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Self-portrait

Hand-painted reproduction of Domenico Induno’s ‘Self-Portrait’ (1846). Admire this 19th-century Italian genre scene. Authentic art for your home – order now!

Domenico Induno was a Romantic painter known for Pane e lagrime. Discover his beautiful Italian genre scenes today.

Giclée / Konsttryck

Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Beställ handmålad reproduktion Byt till digital bild)

Corner sample of the P118B picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118B Skr10
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Corner sample of the P438Z picture frame: formgjuten polystyren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805H Skr10
Corner sample of the P805Z picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: formgjuten polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: massivt trä, 5 cm wide and 3 cm thick
W106C Skr8
Corner sample of the W218G picture frame: massivt trä, 5 cm wide and 3 cm thick
W218G Skr10
Corner sample of the W218JH picture frame: massivt trä, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massivt trä, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: massivt trä, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivt trä, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massivt trä, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: massivt trä, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massivt trä, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: massivt trä, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massivt trä, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: massivt trä, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massivt trä, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massivt trä, 6 cm wide and 3.5 cm thick
W953PJ Skr8

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Skr 613

Self-portrait

Giclée / Konsttryck

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Skr 613


Konstnärsbiografi

A life shaped by Milanese streets

Domenico Induno began his days far from the canvas, working as an apprentice to a goldsmith and medalist named Luigi Cossa. This early training in fine detail stayed with him long after he entered the Brera Academy in 1831. He moved through the halls of the academy under the eyes of Pompeo Marchesi, Luigi Sabatelli, and Francesco Hayez. The influence of Hayez was particularly heavy, guiding his hand toward religious and historical subjects in those early years.

The year 1848 brought a change to his rhythm. Alongside his brother Gerolamo, he left the studio for the barricades during the Five Days of Milan. This period of street fighting and political upheaval led to a time of exile in Ticino, Switzerland. He stayed in Astano with Angelo Trezzini, where he eventually married Emilia Trezzini. When it became safe to return, he settled briefly in Florence before finding his way back to the familiar atmosphere of Milan.

The shift toward the everyday

As time passed, the grand historical narratives gave way to something more intimate. He turned his attention to the people he saw in the streets and homes of Lombardy. His brush began to capture the textures of working-class life, focusing on the quiet, often difficult moments of the common folk. These genre scenes were not meant for grand halls but spoke to the daily realities of Milanese society.

His work often carried a heavy weight of sentiment. In pieces like Pane e lagrime, one sees the starkness of poverty through a mother and child in a cold, stone-walled room. He had a way of documenting the human cost of the era, particularly during the years of the Risorgimento. His paintings regarding the Armistice of Villafranca earned him recognition from King Victor Emmanuel II, who even commissioned one of his works.

The later years of his life saw a shift in tone. The light in his paintings grew more somber and melancholy. Even as a serious eye ailment began to trouble him, he continued to work, participating in the 1878 Universal Exhibition in Paris. He remained tied to the Brera Academy, eventually serving as its Director in 1863, until his death in Milan in 1878.

Domenico Induno

Domenico Induno

1815 - 1878

Kortfakta

  • Artistic Movement Or Style:
    • Romanticism
    • Neoclassicism
    • Realism
  • Artists Who Influenced This Artist:
    • Francesco Hayez
    • Luigi Sabatelli
    • Pompeo Marchesi
    • Ingres
  • Full Name: Domenico Induno
  • Nationality: Italian
  • Notable Artworks:
    • Self-portrait
    • A Tribute to the Madonna
    • The Hunter
    • Bread and Tears
  • Place Of Birth: Milan, Italy
  • Date Of Birth: 1815
  • Date Of Death: 1878
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