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Lorenzo Bartolini Najobľúbenejšie obrazy

Najobľúbenejších 9 diel od Lorenzo Bartolini, ktoré si naši návštevníci najčastejšie vyžadujú, usporiadaných podľa popularity a prezentovaných jednotlivo, spolu so špecifikáciou a cenou každej ručne maľovanou reprodukciou.

Vydanie 2026 · 9 diel Každý autorský obraz na mieru
Plátno z ľanového plátna · Certifikát autentičnosti · Globálne doručenie Lorenzo Bartolini · 1777 – 1850

Trust in God (1836) by Lorenzo Bartolini

1836 · Museo Poldi Pezzoli, Miláno · originál 43 x 93 cm

Lorenzo Bartolini's poignant sculpture 'Trust in God,' commissioned by Rosa Trivulzio Poldi Pezzoli, captures grief and faith through a serene marble nude depicting devotion and contemplation.

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 1. mieste: Trust in God

Art Movement: Romanticism
Color Palette: Earthy

Pozrite si dielo

Dôvera v Boha, 1833, Lorenzo Bartolini

1833 · Museo Poldi Pezzoli, Miláno

Lorenzo Bartoliniho ikonická statueta „Dôvera v Boha“ zachytáva smútok a vieru prostredníctvom pokojného mramorového nude zobrazujúceho zbožnosť a rozvážnosť. Pozrite si viac detailov.

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 2. mieste: Dôvera v Boha

Art Movement: Neoklasicizmus
Color Palette: Zemité tóny

Pozrite si dielo

Lorenzo Bartolini, Elisa and her Daughter Napoléonne (1813)

1813 · Louvre, Paríž

Explore Lorenzo Bartolini’s ‘Elisa & her Daughter Napoléonne,’ a monumental Neoclassical marble sculpture. Admire its dynamic form, classical themes, and exquisite detail – a timeless masterpiece.

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 3. mieste: Elisa and her Daughter Napoléonne

Art Movement: Neoclassicism
Color Palette: Neutrals

Pozrite si dielo

Bust of Rosa Trivulzio Poldi Pezzoli od Lorenzo Bartolini, 1828

1828 · Museo Poldi Pezzoli, Miláno

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 4. mieste: Bust of Rosa Trivulzio Poldi Pezzoli

Color Palette: Earthy

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 4 z 9 diel umelca Lorenzo Bartolini
Doprava: Celosvetovo približne 5 týždňov

od$17729 × 35 cm Objednať tento obraz

Nymph with a Scorpion (1851) by Lorenzo Bartolini

1851 · Hermitáž, Petrohrad

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 5. mieste: Nymph with a Scorpion

Art Movement: Neoclassical Romanticism

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 5 z 9 diel umelca Lorenzo Bartolini
Doprava: Celosvetovo približne 5 týždňov

od$17736 × 28 cm Objednať tento obraz

The Sculptor's Wife (1831) by Lorenzo Bartolini

1831

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 6. mieste: The Sculptor's Wife

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 6 z 9 diel umelca Lorenzo Bartolini
Doprava: Celosvetovo približne 5 týždňov

od$17728 × 35 cm Objednať tento obraz

Tomb of Princess Sophia Zamoyska, Lorenzo Bartolini

1837

Exquisite 1837 marble tomb by Lorenzo Bartolini featuring Mary & Jesus, Saint Sebastian, & Baroque detail. A stunning historical sculpture – explore its artistry & significance.

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 7. mieste: Tomb of Princess Sophia Zamoyska

Art Movement: Baroque
Color Palette: Earthy

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 7 z 9 diel umelca Lorenzo Bartolini
Doprava: Celosvetovo približne 5 týždňov

od$20225 × 40 cm Objednať tento obraz

Tomb of Princess Sophia Zamoyska (detail)

1837

Color Palette: Neutrals

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 8 z 9 diel umelca Lorenzo Bartolini
Doprava: Celosvetovo približne 5 týždňov

od$17733 × 30 cm Objednať tento obraz

Tomb of Princess Sophia Zamoyska (detail) (1837) by Lorenzo Bartolini

1837

Pozrite si najobľúbenejšie dielo umelca Lorenzo Bartolini na 9. mieste: Tomb of Princess Sophia Zamoyska (detail)

Color Palette: Earthy

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 9 z 9 diel umelca Lorenzo Bartolini
Doprava: Celosvetovo približne 5 týždňov

od$17735 × 29 cm Objednať tento obraz

Umelec

Lorenzo Bartolini

1777 – 1850

Rýchle fakty

Lifespan73 years
Born1777, Vernio, Italy
NationalityItaly
Works on APS9
Copyright statusPublic domain
Art period19th Century

Biografia

Early Life and Artistic Formation

Lorenzo Bartolini emerged onto the Italian art scene at a pivotal moment, born in 1777 in the Tuscan town of Vernio, near Prato. His initial artistic training took place within the esteemed Florentine Academy of Fine Arts, where he quickly distinguished himself through an exceptional aptitude for modeling, particularly with alabaster—a material that would become intimately linked to his early style. This foundational period instilled in him a reverence for classical forms and techniques, yet even then, hints of a unique sensibility began to surface. A dramatic turn arrived in 1797 when Bartolini found himself amidst the tumultuous landscape of Napoleonic France, serving as a drummer within Bonaparte’s army. This experience, far removed from the serene studios of Florence, broadened his horizons and ultimately led him to Paris—a burgeoning center for artistic innovation. In Paris, he pursued formal studies in painting under Frédéric Desmarais and sculpture under François-Frédéric Lemot, absorbing diverse influences that would shape his evolving aesthetic vision. It was here, in 1803, with the creation of the bas-relief Cleobis and Biton, that Bartolini truly established his reputation as a sculptor of considerable talent, attracting the attention of influential patrons who recognized the promise within his work.

A Career Under Napoleonic Patronage and Beyond

Bartolini’s career flourished under the patronage of Napoleon Bonaparte, an era marked by grand artistic commissions designed to celebrate imperial power and glory. He contributed significantly to monumental projects such as the bas-relief depicting the Battle of Austerlitz for the iconic Vendôme Column—a testament to his technical skill and ability to translate historical narratives into compelling sculptural form. Beyond these large-scale endeavors, Bartolini also excelled in portraiture, crafting busts of prominent figures like composers Méhul and Cherubini, solidifying his position within Parisian artistic circles. A significant turning point arrived in 1807 when, through the recommendation of Napoleon’s sister Elisa Baciocchi, he was appointed Director of the School of Sculpture at the Accademia Carrara in Bergamo. This appointment, despite initial resistance from local factions, underscored Bartolini's rising stature and allowed him to exert a considerable influence on the next generation of Italian sculptors. He remained in this role until after Napoleon’s fall, continuing to serve as a favored portraitist for the Bonaparte family during a period of immense political upheaval. This close association with the Bonapartes would later shape his artistic trajectory and reception within Italy.

Blending Neoclassicism with Naturalism: A Distinctive Style

Bartolini’s artistic style occupies a fascinating space within the broader context of 19th-century sculpture. While firmly rooted in the principles of Neoclassicism, his work transcends strict adherence to Canovan ideals—the dominant force in Italian sculpture at the time. He infused his creations with a sentimental piety and a remarkable degree of naturalistic detail, distinguishing him from contemporaries who prioritized cold perfection and idealized forms. Instead of solely looking to classical antiquity, Bartolini drew inspiration from the Florentine Renaissance sculptors like Verrocchio, embracing a more dynamic and emotionally resonant approach. This unique blend is particularly evident in his monumental works, such as the Monument to Princess Sophia Zamoyska in Santa Croce, Florence (1837). The sculpture exemplifies his naturalistic tendencies, departing from rigid classical conventions while retaining a sense of grace and dignity. Another significant achievement, the Demidoff Table (1845), showcases his mastery of marble carving and complex composition—a project that occupied him for many years and stands as a testament to his dedication and skill. His portrait busts, numerous throughout his career, are characterized by their sensitivity and ability to capture the individual essence of each sitter. Elisa and her Daughter Napoléonne, a monumental Neoclassical marble sculpture, further demonstrates Bartolini’s dynamic form and classical themes.

Legacy and Historical Significance

In 1833, Bartolini was honored with an election as an honorary member of the National Academy of Design—a recognition of his growing international reputation. He eventually settled in Florence, but faced challenges due to his Bonapartist associations and artistic divergence from the prevailing Canovan style favored by the academy. Despite these obstacles, he continued to receive commissions, particularly from foreign patrons who appreciated his unique vision. Bartolini’s work represents a crucial transition within Neoclassical sculpture, foreshadowing later artistic movements through its incorporation of naturalism and sentimentality. He bridged the gap between the idealized forms of the past and the more emotionally expressive styles that would emerge in the latter half of the 19th century. His death in Florence in 1850 marked the end of a remarkable career, leaving behind a legacy of significant sculptures and a distinctive artistic voice within the Italian art world. Today, Bartolini is remembered not only for his technical brilliance but also for his ability to infuse classical ideals with individual expression—a quality that continues to resonate with scholars and art enthusiasts alike. His works stand as compelling examples of an artist who dared to forge his own path, blending tradition with innovation and leaving an indelible mark on the landscape of Italian sculpture.

Otázky a odpovede

Môžem si prehliadnuť diela umelca Lorenzo Bartolini podľa farebnej palety?

Spektrálny výber umelca Lorenzo Bartolini je stránka, ktorá organizuje jeho diela podľa farieb.

Kde si môžem pozrieť farebnú paletu tvorby umelca Lorenzo Bartolini?

Genetika palety umelca Lorenzo Bartolini je stránka, ktorá predstavuje farebný profil jeho tvorby.

V akom meste a v ktorej krajine sa narodil/a Lorenzo Bartolini?

Lorenzo Bartolini sa narodil v meste Vernio v krajine Italy.

Redakcia WikiOO.org Aktualizované dňa 1. september 2026

Kvapozvuk pre zberateľa

Lorenzo Bartolini initially pursued a career outside of art by serving as what in Napoleon Bonaparte’s army?
Bartolini's style is best described as a blend of which two artistic approaches?
Which Florentine Renaissance sculptor heavily influenced Bartolini’s work, setting him apart from contemporaries focused on Canova?
Bartolini was appointed Director of the School of Sculpture at which academy in Bergamo?
The Monument to Princess Sophia Zamoyska, located in Santa Croce, Florence, exemplifies Bartolini's approach to sculpture. How would you describe this approach?

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Všetky diela od Lorenzo Bartolini