Portrett av William Tasker

William Tasker: De 3 mest kjente maleriene, dokumentert

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 3 verk av William Tasker i vår katalog

Sammendrag

Ifølge denne rangeringen er Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839) det mest kjente maleriet av William Tasker; det befinner seg i Yale Center for British Art i New Haven. Det etterfølges av The Liverpool and National Steeplechase at Aintree, 1843 (1843) og National Defense (1921). Denne listen er basert på 3 verk av William Tasker i katalogen og viser de 3 mest kjente, med dato, museum og beskrivelse for hvert oppføring.

Flest verk: Yale Center for British Art

William Tasker: de 10 øverste på listen

William Tasker: innehavere av museer

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av William Tasker Malerier fra denne listen
Yale Center for British Art, New HavenYale Center for British Art New Haven 2 Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 National Defense

William Tasker per tiår: det mest kjente maleriet fra hvert tiår

Verk per tiår

Velg et tiår for å vise dets viktigste maleri.

William Tasker: spørsmål og dokumenterte svar

Hvilket maleri av William Tasker topper listen over de mest kjente verkene?Vis svaret

Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839), Yale Center for British Art, New Haven. De følgende oppføringene er The Liverpool and National Steeplechase at Aintree, 1843 (1843) og National Defense (1921).

Hvor mange verk av William Tasker er registrert?Vis svaret

Katalogen inneholder 3 verk av William Tasker, datert mellom 1839 og 1921.

I hvilke samlinger befinner William Tasker sine mest kjente verk seg?Vis svaret

Hovedsakelig i Yale Center for British Art (New Haven) og Metropolitan Museum of Art (New York). Tabellen over viser den fullstendige fordelingen.

Hvilke daterte verk av William Tasker er de eldste og de nyeste her?Vis svaret

Det eldste verket som er oppført her er fra Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839); det nyeste er fra National Defense (1921).

Hvilke verk av William Tasker er i Yale Center for British Art sin samling?Vis svaret

Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester og The Liverpool and National Steeplechase at Aintree, 1843 er blant de 2 verkene på denne siden i samlingen til Yale Center for British Art, New Haven.

William Tasker: liv og virke

The Light of the American Landscape

Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.

His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.

A Record of Movement and Form

Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:

In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.

Legacy in Color and Light

By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.