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Untitled

  • 1949
  • 94.0 x 160.0 cm
Gestural marks and abstract forms characterize this untitled composition by Matta. They exemplify the artist’s application of "automatic" techniques associated with Surrealism, to which he was introduced by André Breton, the founder of the movement in Paris. Here, two upright, hybrid figures appear to confront, even antagonize, one another in amid a tense field punctuated with blunt passages of hot yellow and bright red. Reinterpreted by younger American artists in 1940s New York, including Jackson Pollock, Matta’s brand of biomorphic abstraction contributed to the foundation of what became known as Abstract Expressionism.

常见问题与解答

我能查看Roberto Matta 的《Untitled》的X光影像吗？

您可以在作品的 X射线透视 页面上逐层探索 “Untitled”；该交互式查看器的设计灵感源自修复师使用的光源台，通过十一层光学读数呈现图像细节。

是否有关于 Roberto Matta 的《Untitled》 的幻灯片展示？

您可以在作品的幻灯片展示页面上观看“Untitled”的幻灯片展示。

Roberto Matta 的《Untitled》 的色彩构图是如何构建的？

在“Untitled”中，Statement的对比与Strong Color Unity的和谐交相辉映。

由 WikiOO.org 编辑团队撰写

Roberto Matta（1911 – 2002）

Explore the surreal world of Roberto Matta (1911-2002)! Discover his biomorphic art, Chilean heritage & influence on Abstract Expressionism. A 20th-century icon.

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