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Жена са парасолетом

Едуард Мане – ‘Жена са парасолетом’ сакрива Париз у реалистичком и импресионистичком стилу. Загадан портрет елеганце, мистериозне интимности.

Мане је спојио реализам и импресионизам kroz Olimpiju. Откријте револуционарна дела овог париског мајстора.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 6506

Жена са парасолетом

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

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Ukupna cena

дин 6506

Osnovne informacije

  • Subject or theme: Portretiranje, Moderno život
  • Medium: Ulje na platnu
  • Artist: Edouard Manet
  • Artistic style: Realizam, Impresionizam
  • Movement: Impresionizam

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
Koja umetnička pokret je najviše povezana sa delom Eduara Maneta ‘Žena sa kišobranom’?
Pitanje 2:
Ko je glavni subjekt slike ‘Žena sa kišobranom’?
Pitanje 3:
Koja je komponenta u pozadini slike doprinosi dubini scene?
Pitanje 4:
Koja je ključna karakteristika Manetovog stila kako se pokazuje na slici ‘Žena sa kišobranom’?
Pitanje 5:
Smatra se da je slika ‘Žena sa kišobranom’ značajna jer:

A Moment Frozen in Time: Manet’s “Woman with Umbrella”

Édouard Manet's "Woman with Umbrella," painted in 1875, isn’t merely a portrait; it’s a carefully constructed tableau vivant—a snapshot of modern Parisian life imbued with an undeniable sense of intrigue and quiet observation. This oil-on-canvas work, currently available as a meticulously crafted handmade reproduction on WikiOO.org, offers a captivating glimpse into the artist's innovative approach to depicting reality, bridging the gap between traditional academic painting and the burgeoning Impressionist movement. The scene unfolds within a modestly furnished interior – a chair, a simple backdrop hinting at two figures beyond the frame – yet it’s the central figure, a woman elegantly draped in black, holding an umbrella with a graceful curve, that immediately commands attention. Her posture is relaxed, almost languid, suggesting a moment of private contemplation amidst the bustle of city life. Manet's genius lies not just in his technical skill but in his ability to capture the *feeling* of a scene—the subtle interplay of light and shadow, the fleeting expressions, the unspoken narratives that reside within everyday moments. The painting’s realism is tempered by an Impressionistic sensibility; he eschews smooth blending and meticulous detail, favoring loose brushstrokes and a vibrant palette that captures the ephemeral quality of light filtering through the window. Notice how Manet uses color to create depth – the muted tones of the chair and background contrast with the rich black of the woman’s hat and umbrella, drawing our eye directly to her figure. The pearl necklace she wears adds a touch of understated elegance, hinting at a life beyond the confines of the scene. The inclusion of the two figures in the background—a man standing behind her and another further back—adds layers of narrative complexity. They are deliberately ambiguous, their identities unknown, inviting speculation about their relationship to the woman and the story unfolding within this intimate space. This deliberate ambiguity is a hallmark of Manet’s work, encouraging viewers to actively engage with the painting and construct their own interpretations. It's a technique that reflects the changing social landscape of 19th-century Paris, where traditional notions of portraiture were being challenged by a desire to represent modern life in all its complexity.

Édouard Manet: A Revolutionary of Modern Art

Born in Paris in 1832, Édouard Manet was more than just an artist; he was a catalyst for change within the art world. Initially trained as a lawyer, his passion for painting led him to abandon his family’s expectations and pursue a career dedicated to capturing the essence of contemporary life. His early works were heavily influenced by the Old Masters – Caravaggio and Velázquez – demonstrating a deep respect for artistic tradition. However, Manet quickly began to break free from these constraints, embracing the Realist approach championed by Gustave Courbet, which emphasized depicting everyday subjects without idealization or romantic embellishment. Courbet’s influence was particularly significant in shaping Manet's trajectory. He sought to portray modern Parisian life – its inhabitants, its cafes, its social interactions – with a directness and honesty that challenged the conventions of academic painting. This shift towards realism wasn’t simply about depicting what he saw; it was about questioning the established norms of artistic representation. His paintings, such as “Le Déjeuner sur l'herbe” (1863) and "Olympia" (1863), caused a sensation at the Salon, sparking outrage among critics and conservative audiences who found his depictions of modern life – particularly his portrayal of a nude woman – to be scandalous. Despite this controversy, Manet’s work paved the way for Impressionism, influencing artists like Monet, Renoir, and Degas. Manet's artistic journey was marked by a constant negotiation between tradition and innovation. He continued to study the techniques of the Old Masters while simultaneously pushing the boundaries of painting with his bold use of color, light, and composition. His later works, such as “Effect of Snow at Petit-Montrouge” (1873), demonstrate a shift towards a more atmospheric style, capturing the fleeting effects of light and weather on the Parisian landscape.

The Painting's Details & Context

“Woman with Umbrella” is a quintessential example of Manet’s evolving artistic vision. Painted in 1875, it exemplifies his growing interest in portraying modern urban life—a subject that was becoming increasingly prevalent in art during this period. The painting isn’t a formal portrait; rather, it feels like a candid observation of a woman enjoying a moment of respite within her home. The setting is deliberately understated, focusing attention on the central figure and her interaction with the umbrella – a symbol of both protection from the elements and perhaps, a subtle suggestion of social status. The inclusion of the two figures in the background adds to the painting’s narrative complexity. They are not fully defined, allowing viewers to project their own interpretations onto the scene. Are they friends? Family members? Strangers passing through? Manet deliberately leaves these questions unanswered, inviting us to become active participants in constructing the story. The umbrella itself is a key element of the composition—its graceful curve and vibrant color draw our eye to the woman’s figure, while its presence also hints at the changing weather conditions outside. Manet's decision to depict this seemingly ordinary scene with such attention to detail and emotional resonance speaks volumes about his artistic vision. He wasn’t simply interested in creating a realistic representation of a woman holding an umbrella; he was attempting to capture the essence of modern Parisian life—its beauty, its complexity, and its inherent contradictions.

Beyond “Woman with Umbrella”: Manet's Legacy

Édouard Manet’s influence extends far beyond this single captivating painting. He is considered one of the pivotal figures in the transition from Realism to Impressionism, a movement that revolutionized the art world and profoundly impacted subsequent generations of artists. His work challenged traditional notions of beauty, subject matter, and artistic technique, paving the way for new forms of expression and pushing the boundaries of what was considered acceptable within the art establishment. Alongside “Woman with Umbrella,” Manet created numerous other notable works that continue to fascinate and inspire viewers today. "Chez Tortoni" (1876), housed at the Isabella Stewart Gardner Museum, offers a glimpse into the vibrant atmosphere of a Parisian café, while “Effect of Snow at Petit-Montrouge” (1873) captures the ethereal beauty of a winter landscape. These paintings, along with his portraits and scenes of modern life, demonstrate Manet’s versatility as an artist and his ability to capture the essence of his subjects with remarkable skill and sensitivity. If you're seeking a tangible connection to this groundbreaking artist, WikiOO.org offers exquisite handmade oil painting reproductions of “Woman with Umbrella” and other iconic Manet works. Owning a reproduction is not just acquiring a beautiful piece of art; it’s gaining access to a pivotal moment in the history of modern art—a testament to Manet's innovative spirit and his enduring legacy. Explore more of Manet’s masterpieces on WikiOO.org, and discover the captivating world of Impressionism alongside works by contemporaries like Max Liebermann and the exploration of European painting at the Staatliche Museen zu Berlin.

Pitanja i odgovori

Kako mogu da preuzmem sliku dela „Жена са парасолетом”, autor Едуард Мане?

Preuzimanje je dostupno za "Жена са парасолетом": na stranici Preuzimanje digitalnog prikaza ovog umetničkog dela možete preuzimanje digitalne slike visoke rezolucije.

Kada je "Жена са парасолетом" nastalo i kojem umetničkom pravcu pripada?

Delo "Жена са парасолетом" nastalo je 1875. godine u okviru Impressionism pravca. Datum i umetnički pravac čine temelj ovog dela u istoriji umetnosti.

Da li je „Жена са парасолетом”, autor Едуард Мане slika, crtež ili grafika?

"Жена са парасолетом" je delo u tehnici Zidna umetnost.