Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 3 dielov umelca Theodore E. Pine v našom katalógu
Zhrnutie
Podľa tohto poradia je The Daughters of Daniel T. MacFarlan (1857) najznámejším obrazom umelca Theodore E. Pine; nachádza sa v múzeu Metropolitné múzeum umenia v meste New York. Nasleduje ich Mr. and Mrs. Daniel T. MacFarlan (1858) a Kate Lyon Cornell (1856). Tento zoznam vychádza z 3 diel umelca Theodore E. Pine v katalógu a uvádza 3 najznámejších s dátumom, múzeou, v ktorej sa nachádzajú, a popisom pre každý záznam.
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
Štyri najčastejšie zastúpené témy medzi týmito dielami, z ktorých každá má svoj najznámejší príklad.
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Theodore E. Pine | Obrazy z tohto zoznamu |
|---|---|---|---|
 Metropolitné múzeum umenia |
New York | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
3 rokov, od 1856 do 1858, zahŕňa všetky datované diela umelca Theodore E. Pine na tejto stránke; sú zobrazené podľa roku.
Vyberte rok, aby sa zobrazili jeho hlavné diela.
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857), Metropolitné múzeum umenia, New York. Nasledujúce položky sú Mr. and Mrs. Daniel T. MacFarlan (1858) a Kate Lyon Cornell (1856).
29 rokov: Theodore E. Pine sa narodil/a v 1828 a dielo The Daughters of Daniel T. MacFarlan pochádza z roku 1857.
Katalog obsahuje 3 diel umelca Theodore E. Pine datovaných v období od 1856 do 1858.
Primárne v Metropolitné múzeum umenia (New York). Tabuľka múzeí vyššie uvádza úplné rozdelenie.
Najstaršie datované dielo uvedené v tomto zozname pochádza z Kate Lyon Cornell (1856); najnovšie je z Mr. and Mrs. Daniel T. MacFarlan (1858).
Tree (2), Landscape (2) a Clouds (2) z 3 diel uvedených na tejto stránke.
Oil On Canvas, z 3 z 3 diel uvedených na tejto stránke.
The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan a Kate Lyon Cornell sa nachádzajú medzi 3 dielami na tejto stránke v kolekcii Metropolitné múzeum umenia, New York.
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
