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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
P118B Dkr10
P118H Dkr10
P118W Dkr10
P438Z Dkr10
P508JH Dkr12
P508YH Dkr12
P805H Dkr10
P805Z Dkr10
P919BZ Dkr10
P919G Dkr10
P919XJ Dkr10
P959ZH Dkr10
P968JZ Dkr12
W106C Dkr8
W218G Dkr10
W218JH Dkr8
W218Y Dkr10
W307PJ Dkr10
W316G Dkr10
W316PJ Dkr8
W316Y Dkr10
W398PJ Dkr8
W4111J Dkr10
W500HY Dkr15
W500JH Dkr15
W692G Dkr12
W849H Dkr8
W940BG Dkr15
W953PJ Dkr8
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (9 november)
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Glasmulighed er kun tilgængelig i størrelser under 110 cm
Passage Series
Giclée / Kunsttryk
Størrelse på reproduktion
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Samlet pris
Dkr 414
Ward Jackson’s Passage Series: A Meditation on Geometric Harmony
The Passage Series by Ward Jackson stands as a testament to the understated elegance of post painterly abstraction and a profound exploration of geometric principles. Created in 1988, this artwork embodies a deliberate rejection of expressive brushstrokes and vibrant color palettes—a conscious decision to prioritize form and structure above all else—reflecting the broader artistic currents of its time. Jackson’s approach aligns seamlessly with the minimalist movement gaining momentum during the late 20th century, where artists sought to distill visual experience into its purest essence.- Subject Matter: The series comprises six distinct geometric shapes – squares, rectangles, triangles – meticulously arranged in a grid format on a canvas of unknown dimensions. These forms are not intended to depict recognizable objects or landscapes; rather, they exist as autonomous entities, inviting contemplation and stimulating visual perception.
- Style & Technique: Jackson’s technique is characterized by precise execution and a masterful control over color—primarily monochrome shades of gray—creating a striking contrast against the textured surface of the canvas. The artist employed a layering process, applying thin washes of pigment to build up subtle variations in tone and texture, resulting in an ethereal quality that transcends mere visual representation.
- Historical Context: Emerging from the aftermath of Abstract Expressionism, Jackson’s work represents a pivotal shift away from emotionally charged canvases toward intellectual engagement with geometric abstraction. This stylistic evolution coincided with a growing fascination for mathematical concepts and their application to artistic creation, mirroring broader cultural trends focused on rationality and order.
- Symbolism & Interpretation: While devoid of overt narrative content, the Passage Series possesses inherent symbolic resonance. The repetition of geometric forms speaks to ideas of balance, harmony, and interconnectedness—concepts frequently explored in Eastern philosophies and influencing contemporary art discourse. Each shape can be interpreted as representing a fundamental element of visual experience, prompting viewers to consider the underlying structure of perception itself.
- Emotional Impact: Despite its apparent simplicity, the Passage Series evokes a powerful emotional response. The monochrome palette fosters a sense of calm contemplation, encouraging viewers to immerse themselves in the subtle nuances of texture and tonal gradation. Ultimately, Jackson’s work invites us to appreciate beauty not as an outpouring of emotion but as an achievement of intellectual precision—a celebration of form's ability to communicate profound ideas without resorting to figurative imagery.
Spørgsmål og svar
Hvordan beskrives farvepaletten i "Passage Series" af Ward Jackson?
"Passage Series" af Ward Jackson benytter en Neutrals farvepalette, der indfanger værkets overordnede farvekarakter.
Hvilken stemning bringer "Passage Series" af Ward Jackson til et interiør?
Med sin Minimalist stemning foreslås "Passage Series" til et Living Room.
Hvor kan jeg købe en håndmalet reproduktion af "Passage Series" af Ward Jackson?
"Passage Series" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Du kan bestille den på dens Håndmalet reproduktion-side, hvor du kan vælge mellem forskellige størrelser.
Lignende kunstværker
Kunstnerbiografi
The Geometry of Abstraction
The studio becomes a space of rigorous structural inquiry. Born in Petersburg, United States of America, Ward Jackson moves through the mid-century American art scene with a focus on the essential properties of form. His education at the Richmond Professional Institute of the College of William and Mary provides the foundation, but the real shift occurs under the guidance of Hans Hofmann. This mentorship anchors his practice in the principles of spatial tension and color interaction, setting the stage for a career defined by the intersection of Post Painterly Abstraction and Minimalism.
His canvases do not merely hold paint; they challenge the traditional rectangular boundary. Jackson becomes known for his striking diamond-shaped canvases, a choice that forces the viewer to confront the physical presence of the object itself. These geometric compositions strip away the unnecessary, leaving only the weight of color and the precision of the line.
Institutional Influence and the Archivist's Eye
Beyond the canvas, Jackson’s life is deeply embedded in the machinery of the art world. He occupies a dual existence: the creator of abstract forms and the meticulous archivist at the Solomon R. Guggenheim Museum. This proximity to the preservation of art history informs his own disciplined approach to composition. He understands the mechanics of how art is categorized and kept, a perspective that mirrors the controlled, deliberate nature of his own visual language.
His influence extends into the discourse of the era through his role as a co-founder and editor of the publication Art Now Gallery Guide. This position places him at the center of the evolving dialogue between artists and the public, bridging the gap between the private act of creation and the public life of the gallery.
A Legacy of Form
The work of Ward Jackson remains a study in the power of the singular shape. His contributions to the development of American modernism are marked by a refusal to rely on the decorative. Instead, he relies on the structural integrity of the diamond and the geometric plane. His presence in major collections, including the Smithsonian, Whitney, and MoMA, confirms the lasting impact of his formal investigations. He remains a figure of significant weight in the history of American abstraction, a painter who understood that the shape of the canvas is as vital as the pigment applied to it.
Ward Jackson
1928 - 2004 , United States of America
Kort om kunstneren
- Artistic Movement Or Style:
- Post Painterly Abstraction
- Minimalism
- Hard-edge painting
- Artists Who Influenced This Artist:
- Hans Hofmann
- Piet Mondrian
- Josef Albers
- Full Name: Ward Jackson
- Nationality: American
- Place Of Birth: Petersburg, United States of America
- Date Of Birth: 1928
- Date Of Death: 2004