Chicken Hanging in Front of a Brick Wall?Display the answer

31 years: Chaim Soutine was born in 1893 and Chicken Hanging in Front of a Brick Wall is dated 1924.

What are the ten best-known works by Chaim Soutine?Display the answer

Chicken Hanging in Front of a Brick Wall, Hengete Kanin, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm and Ceret Lanscape. The list above records the date and holding museum of each.

How many works by Chaim Soutine does the catalogue record?Display the answer

The catalogue records 118 works by Chaim Soutine, dated between 1916 and 1937.

Where are the principal works of Chaim Soutine held?Display the answer

Principally in Musée de l'Orangerie (Paris), Metropolitan Museum of Art (New York) and The Phillips Collection (Washington, D.C.). The museum table above gives the full distribution.

During which period did Chaim Soutine produce the best-known works?Display the answer

In 1920s: 38 of the 100 works listed on this page are dated to that period, including Chicken Hanging in Front of a Brick Wall.

What are the earliest and latest best-known works by Chaim Soutine?Display the answer

The earliest dated work listed here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

What subjects did Chaim Soutine treat most often?Display the answer

Portrait (5), Meat (4) and Woman (4), out of the 100 works listed on this page.

What medium did Chaim Soutine employ most often?Display the answer

Oil On Canvas, in 15 of the 100 works listed on this page.

To which art movement is Chaim Soutine attributed?Display the answer

Expressionism, as documented by the works on this page.

Which paintings by Chaim Soutine does the Musée de l'Orangerie hold?Display the answer

Beef and calf's head, The Table and The Turkey are among the 7 works on this page in the collection of the Musée de l'Orangerie, Paris.

Can reproductions of Chaim Soutine's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of Chaim Soutine

A Life Forged in Turmoil: The World of Chaim Soutine

Chaim Soutine’s life was a tapestry woven from threads of profound hardship and incandescent artistic passion. Born in 1893 in Smilovichi, a small Jewish shtetl near Minsk in the Russian Empire (now Belarus), his early years were steeped in poverty and the constraints of Orthodox religious observance. This formative experience—a childhood marked by material scarcity and a sense of cultural isolation—became the bedrock upon which his distinctive artistic vision was built. Despite discouragement from representing figures realistically within his upbringing, a remarkable talent for drawing emerged, hinting at the intense emotionality that would later characterize his work. He received formal training at an art academy in Vilna (now Vilnius) between 1910 and 1913, but it was his emigration to Paris in 1913 that proved to be a pivotal turning point. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself immersed in a vibrant artistic community, yet he remained largely outside of prevailing trends, forging an independent path defined by raw emotion and innovative technique. The initial years in Paris were marked by extreme poverty—a struggle that mirrored the turbulent inner world reflected in his paintings.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, to label Soutine solely within this movement feels reductive. His style was profoundly individual, a complex synthesis of traditional European painting – particularly the works of Rembrandt, Chardin, and Courbet – filtered through a lens of intense emotionality. He didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own subjective experience. Bold colors, applied with thick impasto—a textured application of paint that gives his canvases a palpable physicality—and agitated brushwork are hallmarks of his distinctive style. Soutine wasn't interested in precise representation; instead, he sought to capture the *essence* of his subjects, imbuing them with a sense of unease, psychological tension, or even outright turmoil. Landscapes, portraits, and still lifes became his primary vehicles for this exploration—each painting a visceral expression of feeling rather than a mere depiction of reality. Recurring themes like food and animals reflected both personal experiences rooted in scarcity and the significance of ritual within Jewish culture, adding layers of meaning to his work. His brushstrokes weren’t delicate; they were forceful, almost violent, conveying a sense of urgency and emotional intensity.

Development and Defining Works

Soutine's artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) saw him grappling with his voice amidst financial hardship and the influence of other artists in Paris. He spent time studying the works of masters like Rembrandt and Chardin, absorbing their techniques and compositional strategies. The period spent in Céret between 1919 and 1922 proved crucial. Surrounded by the dramatic landscapes of southern France, Soutine produced many of his most celebrated paintings – a period characterized by vibrant colors, distorted forms, and a sense of almost violent energy. Trees, cliffs, and fields became swirling masses of paint, reflecting not just what he saw but how he *felt* in their presence. His portraits, too, stood apart for their psychological depth, often depicting working-class individuals with an honesty that challenged conventional portraiture. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret and poignant portraits of Russian émigrés in Paris.

Recognition, Legacy, and Lasting Impact

Soutine’s path to recognition wasn't straightforward. The art dealer Leopold Zborowski played a crucial role in promoting Soutine's work and securing his financial stability, recognizing the unique power of his vision. Initial critical reception was mixed, but his reputation gradually grew over time. His expressive use of paint and emotional intensity profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in Soutine a kindred spirit—an artist willing to push the boundaries of representation in pursuit of authentic expression. Today, Chaim Soutine is rightfully recognized as a major figure in Expressionism and a significant contributor to 20th-century art. His works are held in prestigious museums worldwide, testaments to his enduring legacy. He represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. His innovative style paved the way for future generations of artists seeking to explore the depths of human emotion through the power of paint.

All 118 works by Chaim Soutine →