Portrait of Lee Krasner

Lee Krasner: Catalogue of the 43 Most Famous Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 45 works by Lee Krasner in our catalogue

Summary

Bird Talk (1955) is recorded as the most famous painting of Lee Krasner. Self-Portrait (1929) and Self-Portrait (1929) occupy the second and third entries. Of the 45 works by Lee Krasner recorded in the catalogue, the 43 best known are listed below, each entry with its date, the holding museum and a note on the work.

1908 – 1984, Brooklyn Abstract expressionism Most works: Metropolitan Museum of Art

Entries 1 to 10: the most famous Lee Krasner paintings

1
Bird Talk (1955) by Lee Krasner

Bird Talk

1955 · Oil On Paper

The canvas known as Bird Talk pulses with the energy of 1955, a year when Lee Krasner was carving out a singular space within the movement of Abstract Expressionism. This painting emerges from a period of intense creative transformation for the artist. Born in Brooklyn, United States, in 1908, Krasner brings a specific, restless vitality to this work. The piece exists as a painting that captures a moment of profound…

6
Untitled (1949) by Lee Krasner

Untitled

1949 · Oil On Canvas · MoMA - Museum of Modern Art, New York City

To stand before this canvas is to enter a vibrant maelstrom of paint, a place where chaos itself achieves a profound, breathtaking order. This untitled work pulses with the raw, untamed energy characteristic of Abstract Expressionism. It refuses to offer a single point of rest for the eye; instead, it invites the viewer into an all-over field of activity. The composition is relentlessly dense, built from countless overlapping shapes and…

7
Night Creatures (1965) by Lee Krasner

Night Creatures

1965 · Acrylic On Paper · Metropolitan Museum of Art, New York

Night Creatures emerges from the canvas as a powerful instance of Abstract Art, a work where form and feeling collide in a rhythmic, allover whirl. Created by Lee Krasner in 1965, this piece exists as an Early Modernist Acrylic Painting that refuses to settle into a single, quiet moment. It is an abstract work, yet it pulses with a sense of life that feels almost biological, as if the shapes…

8
Rising Green (1972) by Lee Krasner

Rising Green

1972 · Acrylic On Canvas · Metropolitan Museum of Art, New York

Lee Krasner's “Rising Green,” painted in 1972, isn’t merely a depiction of nature; it’s an embodiment of its vital force. This monumental work, measuring a commanding 209 x 176 cm, stands as a testament to Krasner’s evolving Abstract Expressionist style and her persistent fascination with the natural world. Created in a spacious barn previously occupied by her late husband, Jackson Pollock – a space imbued with the legacy of his…

Lee Krasner, further entries: 11 to 43

11Composition (1943) by Lee KrasnerComposition1943 · Smithsonian American Art Museum 12The Seasons (1957) by Lee KrasnerThe Seasons1957 · Whitney-museet for amerikansk kunst 13Shattered Light (1954) by Lee KrasnerShattered Light1954 14Birth (1956) by Lee KrasnerBirth1956 · Reynolda House Museum of American Art 15The Eye is the First Circle (1960) by Lee KrasnerThe Eye is the First Circle1960 16Celebration (1960) by Lee KrasnerCelebration1960 · Cleveland Museum of Art 17Untitled (1969) by Lee KrasnerUntitled1969 18Gold Stone (1969) by Lee KrasnerGold Stone1969 19Rising Green (1972) by Lee KrasnerRising Green1972 · Metropolitan Museum of Art 20Future Indicative (1977) by Lee KrasnerFuture Indicative1977 21Free Space II (1975) by Lee KrasnerFree Space II1975 · Reynolda House Museum of American Art 22Free Space I (1975) by Lee KrasnerFree Space I1975 · Reynolda House Museum of American Art 23Embrace (1974) by Lee KrasnerEmbrace1974 24Gaea by Lee KrasnerGaea 25Siren, 1966 © Pollock-Krasner Foundation by Lee KrasnerSiren, 1966 © Pollock-Krasner Foundation 26Desert Moon, 1955 © Pollock-Krasner Foundation by Lee KrasnerDesert Moon, 1955 © Pollock-Krasner Foundation 27Lee Krasner c.1938 © Pollock-Krasner Foundation by Lee KrasnerLee Krasner c.1938 © Pollock-Krasner Foundation 28Lee Krasner in her New York studio, c. 1939. Photograph by Maurice Berezov by Lee KrasnerLee Krasner in her New York studio, c. 1939. Photograph by Maurice Berezov 29Portrait of Lee Krasner by Irving Penn in Springs, NY, 1972 © The Irving Penn Foundation by Lee KrasnerPortrait of Lee Krasner by Irving Penn in Springs, NY, 1972 © The Irving Penn Foundation 30Portrait in Green (1969) by Lee KrasnerPortrait in Green1969 31Palingenesis (1971) by Lee KrasnerPalingenesis1971 32Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Combat, 1965 by Lee KrasnerInstallation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Combat, 1965 33Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Combat, 1965 by Lee KrasnerInstallation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Combat, 1965 34Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London feautring Another Storm, 1963 by Lee KrasnerInstallation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London feautring Another Storm, 1963 35Mosaic Table, 1947 © Pollock-Krasner Foundation by Lee KrasnerMosaic Table, 1947 © Pollock-Krasner Foundation 36Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Palingenesis, 1971 by Lee KrasnerInstallation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Palingenesis, 1971 37Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Palingenesis, 1971 by Lee KrasnerInstallation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Palingenesis, 1971 38Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring The Eye is the First Circle, 1960 by Lee KrasnerInstallation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring The Eye is the First Circle, 1960 39Prophecy, 1956 © Pollock-Krasner Foundation by Lee KrasnerProphecy, 1956 © Pollock-Krasner Foundation 40Blue Level, 1955 © Pollock-Krasner Foundation by Lee KrasnerBlue Level, 1955 © Pollock-Krasner Foundation 41Imperative, 1976 © Pollock-Krasner Foundation by Lee KrasnerImperative, 1976 © Pollock-Krasner Foundation 42Self-Portrait, c. 1928 © Pollock-Krasner Foundation by Lee KrasnerSelf-Portrait, c. 1928 © Pollock-Krasner Foundation 43Painting Portrait in Green in her studio, Springs, 1969 by Lee KrasnerPainting Portrait in Green in her studio, Springs, 1969

Lee Krasner: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Lee Krasner Paintings from this list
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 Night Creatures, Rising Green, Rising Green
Reynolda House Museum of American Art, Winston-SalemReynolda House Museum of American Art Winston-Salem 3 Birth, Free Space II, Free Space I
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 1 Untitled (Still-Life)
Dallas Museum of Art, DallasDallas Museum of Art Dallas 1 Pollination
MoMA - Museum of Modern Art, New York CityMoMA - Museum of Modern Art New York City 1 Untitled
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Composition
Whitney-museet for amerikansk kunst, New YorkWhitney-museet for amerikansk kunst New York 1 The Seasons
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Celebration

Decade index: the principal Lee Krasner painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Lee Krasner's paintings

What is the best-known work of Lee Krasner?Display the answer

Bird Talk (1955). The following entries are Self-Portrait (1929) and Self-Portrait (1929).

How old was Lee Krasner in the year of Bird Talk?Display the answer

47 years: Lee Krasner was born in 1908 and Bird Talk is dated 1955.

What are the ten best-known works by Lee Krasner?Display the answer

Bird Talk, Self-Portrait, Self-Portrait, Untitled (Still-Life), Pollination, Untitled, Night Creatures, Rising Green, Still Life on a Table and Untitled (D2X8Q8). The list above records the date and holding museum of each.

How many works by Lee Krasner does the catalogue record?Display the answer

The catalogue records 45 works by Lee Krasner, dated between 1929 and 1977.

Where are the principal works of Lee Krasner held?Display the answer

Principally in Metropolitan Museum of Art (New York), Reynolda House Museum of American Art (Winston-Salem) and New Britain Museum of American Art (New Britain). The museum table above gives the full distribution.

During which period did Lee Krasner produce the best-known works?Display the answer

In 1960s: 7 of the 43 works listed on this page are dated to that period, including Pollination.

What are the earliest and latest best-known works by Lee Krasner?Display the answer

The earliest dated work listed here is Self-Portrait (1929); the latest is Future Indicative (1977).

To which art movement is Lee Krasner attributed?Display the answer

Abstract expressionism, as documented by the works on this page.

Which paintings by Lee Krasner does the Metropolitan Museum of Art hold?Display the answer

Night Creatures, Rising Green and Rising Green are among the 3 works on this page in the collection of the Metropolitan Museum of Art, New York.

Biography of Lee Krasner

En naturkraft: Livet og arven etter Lee Krasner

Født som Lena Krassner den 27. oktober 1908 i Brooklyns livlige gater i New York, trådte kvinnen som skulle bli Lee Krasner frem som en transformativ kraft i den amerikanske modernismens landskap. Hennes reise handlet aldri bare om å følge etablerte stier, men snarere om å skjære ut nye, viscerale territorier gjennom maling og bevegelse. Fra de tidlige dagene ved Washington Irving High School for Girls, hvor et fokusert kurs i visuell kunst først tente hennes kreative ånd, til den rigorøse treningen ved Cooper Unions kvinnelege kunstskole, besatt Krasner en grunnleggende disiplin som senere skulle tjene som fundamentet for hennes mest radikale eksperimenter. Hennes utdannelse var preget av en uopphørlig streben etter mestring, noe som til slutt førte henne til National Academy of Design mellom 1928 og 1932, hvor hun studerte under den legendariske Hans Hofmann. Det var gjennom Hofmanns veiledning at Krasner begynte å internalisere prinsippene om spontanitet og ekspressiv gest, elementer som skulle bli selve hjerteslaget i hennes modne stil.

Krasners karriereforløp er uadskillelig knyttet til de seismiske skiftene i det midten av det 20. århundres kunstverden, en periode definert av fremveksten av abstrakt ekspresjonisme. Selv om historien ofte forsøker å ramme henne inn gjennom ekteskapet med Jackson Pollock, skjuler et slikt snevert perspektiv den dype individuelle briljansen hun opprettholdt gjennom hele livet. Hennes forhold til Pollock plasserte henne i selve episenteret av New York-skolen, men Krasner motsto konsekvent å bli degradert til en sekundær rolle. I stedet utnyttet hun epokens intense energi til å tøye abstraksjonens grenser, ved å integrere påvirkninger fra europeisk modernisme – spesielt kubismens strukturerende kompleksitet og surrealismens psykologiske dybde – inn i et unikt amerikansk språk. Arbeidene hennes ble en dialog mellom kontroll og kaos, der den strukturerte logikken fra hennes tidlige opplæring møtte den uhemmede emosjonen fra etterkrigstiden.

Bevegelsens og fargens språk

Å stå foran et lerret av Krasner er å være vitne til en rytmisk dans mellom medium og bevegelse. Teknikken hennes er berømt karakterisert av en gestural tilnærming, hvor raske, energiske penselstrøk og lagdelte teksturer skaper en følelse av en levende, pustende komposisjon. Hun malte ikke bare motiver; hun malte selve skapelsesakten. I verk som Combat kan man observere en vibrerende, nesten floral abstraksjon som benytter lagdelte grafiske teknikker for å oppnå en dyp fargedybde. Paletten hennes var ofte dristig og uforbeholden, i stand til å skifte fra de mørke, grublende tonene i hennes mer introspektive perioder til de eksplosive, lysende nyansene man finner i hennes senere, mer feirende verk som Another Storm.

Utviklingen av stilen hennes kan sees på som en kontinuerlig syklus av destruksjon og gjenfødelse. Krasner var kjent for sin "collage-metode", hvor hun ofte tok elementer fra sine tidligere, forkastede malerier og inkorporerte dem i nye komposisjoner. Denne prosessen lot henne fysisk kjempe med sin egen kunsthistorie, ved å resirkulere fortiden for å gi næring til fremtiden. Denne sykliske naturen i arbeidet hennes speiler livets organiske rytmer, noe som gjør kunsten hennes dypt forbundet med den naturlige verden, selv i dens mest abstrakte former. Hennes evne til å balansere dynamiske komposisjoner med en følelse av underliggende strukturell integritet forblir en av hennes største tekniske bragder.

Et varig inntrykk på moderne kunst

Lee Krasners historiske betydning strekker seg langt utover lerretene hun etterlot seg; hun var en pioner som bidro til å redefinere abstraksjonens muligheter. Som en kvinne som navigerte i det mannsdominerte kunstmiljøet i det 20. århundre, gjorde hennes motstandskraft og nektelse av å bli overskygget av sine samtidige henne til et symbol på kunstnerisk autonomi. Hennes bidrag bidro til å befeste New York City som den globale hovedstaden for moderne kunst, og fungerte som en bro mellom det pågående tradisjonsbundne fra det tidlige århundret og den rå, emosjonelle kraften i etterkrigstidens avantgarde.

I dag feires Krasner ikke bare som en skikkelse innen en spesifikk bevegelse, men som en kunstner hvis verk besitter en tidløs, universell resonans. Hennes arv er definert av flere sentrale pilarer:

  • Mestring av abstraksjon: Hennes evne til å syntetisere kubistisk struktur med surrealistisk spontanitet skapte et nytt visuelt språk for den amerikanske æraen.
  • Teknisk innovasjon: Gjennom sin bruk av gestural maleri og collage-lignende gjenbruk av eldre verk, utvidet hun mediets fysiske grenser.
  • Kunstnerisk autonomi: Hun navigerte suksessfullt gjennom kompleksitetene i sitt personlige liv og berømmelse for å etablere en distinkt, gjenkjennelig estetikk som står uavhengig av enhver biografisk skygge.
  • Vedvarende innflytelse: Hennes arbeid fortsetter å inspirere generasjoner av malere til å utforske skjæringspunktet mellom emosjon, bevegelse og farge.

Lee Krasner forblir en titan i det 20. århundres kunst, en kunstner hvis liv var like mye et mesterverk av utholdenhet og evolusjon som maleriene som nå hviler i verdens mest prestisjetunge museer.

All 45 works by Lee Krasner →