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Peter Copmann: Katalog over de 1 mest berømte malerier
Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Peter Copmann i vores katalog
Oversigt
Portræt af en ung pige (1824) er registreret som Peter Copmanns mest berømte maleri; det er i Statens Museum for Kunsts samling i København. Af de 1 værker af Peter Copmann, der er registreret i kataloget, er de 1 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
1794 – 1850, Rudkøbing
Flest værker: Statens Museum for Kunst
Nummer 1 til 10: de mest berømte Peter Copmann malerier
Peter Copmann: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Peter Copmann | Malerier fra denne liste |
|---|---|---|---|
 Statens Museum for Kunst |
København | 1 | Portræt af en ung pige |
Årstal: de vigtigste Peter Copmann malerier
Hver dateret Peter Copmann-indgang på denne side er angivet med årstallet 1824; værkerne er opført efter rangering.
Værker per år
Vælg et årstal for at se de vigtigste malerier fra det år.
Ofte stillede spørgsmål om Peter Copmann's malerier
Hvad er Peter Copmanns mest kendte værk?Vis svaret
Portræt af en ung pige (1824)
Hvor gammel var Peter Copmann i året for Portræt af en ung pige?Vis svaret
30 år: Peter Copmann blev født i 1794, og Portræt af en ung pige er dateret 1824.
Hvor mange værker af Peter Copmann er registreret i kataloget?Vis svaret
Kataloget indeholder 1 værker af Peter Copmann.
Hvor findes de vigtigste værker af Peter Copmann?Vis svaret
Primært i Statens Museum for Kunst (København). Tabellen over museer ovenfor viser den fulde fordeling.
Biografi om Peter Copmann
A Life in Portraiture and Landscape
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Technique and Subject Matter
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
- Portraiture: He captured the presence of notable figures, using pastel to achieve a softness that mimicked the skin and clothing of his subjects.
- Landscape and Nature: His studies of the outdoors brought the quietude of the countryside into the studio.
- Lithography: Through printmaking, he was able to share his visions of people and places with a wider audience.
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.