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统计数据93C
130.0 x 194.0 cm
展开全文
艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
93C
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 410
相似作品
艺术家简介
Atsuko Tanaka: A Life in Art
- Born: Osaka, Japan (February 10, 1932)
- Died: Nara, Japan (December 3, 2005)
Early Life and Artistic Development
- Tanaka began her artistic journey in the early 1950s, studying at the Art Institute of Osaka Municipal Museum of Art and later at Kyoto Municipal College of Art.
- During this period, she encountered Akira Kanayama, who significantly influenced her exploration of new artistic territories.
- She initially worked in a figurative style but soon transitioned towards abstraction, experimenting with various materials and techniques.
- Her early works included collages featuring handwritten numbers on diverse surfaces like hemp cloth and tracing paper, reflecting a fascination with numerical signs and their potential for deconstruction.
The Gutai Years (1955-1965)
- In 1955, Tanaka joined the Gutai Art Association, a pioneering avant-garde group known for its experimental performances and radical approach to art.
- Her time with Gutai was pivotal in shaping her artistic identity, leading to the creation of some of her most iconic works.
- Key Works from this Period:
- Work (Bell) (1955): A participatory installation featuring a string of electric bells that visitors could activate.
- Work (Pink Rayon) (1955): An exploration of space and form using stretched fabric.
- Electric Dress (1956): Perhaps her most famous creation, this wearable sculpture comprised hundreds of lightbulbs and explored themes of technology, the body, and performance.
- Stage Clothes (1957): A multi-part ensemble involving a large red dress with exceptionally long sleeves, worn during a Gutai performance.
- Tanaka's work within Gutai challenged conventional notions of art by incorporating everyday objects and emphasizing the artist’s physical presence in the creative process.
Post-Gutai Period and Artistic Evolution
- Following her departure from Gutai in 1965, Tanaka continued to evolve as an artist, moving away from performance-based works towards large-scale paintings.
- She developed a distinctive style characterized by vibrant colors, organic abstract shapes, and intricate patterns of circles and lines.
- Her post-Gutai paintings often referenced earlier motifs from her Electric Dress and Bell series, demonstrating a continuous exploration of recurring themes.
- These works showcased a refined sense of composition and color harmony, solidifying her reputation as a significant figure in Japanese abstract art.
Legacy and Historical Significance
- Atsuko Tanaka's work has gained increasing recognition internationally since the early 2000s, with major retrospectives held at prestigious institutions like the Grey Art Gallery (New York) and the Morris and Helen Belkin Art Gallery (Vancouver).
- Her contributions to Gutai and her innovative use of materials have cemented her place in art history as a pioneer of performance art and abstract expressionism.
- Tanaka's Electric Dress remains an iconic symbol of postwar Japanese culture, reflecting themes of urbanization, technology, and the evolving role of women in society.
- Her work continues to inspire contemporary artists and scholars interested in exploring the intersection of art, performance, and everyday life.
Atsuko Tanaka
1932 - 2005 , Japan
艺术家简介
- Full Name: Atsuko Tanaka
- Nationality: Japanese
- Date Of Birth: 1932
- Date Of Death: 2005
- Place Of Birth: Osaka, Japan
- Notable Artworks:
- Work (Bell)
- Electric Dress
- Work (Pink Rayon)
- Artistic Movement Or Style: Avant-garde, Gutai
- Artists Who Influenced This Artist:
- Jiro Yoshihara
- Akira Kanayama
- Artists Or Movements Influenced By This Artist: ['Performance art']
