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Surface 213

Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

Vprašanja in odgovori

Katera barva najbolj izstopa v delu "Surface 213"?

Prevladujoča barva dela "Surface 213" avtorja Giuseppe Capogrossi je Bronze (#ccad2a).

Ali je "Surface 213" v celotnosti bolj svetel ali bolj temen?

"Surface 213" avtorja Giuseppe Capogrossi je zabeležen z jasnostjo bright in luminanco Bright Balance.

Ali ima "Surface 213" močne svetlo-temne kontraste?

Svetlo-temni kontrast dela "Surface 213" je zabeležen kot Statement. Kontrast opisuje stopnjo razlike med svetlim in temnimi conami.

Uredništvo WikiOO.org

Giuseppe Capogrossi (1900 – 1972)

Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

Galleria Civica di Arte Moderna e Contemporanea Torino (Turin, Italija)

GAM Torino: odkrijte znamenito zbirko sodobne umetnosti v Turinu, ki vključuje futuristična dela, skulpture Arte Povera, portrete Modiglianija in pop art Andyja Warhola.

O umetniškem delu