Sök
Visa i rummet Se i AR Köp handmålat konstverk Byt till digital bildförsäljning Skicka
Detaljer Studentguide för konstverk Lägg till i favoriter Ladda ner Liknande objekt Röntgen Bildspel Besökstatistik

Socketing

Acquire a stunning hand-painted reproduction of James E Allen’s ‘Socketing’ (1937). A realistic depiction of industrial labor, this 29x37cm black & white artwork captures teamwork & precision. Explore now!

Explore the evocative paintings of James E. Allen, known for his powerful depictions of laborers & wartime scenes. Discover 'The Plowman' & more in this WikiOO collection.

Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.

Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.

Giclée / Konsttryck

Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Köp handmålat konstverk Byt till digital bildförsäljning)

Corner sample of the P118B picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118B Skr10
Corner sample of the P118H picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118H Skr10
Corner sample of the P118W picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118W Skr10
Corner sample of the P438Z picture frame: formgjuten polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Skr10
Corner sample of the P508JH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P508JH Skr12
Corner sample of the P508YH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P508YH Skr12
Corner sample of the P805H picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805H Skr10
Corner sample of the P805Z picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805Z Skr10
Corner sample of the P919BZ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919BZ Skr10
Corner sample of the P919G picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919G Skr10
Corner sample of the P919XJ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919XJ Skr10
Corner sample of the P959ZH picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P959ZH Skr10
Corner sample of the P968JZ picture frame: formgjuten polystyren, 6 cm wide and 4 cm thick
P968JZ Skr12
Corner sample of the W106C picture frame: massivt trä, 5 cm wide and 3 cm thick
W106C Skr8
Corner sample of the W218G picture frame: massivt trä, 5 cm wide and 3 cm thick
W218G Skr10
Corner sample of the W218JH picture frame: massivt trä, 5 cm wide and 3 cm thick
W218JH Skr8
Corner sample of the W218Y picture frame: massivt trä, 5 cm wide and 3 cm thick
W218Y Skr10
Corner sample of the W307PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
W307PJ Skr10
Corner sample of the W316G picture frame: massivt trä, 6 cm wide and 3 cm thick
W316G Skr10
Corner sample of the W316PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
W316PJ Skr8
Corner sample of the W316Y picture frame: massivt trä, 6 cm wide and 3 cm thick
W316Y Skr10
Corner sample of the W398PJ picture frame: massivt trä, 5 cm wide and 3 cm thick
W398PJ Skr8
Corner sample of the W4111J picture frame: massivt trä, 6.5 cm wide and 3.5 cm thick
W4111J Skr10
Corner sample of the W500HY picture frame: massivt trä, 7 cm wide and 5 cm thick
W500HY Skr15
Corner sample of the W500JH picture frame: massivt trä, 7 cm wide and 5 cm thick
W500JH Skr15
Corner sample of the W692G picture frame: massivt trä, 8 cm wide and 4 cm thick
W692G Skr12
Corner sample of the W849H picture frame: massivt trä, 5 cm wide and 3 cm thick
W849H Skr8
Corner sample of the W940BG picture frame: massivt trä, 7.5 cm wide and 4.5 cm thick
W940BG Skr15
Corner sample of the W953PJ picture frame: massivt trä, 6 cm wide and 3.5 cm thick
W953PJ Skr8

Standardstorlek
anpassad
CM
INCH

Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.

bredd
höjd

Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.

Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (20 oktober)

Fri expressfrakt över hela världen
Högkvalitativ linnecanvas
Fullständig fraktförsäkring
Garantier för återbetalning av tullavgifter
Garantier för exakt färgåtergivning
100 dagars returrätt vid fabrikationsfel
100% pengarna tillbaka-garanti
Mängdrabatt erbjuds

Totalt pris

Skr 600

Socketing

Giclée / Konsttryck

Reproduktionsstorlek

-

Totalpris

Skr 600


Om konstnären

James E. Allen: The Steelworker’s Vision

James Edmund Allen, a name perhaps less familiar than many of his contemporaries in the American art scene of the early 20th century, nevertheless possessed a singular and profoundly moving vision. Born in rural Montana in 1894, Allen's life was shaped by hardship and resilience – experiences that would deeply inform his artistic output. His early years, marked by the sudden loss of his father and subsequent family struggles, instilled within him a profound appreciation for the dignity of labor and the quiet heroism of everyday people. This formative period laid the groundwork for his enduring fascination with the working class, particularly steelworkers and pipe workers, whom he depicted with remarkable empathy and detail. Allen’s artistic journey began modestly, studying at the Art Institute of Chicago and later honing his skills within the influential Interlaken Colony near Asbury Park, New Jersey – a community renowned for its dedication to realism and social commentary. It was here that he developed his signature style: meticulously rendered scenes of industrial life, capturing not just the physicality of these laborers but also their inherent strength, determination, and quiet dignity.

A Career Bridging Illustration and Printmaking

Allen’s career spanned over three decades, encompassing a diverse range of activities that ultimately cemented his place as a significant figure in American art. Initially establishing himself as a freelance illustrator for popular magazines like *American Boy*, *Blue Book*, and *Harper's Bazaar*, he quickly gained recognition for his ability to imbue ordinary subjects with extraordinary character. His illustrations weren’t merely decorative; they were imbued with a subtle social awareness, reflecting the realities of American life during a period of rapid industrialization. However, Allen’s artistic ambitions extended beyond illustration. He embraced printmaking – lithography and etching – as a means of exploring his themes more deeply and offering greater control over his compositions. This shift allowed him to create works that were both technically sophisticated and emotionally resonant. His prints, often characterized by their stark contrasts and carefully considered arrangements of line and tone, became increasingly powerful in conveying the struggles and triumphs of the working class.

The Power of “The Plowman” and Other Iconic Works

Among Allen’s most celebrated works is "The Plowman" (1937), a lithograph that has become synonymous with his artistic vision. This powerful image, depicting a solitary farmer tilling the land, transcends mere representation to embody themes of perseverance, resilience, and connection to the earth. The composition—a study in light and shadow, emphasizing the figure’s muscular build and weathered face—evokes a sense of quiet dignity and unwavering determination. Similarly, "The Trench" (1937), another lithograph, captures the grim realities of industrial labor during World War II, portraying steelworkers with an unflinching honesty that underscored their vital role in supporting the war effort. These works, along with others such as “Distress,” demonstrate Allen’s ability to transform everyday subjects into potent symbols of American identity and values. His meticulous attention to detail—the texture of clothing, the lines of muscle, the weariness in the eyes—created a sense of immediacy and authenticity that resonated deeply with viewers.

Influences and Artistic Development

Allen’s artistic development was shaped by a confluence of influences, ranging from his early exposure to the rugged landscapes of Montana to his engagement with European art movements. The Interlaken Colony provided him with access to a network of talented artists who encouraged experimentation and innovation. He studied under figures like Joseph Pennell and William Auerbach-Levy, absorbing their techniques and approaches while maintaining his own distinctive style. Notably, Allen’s work was influenced by the principles of social realism, which sought to depict the lives of ordinary people with honesty and empathy. However, he also drew inspiration from Cubism and other avant-garde movements, incorporating elements of abstraction and geometric form into his compositions. His exploration of printmaking techniques—particularly lithography—allowed him to achieve a level of tonal control and visual complexity that was rarely seen in American art at the time.

Legacy and Historical Significance

James E. Allen’s legacy lies not in grand museums or widespread fame, but rather in his quietly powerful depictions of the working class—a group often overlooked by mainstream artists. His work serves as a poignant reminder of the dignity of labor and the importance of social justice. Allen's meticulous attention to detail and his ability to capture the essence of his subjects have ensured that his art continues to resonate with viewers today. He stands as a testament to the power of observation, empathy, and artistic integrity—qualities that remain vitally important in an increasingly complex world. His work is now housed in collections across the United States, offering a valuable window into the social and cultural landscape of early 20th-century America.
James E Allen

James E Allen

1894 - 1964

Snabbfakta

  • Full Name: James E. Allen
  • Nationality: American
  • Date Of Birth: 1894
  • Date Of Death: 1964
  • Place Of Birth: Anaconda, Montana
  • Notable Artworks:
    • The Plowman
    • The Trench
    • Distress
  • Artistic Movement Or Style: Social realism
  • Artists Who Influenced This Artist:
    • Kasimir Malevich
    • Paul Cezanne
  • Artists Or Movements Influenced By This Artist: ['J. Allen St. John']
WikiOO.org © WikiOO.org - Alla rättigheter förbehållna