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Reason

Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

Vprašanja in odgovori

Ali je na voljo diaporama za "Reason" avtorja Kader Attia?

Diaporama dela "Reason" si lahko ogledate na strani Diaporama za to umetniško delo.

Ali so barve dela "Reason" avtorja Kader Attia nasičene ali utemeljene?

"Reason" avtorja Kader Attia je zabeležen z Muted saturacijo.

Ali uporablja "Reason" avtorja Kader Attia močne kontraste ali nežne harmonije?

Barvna kompozicija dela "Reason" avtorja Kader Attia združuje Statement kontrast z Strong Color Unity harmonijo.

Koliko je bil Kader Attia let, ko je nastalo delo "Reason"?

Kader Attia je bil/a star/a 45 let, ko je ustvaril/a "Reason" leta 2015. Starost je izračunana na podlagi leta rojstva umetnika, 1970.

Kdo je umetnik za "Reason"?

Avtor dela "Reason" je Kader Attia. Del je katalogiran pod imenom Kader Attia.

V letu katerega je bilo ustvarjeno delo "Reason" avtorja Kader Attia?

"Reason" avtorja Kader Attia je nastalo leta 2015.

Kakšne barve uporablja "Reason"?

Paleta dela "Reason" avtorja Kader Attia je opisana kot Earthy. Gre za jedinkaven opis barv v tem delu.

Kader Attia (1970 –)

Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

EVA International (Limerick City, Republic of Ireland)

Kot vrhunski bienale sodobne umetnosti v Irski lahko EVA International odkrivate skozi izložbe v znamenitostih. Raziskujte svetovno kreativnost.

O tem umetniškem delu

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