Portræt af Carl Ebert

Liste over de 5 mest berømte malerier af Carl Ebert

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af Carl Ebert i vores katalog

Oversigt

Det mest kendte maleri af Carl Ebert er Forest Landscape with Bathing Children (1867), som er en del af samlingen på Bavarian State Painting Collections, München. De næste indlæg er Evening Landscape (1875) og Landscape society in a park. Katalogen dokumenterer 5 værker af Carl Ebert; de 5 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.

1821 – 1885, Stuttgart Flest værker: Bavarian State Painting Collections

Carl Ebert: de 10 vigtigste malerier

Carl Ebert: museer med værker

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Carl Ebert Malerier fra denne liste
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 2 Forest Landscape with Bathing Children, Evening Landscape
Lenbachhaus, MünchenLenbachhaus München 1 Isar Landscape

Carl Ebert: hovedværker efter år

De daterede opslag for Carl Ebert strækker sig over 9 år, fra 1867 til 1875, hvilket svarer til cirka et årti, dokumenteret nedenfor år for år.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Carl Eberts malerier: reference-spørgsmål

Hvilket maleri af Carl Ebert er det mest kendte?Vis svaret

Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. De følgende værker er Evening Landscape (1875) og Landscape society in a park.

Hvor gammel var Carl Ebert, da Forest Landscape with Bathing Children blev malet?Vis svaret

46 år: Carl Ebert blev født i 1821, og Forest Landscape with Bathing Children er dateret 1867.

Hvor mange værker af Carl Ebert er dokumenteret?Vis svaret

Kataloget indeholder 5 værker af Carl Ebert, dateret mellem 1867 og 1875.

Hvilke museer udstiller de mest kendte malerier af Carl Ebert?Vis svaret

Primært i Bavarian State Painting Collections (München) og Lenbachhaus (München). Tabellen over museer ovenfor viser den fulde fordeling.

Hvilke er de tidligste og seneste værker af Carl Ebert på denne liste?Vis svaret

Det tidligste værk på listen er fra Forest Landscape with Bathing Children (1867); det nyeste er fra Evening Landscape (1875).

Hvilke værker af Carl Ebert er i samlingen hos Bavarian State Painting Collections?Vis svaret

Forest Landscape with Bathing Children og Evening Landscape er blandt de 2 værker på denne side i Bavarian State Painting Collections, Münchens samling.

Carl Ebert: biografiske noter

Early Life and Artistic Training

Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.

In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.

Travels and Artistic Influences

Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.

His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.