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Peter Copmann: Katalóg 1 najznámejších obrazov
Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 1 dielov umelca Peter Copmann v našom katalógu
Zhrnutie
Portræt af en ung pige (1824) je považovaný za najznámejší obraz umelca Peter Copmann; nachádza sa v múzeu Statens Museum For Kunst, Kodaň. Z 1 diel umelca Peter Copmann zaznamenaných v katalógu je nižšie uvedzených 1 najznámejších, pričom každá položka obsahuje dátum, múzeu, v ktorom sa nachádza, a poznámku k dielu.
1794 – 1850, Rudkøbing
Najviac diel: Statens Museum For Kunst
Zoznam 1 až 10: najznámejšie obrazy, ktoré vytvoril Peter Copmann
Peter Copmann: v múzeách
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Peter Copmann | Obrazy z tohto zoznamu |
|---|---|---|---|
 Statens Museum For Kunst |
Kodaň | 1 | Portræt af en ung pige |
Index rokov: hlavné obrazy umelca Peter Copmann
Každý záznam o umelcovite Peter Copmann na tejto stránke má dátum 1824; diela sú zoznamované podľa poradia.
Diela podľa roku
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Často kladené otázky k obrazom umelca Peter Copmann
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Portræt af en ung pige (1824)
Koľko rokov mal(a) Peter Copmann v roku vytvorenia Portræt af en ung pige?Zobraziť odpoveď
30 rokov: Peter Copmann sa narodil/a v 1794 a dielo Portræt af en ung pige pochádza z roku 1824.
Koľko diel umelca Peter Copmann obsahuje katalóg?Zobraziť odpoveď
Katalog obsahuje 1 diel umelca Peter Copmann.
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Primárne v Statens Museum For Kunst (Kodaň). Tabuľka múzeí vyššie uvádza úplné rozdelenie.
Biografia Peter Copmann
A Life in Portraiture and Landscape
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Technique and Subject Matter
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
- Portraiture: He captured the presence of notable figures, using pastel to achieve a softness that mimicked the skin and clothing of his subjects.
- Landscape and Nature: His studies of the outdoors brought the quietude of the countryside into the studio.
- Lithography: Through printmaking, he was able to share his visions of people and places with a wider audience.
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.