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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
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Giclée / Konsttryck
Reproduktionsstorlek
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Totalpris
Skr 604
Liknande konstverk
Om konstnären
Boris Artzybasheff: The Surrealist Visionary Behind Iconic Magazine Covers
Boris Artzybasheff (1899-1965) stands as a singular figure in 20th-century illustration and art, remembered primarily for his extraordinary ability to distill complex psychological narratives into visually arresting images. Born in Vitebsk, Russia—a city steeped in artistic fervor thanks to its association with Kazimir Malevich’s Suprematism—Artzybasheff's formative years were marked by exposure to avant-garde ideas that would profoundly shape his distinctive style. His early training encompassed both academic painting and graphic design, providing him with a versatile skillset crucial for navigating the turbulent landscape of post-revolutionary Russia.- Early Influences: Artzybasheff’s artistic sensibilities were undeniably influenced by movements like Cubism and Futurism, though he swiftly rejected their rigid formalism in favor of a more expressive approach. Notably, his collaboration with Marc Chagall on “I Am Walking,” a monumental mural commissioned for Vitebsk’s House of Culture, cemented his commitment to symbolism and emotional resonance—a hallmark of his oeuvre.
- The Surrealist Period: Artzybasheff joined André Breton's Surrealist movement in 1924, embracing the principles of dreamlike imagery and irrational juxtapositions. This affiliation resulted in a prolific output of surrealist paintings and prints, characterized by meticulous detail and unsettling compositions that probed the depths of human consciousness.
- Magazine Covers & Propaganda: Artzybasheff gained international renown through his captivating magazine covers for publications like Time and Life. His ability to convey narratives with striking visual clarity—often employing anthropomorphic figures—became synonymous with journalistic illustration. During World War II, he served as a psychological warfare artist, creating posters designed to bolster morale and instill fear in the enemy.
A Distinctive Artistic Style: Surrealism Meets Graphic Precision
Artzybasheff’s artistic technique was remarkably consistent throughout his career. He favored oil paints on canvas, meticulously layering colors and textures to achieve a palpable sense of depth and atmosphere. However, it was his mastery of graphic design—particularly his use of bold lines and vibrant hues—that truly distinguished him from many contemporaries. This stylistic fusion—surrealism tempered by technical precision—allowed him to communicate ideas with unparalleled impact. His figures often possessed exaggerated proportions and expressive gestures, conveying emotion with remarkable subtlety.- Notable Paintings: Among his most celebrated works are “Leisure Camping,” a dynamic depiction of a joyous outdoor festival brimming with symbolic imagery; “Lee Harvey Oswald,” a haunting portrait capturing the psychological tension surrounding the assassination attempt; and numerous landscapes infused with surrealist distortions.
- Book Illustrations: Artzybasheff’s illustrations for books by authors like Isaac Babel and Boris Pasternak demonstrated his versatility as an artist, adapting his distinctive style to diverse literary narratives.
Legacy & Historical Significance
Boris Artzybasheff's contribution to visual culture extends far beyond his iconic magazine covers. He remains a pivotal figure in the history of Surrealism and a testament to the power of illustration as a medium for conveying complex ideas. His work continues to inspire artists today, demonstrating that profound emotional resonance can be achieved through meticulous craftsmanship and imaginative vision. The Borys Voznytsky Lviv National Art Gallery and Boris Georgiev City Art Gallery proudly showcase his art, ensuring that his surrealist legacy endures for generations to come.
Boris Artzybasheff
1899 - 1965
Snabbfakta
- Artistic Movement Or Style: Surrealism
- Artists Or Movements Influenced By This Artist: ['Graphic Design']
- Artists Who Influenced This Artist:
- Salvador Dalí
- Franz Kafka
- Date Of Birth: 1899
- Date Of Death: 1965
- Full Name: Boris Georgiev Voznytsky
- Nationality: Ukrainian
- Notable Artworks:
- Leisure Camping
- Lee Harvey Oswald
- Place Of Birth: Lviv, Ukraine
