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Self-portrait

As the last major master of the Netherlandish tradition, Flemish miniaturist Simon Bening achieved unparalleled fame through exquisite works like his Self-Portrait and Book of Hours, inviting a closer look at his delicate worlds.

艺术微喷/版画

博物馆级艺术微喷或帆布版画,制作高效,并提供多种饰面选择。 ( 订购纯手工绘制画作 切换至数字图像销售渠道)

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总计金额

¥ 410

Self-portrait

艺术微喷/版画

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最终结算价

¥ 410

Written in gold on a red background is an inscription that identifies this miniature as a self-portrait of the famous Bruges illuminator, Simon Bening: "Simon Bennik, the son of Alexander, painted this himself at the age of 75 in 1558."Simon Bening became one of the most famous illuminators of the sixteenth century. He spent his early years in Ghent or Antwerp, probably working under the tutelage of his father, the illuminator Alexander Bening. Simon moved to Bruges permanently in 1517, where over time he headed a large and flourishing workshop. Although Bening was much admired in his day and widely imitated, his artistic personality has yet to be thoroughly studied.This miniature painting has attracted considerable interest in art history as an early self-portrait of an artist. Bening portrays himself, spectacles in hand, seated before a wooden easel. The easel holds a drawing of the Virgin and Child; along its left edge, small ledges hold various painting materials. In representing this imagery Bening allies himself with Saint Luke, the patron saint of painting, who is traditionally shown painting an image of the Virgin - a subject that itself became a conceit for the self-portrait of the artist in the 15th and 16th centuries. Bening portrays himself not in the garb of an artisan, but as a member of the intelligentsia. By inscribing his work with a signature (as the son of Alexander) and a date, he acknowledges his talents and heritage in the distinguished lineage of Bening illuminators in Bruges. The illumination was probably made as an independent work, rather than as part of a book, at a time when autonomous miniatures increasingly came into production. A second version of this miniature is in the Victoria and Albert Museum, London.

常见问题与解答

西蒙·贝宁 的《Self-portrait》 的主导色是什么?

在“Self-portrait”中,最引人注目的颜色是Espresso (#5f4b34)。了解作品的主色调有助于将其与室内装饰进行搭配。

西蒙·贝宁 创作《Self-portrait》时是多少岁?

当"Self-portrait"于1558创作时,出生于1483的西蒙·贝宁正值75岁。

"Self-portrait" 的色彩饱和度如何?

西蒙·贝宁 的《Self-portrait》 的色彩呈现出 Subtle Color 的饱和度。饱和度描述了色彩的鲜艳或柔和程度。


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