Oversigt
Det mest kendte maleri af László Pataky er Roosters on Horses (1880), som er en del af samlingen på Slovak National Gallery, Bratislava. De næste indlæg er Cavalry Battle (1890) og Kuruci (1903). Katalogen dokumenterer 5 værker af László Pataky; de 3 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.
László Pataky: de 10 vigtigste malerier
László Pataky: museer med værker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af László Pataky | Malerier fra denne liste |
|---|---|---|---|
| Bratislava | 2 | Roosters on Horses, Cavalry Battle | |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
László Pataky: hovedværk for hvert årti
László Patakys malerier: reference-spørgsmål
Hvilket maleri af László Pataky er det mest kendte?Vis svaret
Roosters on Horses (1880), Slovak National Gallery, Bratislava. De følgende værker er Cavalry Battle (1890) og Kuruci (1903).
Hvor gammel var László Pataky, da Roosters on Horses blev malet?Vis svaret
23 år: László Pataky blev født i 1857, og Roosters on Horses er dateret 1880.
Hvor mange værker af László Pataky er dokumenteret?Vis svaret
Kataloget indeholder 5 værker af László Pataky, dateret mellem 1880 og 1903.
Hvilke museer udstiller de mest kendte malerier af László Pataky?Vis svaret
Primært i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Tabellen over museer ovenfor viser den fulde fordeling.
Hvilke er de tidligste og seneste værker af László Pataky på denne liste?Vis svaret
Det tidligste værk på listen er fra Roosters on Horses (1880); det nyeste er fra Kuruci (1903).
Hvilke værker af László Pataky er i samlingen hos Slovak National Gallery?Vis svaret
Roosters on Horses og Cavalry Battle er blandt de 2 værker på denne side i Slovak National Gallery, Bratislavas samling.
László Pataky: biografiske noter
The paths through Munich and Paris
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
Scenes from the rural landscape
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
- Wildpferde in der ungarischen Puszta (1897)
- Hungarian horse-drawn carts at harvest time
- Flock of Sheep Returning Home (1895)
- Potato harvest
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
A lasting presence in the collections
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.

