Dos perfiles

- 30.0 x 40.0 cm
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Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo
Pređi na digitalnu sliku)
P118B дин10
P118H дин10
P118W дин10
P438Z дин10
P508JH дин12
P508YH дин12
P805H дин10
P805Z дин10
P919BZ дин10
P919G дин10
P919XJ дин10
P959ZH дин10
P968JZ дин12
W106C дин8
W218G дин10
W218JH дин8
W218Y дин10
W307PJ дин10
W316G дин10
W316PJ дин8
W316Y дин10
W398PJ дин8
W4111J дин10
W500HY дин15
W500JH дин15
W692G дин12
W849H дин8
W940BG дин15
W953PJ дин8
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Dos perfiles
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Ukupna cena
дин 6357
Srodna umetnička dela
Biografija umetnika
A Surreal Vision of the Mexican Landscape
The art of Ricardo Martínez de Hoyos exists in a delicate space between reality and reverie, where the rugged textures of the Mexican landscape dissolve into dreamlike atmospheres. Born on October 28, 1918, in the vibrant heart of Mexico City, Martínez was part of a remarkably large and creatively gifted family; he was the thirteenth of sixteen children. This environment, teeming with artistic ambition, profoundly shaped his trajectory. With siblings such as the renowned sculptor Oliverio Martínez and the actor Jorge Martínez, his upbringing was an immersion into the aesthetic pulse of his nation. His early years were marked by a unique cultural duality, having lived in San Antonio, Texas, during the Great Depression. This period of displacement not only granted him fluency in English but also introduced him to the profound literary voices of Jane Austen, Charles Dickens, and Walt Whitman, authors whose psychological depth and evocative imagery would later find subtle echoes in his painterly explorations of the human condition.
Martínez’s artistic development was a sophisticated dance between tradition and the avant-garde. While he emerged during the twilight of the Mexican School of Painting, he resisted the rigid nationalist mandates of his predecessors, instead becoming a precursor to the Ruptura movement. He possessed a rare ability to honor the ancestral aesthetics of pre-Hispanic civilizations while simultaneously embracing the experimental trends of the mid-20th century. His work does not merely depict a scene; it evokes an emotion through "unreal atmospheres" and figurative compositions that feel as though they were plucked from a subconscious memory. Whether capturing the quiet dignity of a figure or the sweeping, mystical presence of a landscape, his brushwork imbued each subject with a sense of timelessness and mystery.
Legacy and Artistic Triumph
The significance of Martínez’s contribution to Mexican art is etched into the very institutions that have honored him. His mastery of figurative painting and his ability to manipulate light and texture earned him prestigious placements in Mexico City's most esteemed venues, including the Museo de Arte Moderno and the Palacio de Bellas Artes. The latter, a temple of Mexican culture, even organized a dedicated tribute to him in 1994, recognizing his role in evolving the national visual language beyond mere muralism. His work serves as a bridge between the monumental social realism of the past and the more intimate, psychological explorations of modernism.
Beyond the canvas, Martínez’s commitment to the preservation of art was evident even in his youth; as a student, he founded a group dedicated to protecting the murals of José Clemente Orozco from vandalism, demonstrating a lifelong reverence for the sanctity of the image. Today, his legacy continues to breathe through the cultural center established in his name in the historic center of Mexico City. To view a Martínez painting is to enter a world where the boundaries of the physical landscape are blurred by the spirit, leaving the viewer suspended in a beautiful, surrealist trance that remains as captivating today as it was during his lifetime.
Ricardo Martínez
1961 -
Osnovne informacije
- Full Name: Ricardo Martínez de Hoyos
- Nationality: Mexican
- Date Of Birth: 1961
- Date Of Death: January 11, 2009
- Place Of Birth: Mexico City
- Notable Artworks:
- Dos perfiles
- Pueblo de Santa Rosa (Paisaje con magueyes)
- Desnudo Azul
- Artistic Movement Or Style: Surreal figurative
- Artists Who Influenced This Artist:
- Jane Austen
- Charles Dickens
- Walt Whitman
- Artists Or Movements Influenced By This Artist: ['José Clemente Orozco']

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
