Micro-mini dancer
In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.
常见问题与解答
大卫·迪克森·波特 的《Micro-mini dancer》 的色彩浓郁度如何?
“Micro-mini dancer”的色彩强度为Monochromatic。强度描述了色彩呈现的浓郁程度。
大卫·迪克森·波特 的《Micro-mini dancer》 的创作年份是哪一年?
大卫·迪克森·波特 的《Micro-mini dancer》 创作于 1971 年。
"Micro-mini dancer" 是否收藏于其创作者的本国?
不,该作品目前存放于海外。大卫·迪克森·波特出生于美国,而原作《Micro-mini dancer》则由位于澳大利亚的一家博物馆收藏。
大卫·迪克森·波特(1813 – 1891)
探索杰出的美国海军上将兼艺术家大卫·迪克森·波特(1813-1891)!欣赏他迷人的艺术作品——包括音乐会摄影、乐队肖像及活动场景。这是一场海军历史与艺术表达的独特融合。
Penrith Regional Gallery - Home of the Lewers Bequest (伊穆平原, 澳大利亚)
潘里斯地区美术馆坐落于伊穆平原,拥有非凡的刘尔斯遗赠收藏。在美丽的文化遗产花园环绕下,这里为您提供一场沉浸式的澳大利亚现代主义之旅,并诚邀您前来探索其充满活力的艺术场景。
关于此作品
- 作品名称: Micro-mini dancer
- 艺术家: 大卫·迪克森·波特
- 年份: 1971
- 规格: Landscape
- 版权状态: 公有领域
- 所在地: Penrith Regional Gallery - Home of the Lewers Bequest
- 色彩饱和度: Monochromatic
- 感知亮度: shadow