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The Stable

A boy leads a white horse into the stable as a storm is brewing outside. Inside the stable is a brown horse drinking out of a bucket and a stable boy fetching more hay. In the background, a man and a boy brave the bad weather. Although Philips Wouwerman was first and foremost known as a landscape painter, he was also renowned by his contemporaries for his unique ability to paint horses with great precision and accuracy. The anatomy and movement patterns of horses are brought into focus in his travellers’ stable paintings, while the surrounding landscape often merely serve as the outer framework for the scene. They can accordingly be regarded as animal studies rather than actual landscape paintings. In this work, the white and brown horse also take prominent places in the composition of the painting, while the bleak landscape help lend a certain depth and mood to the scene.

Vprašanja in odgovori

Kje se "The Stable" uvršča med ponavljajoče se teme v delih umetnika Philips Wouwerman?

Med zastavljenimi temami umetnika Philips Wouwerman – ki jih zastopajo dutch realism, van laer influence, rural labor, everyday life, weather's impact, vulnerability, horse mastery, animal studies – prinaša "The Stable" lastno pozornost na horse painting, stable scene, rural life, stormy weather, dutch art, animal studies, golden age, landscape.

Ali lahko pred nakupom vidim "The Stable" avtorja Philips Wouwerman na svoji steni?

Delo "The Stable" avtorja Philips Wouwerman si lahko ogledate na svoji steni s stranjo Predogled v AR, z uporabo tehnologije augmented reality na združljivi napravi.

Kje lahko najdem vodnik za "The Stable"?

Za delo "The Stable" avtorja Philips Wouwerman je na voljo stran Informacije za učence: natisljiv informativni list o umetninah, zasnovan za uporabo v šolskih prostorih in za učence.

Philips Wouwerman (1619 – 1668)

Odkrijte dinamičen svet Philipsa Wouwermana (1619-1668), mojstra nizozemske zlate dobe! Slikar lovskih prizorov, krajin in bitk s spretnimi upodobitvami konj. Pomemben predstavnik 17. stoletja.

O umetniškem delu

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