Predogled v realnem okolju Predogled v AR Kupite ročno slikano delo Preklop na digitalno sliko Pošlji
Podrobnosti o delu Priročnik Dodaj v priljubljene Prenesi sliko Podobni izdelki Rentgenski posnetek Predvajaj diaporama Vprašanja in odgovori Statistika

Composition I

Dimenzije
50.0 x 35.0 cm

A striking mid-century abstract composition featuring dynamic figures and a bird by Polish master Zdzisław Stanek that captures the essence of geometric experimentation, inviting you to bring this unique piece home.

Explore the innovative paintings & sculptures of zdzisław stanek (1925-1996), influenced by Władysław Strzemiński. Known for light, geometric forms & experimentation.

Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.

Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.

Giclée tisk / Umetniški tisk

Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Kupite ročno slikano delo Preklop na digitalno sliko)

Corner sample of the P118B picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: izoblit polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: izoblit polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drevo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drevo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drevo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drevo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drevo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drevo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drevo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drevo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drevo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardna velikost
po meri
CM
INCH

Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
višina

Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.

Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (17 november)

Brezplačna ekspresna dostava po vsem svetu
Visokokakovostno laneno platno
Popolno zavarovanje pošiljke
Garancija povračila carine in uvoznih davkov
Garancija popolnega barvnega ujemanja
100-dnevna politika vračil (le v primeru okvar)
Garancija 100% povračila denarja
Popust pri večjem naročilu

Skupna cena

€ 55

Composition I

Giclée tisk / Umetniški tisk

Velikost reprodukcije

-

Skupna cena

€ 55

Ključni podatki

  • Artistic style: Geometric Abstraction
  • Influences: Władysław Strzemiński
  • Dimensions: 50 x 35 cm
  • Subject or theme: Figures with a bird

Umetniški kviz

Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

Vprašanje 1:
In what year was the artwork 'Composition I' created?
Vprašanje 2:
Which artist created 'Composition I'?
Vprašanje 3:
What is the size of the artwork 'Composition I'?
Vprašanje 4:
Where is the artwork 'Composition I' located?
Vprašanje 5:
What motif is featured on the central figure in the painting?

A Choreography of Form and Shadow

In the quiet, muted realm of mid-century Polish abstraction, Composition I emerges as a rhythmic arrangement of figures. Created in 1961, the work presents a complex choreography where bodies seem to emerge from and dissolve into the canvas. A central figure, anchored on the left, bears the weight of a bird with outstretched wings. This motif invites a contemplation of freedom and the delicate balance between the earthly and the ethereal. The figures are positioned in a deliberate, almost musical sequence across the frame, ranging from those standing sentinel on the right to the more enigmatic presence in the upper corner. There is a sense of movement within the stillness, a sudden burst of inspiration caught in a moment of transition.

The technique relies on the transformative power of light. Rather than merely illuminating the subjects, the light sculpts them. Through a masterful use of contrast and tonal depth, a sense of three-dimensional movement is created within a flattened plane. The monochromatic essence of the work lends it a sculptural elegance. It is a fragment of the Polish avant-garde that challenges the eye and stirs the soul through its exploration of form and the human condition.

The Architecture of Light

The artist, Zdzisław Stanek, approached the canvas as a laboratory for perception. His work is a continuous dialogue between the tangible and the ethereal, driven by a curiosity regarding how light interacts with form to shape human perception. In this 1961 piece, the interplay of light and shadow gives the artwork a breathing quality. The figures are woven together by a shared atmospheric energy, creating a sense of depth that feels almost organic. The composition is not merely a collection of shapes but a structured exploration of how light can breathe life into a scene.

Stanek’s aesthetic language was built upon a refusal to be tethered to any single trend. While drawing inspiration from the structural rigor of Cubism, he infused these foundations with an experimental spirit. He sought color and light that would complement the structure, treating the canvas with the discipline of an architect. In Composition I, this discipline results in a work that feels vibrantly alive, even in its stillness. The bird’s wingspan breaks the silence, a single gesture in a vast, luminous space.

Vprašanja in odgovori

Ali je delo "Composition I" avtorja Zdzisław Stanek v javni lastini in zakaj?

Del "Composition I" avtorja Zdzisław Stanek je še vedno pod avtorsko zaščito. Avtorske pravice se izračunajo od smrti umetnika, pri čemer je Zdzisław Stanek umrl leta 1996.

V kateri umetniški smer pripadajo "Composition I" avtorja Zdzisław Stanek?

"Composition I" je del umetniškega sloga Geometric Abstraction, ki predstavlja umetniško tradicijo, v katero je delo vključeno.

Ali je "Composition I" avtorja Zdzisław Stanek svetlo ali temno umetniško delo?

Splošno je "Composition I" zabeleženo kot deep_shadow. Zaznana svetlina opisuje, kako svetlo ali temno delo deluje.


Biografija umetnika

The Luminous Legacy of Zdzisław Stanek

In the storied landscape of mid-20th-century Polish art, few names resonate with the same quiet intensity as Zdzisław Stanek. Born in 1925 in the industrial heart of Łódź, Stanek emerged not merely as a painter, but as a profound investigator of the very mechanics of sight. His life’s work was a continuous dialogue between the tangible and the ethereal, a pursuit driven by an almost scientific curiosity regarding how light interacts with form to shape human perception. To encounter a Stanek canvas is to step into a world where the boundaries between matter and radiance begin to dissolve, leaving the viewer suspended in a state of luminous contemplation.

The foundation of Stanek’s artistic identity was deeply rooted in the revolutionary theoretical frameworks established by Władmentsław Strzemiński. From his earliest years, Stanek was captivated by Strzemiński’s radical notion that light should not be treated as a mere external source of illumination, but as an active, transformative force capable of sculpting space and evoking deep psychological resonance. This intellectual lineage became the heartbeat of his practice. He embraced the idea that light could breathe life into geometric structures, turning static shapes into dynamic participants in a cosmic dance of color and shadow.

A Synthesis of Geometry and Light

As his career progressed, Stanek’s aesthetic language underwent a fascinating evolution, characterized by a refusal to be tethered to any single passing trend. While he drew significant inspiration from the structural rigor of Cubism, he infused these geometric foundations with an experimental spirit that bordered on the futuristic. His compositions frequently utilized the stark, clean lines of cubes and spheres, yet these were never cold or clinical. Instead, through a masterful application of vibrant pigments and layered textures, he achieved a sense of depth and dimensionality that felt almost organic.

His later explorations into Cyber Art and more abstract geometric forms demonstrated his ability to bridge the gap between classical painterly traditions and the burgeoning technological consciousness of the era. In these works, the interplay of form and color becomes a complex puzzle of light:

  • The Role of Form: The use of spheres and cubes serves as an anchor for the eye, providing a structural stability that allows the more fluid elements of the painting to roam freely.
  • Chromatic Vibrancy: Stanek utilized color not just for decoration, but as a tool to generate heat, coolness, and movement within the frame.
  • Atmospheric Depth: Through subtle gradations, he created an illusion of infinite space, where light seems to emerge from deep within the canvas itself.

Historical Significance and Artistic Spirit

The historical importance of Zdzisław Stanek lies in his role as a bridge between the avant-garde traditions of early 20th-century Poland and the experimental movements that followed. In an era often defined by political and social upheaval, Stanek remained steadfast in his commitment to pure visual experimentation. He resisted the pressure to conform to more literal or propagandistic styles, choosing instead to focus on the universal language of light and geometry. This dedication ensured that his work remained timeless, transcending the specific historical moment of its creation.

Today, Stanek is remembered as a pioneer who dared to treat the canvas as a laboratory for perception. His ability to synthesize the rigid logic of geometric abstraction with the emotive power of light continues to inspire those who seek beauty in the intersection of science and art. His legacy remains etched in the luminous glow of his masterpieces, reminding us that even the most structured forms can be imbued with an eternal, breathing soul.

Zdzisław Stanek

Zdzisław Stanek

1925 - 1996 , Poland

Hitri podatki

  • Full Name: zdzisław stanek
  • Nationality: Polish
  • Date Of Birth: 1925
  • Date Of Death: 1996
  • Place Of Birth: Poland
  • Notable Artworks:
    • Still life with leeks bunch,
    • Apples and cheese
    • Lightnude II
  • Artistic Movement Or Style: Cubism, Cyber art, Surrealism
  • Artists Who Influenced This Artist: ['Władysław Strzemiński']
  • Artists Or Movements Influenced By This Artist: ['Cyber art']