Portrait of George Henry

George Henry: Catalogue of the 55 Most Famous Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 55 works by George Henry in our catalogue

Summary

Japanese Lady with a Fan (1894) is recorded as the most famous painting of George Henry. A Galloway Landscape (1889) and The Druids Bringing in the Mistletoe (1890) occupy the second and third entries. Of the 55 works by George Henry recorded in the catalogue, the 55 best known are listed below, each entry with its date, the holding museum and a note on the work.

1828 – 1895 Impressionism Most works: Scottish National Gallery

Entries 1 to 10: the most famous George Henry paintings

1
Japanese Lady with a Fan (1894) by George Henry

Japanese Lady with a Fan

1894 · Oil On Canvas

The oil painting presents a close-up portrait of a woman dressed in traditional Japanese attire. The subject is positioned vertically, with the focus centered on her headwear, face, and upper body. She holds a fan, which is integrated into the arrangement of her robes and posture. The color palette relies on warm browns, ochres, and muted purples, accented by touches of red and gold. A sense of depth is achieved…

George Henry, further entries: 11 to 55

George Henry: works by period

Late Medieval

1889 – 1894 · 3 works in this list

Principal subjects in the work of George Henry

The four subjects most frequently represented among these works, each with its best-known example.

George Henry: holding museums

The 7 museums that hold the most of the paintings on this page.

Museum City Works by George Henry Paintings from this list
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 2 Geisha Girl, East and West
Sheffield City Art Galleries, SheffieldSheffield City Art Galleries Sheffield 1 Hikers at Goodwood Downs, West Sussex
Mcmanus: Dundee's Art Galleries And Museums, DundeeMcmanus: Dundee's Art Galleries And Museums Dundee 1 The Feather Boa
The Royal Conservatoire of Scotland, EdinburghThe Royal Conservatoire of Scotland Edinburgh 1 The Grey Hat
Laing Art Gallery, New South WalesLaing Art Gallery New South Wales 1 Lady Margaret Sackville
Atkinson Art Gallery Collection, SouthportAtkinson Art Gallery Collection Southport 1 The Lark
Manchester Art Gallery, ManchesterManchester Art Gallery Manchester 1 Landscape with Rainbow

Year index: the principal George Henry paintings

Dated entries for George Henry run from 1882 to 1895 (14 years); the index below lists each year with its principal works.

Works per year

Select a year to display its principal paintings.

Questions frequently consulted on George Henry's paintings

What is the best-known work of George Henry?Display the answer

Japanese Lady with a Fan (1894). The following entries are A Galloway Landscape (1889) and The Druids Bringing in the Mistletoe (1890).

How old was George Henry in the year of Japanese Lady with a Fan?Display the answer

66 years: George Henry was born in 1828 and Japanese Lady with a Fan is dated 1894.

What are the ten best-known works by George Henry?Display the answer

Japanese Lady with a Fan, A Galloway Landscape, The Druids Bringing in the Mistletoe, The Hedgecutter, Marion N. Parker, Lieutenant Colonel Sir Cecil Bingham Levita, Hikers at Goodwood Downs, West Sussex, The Geisha Girl, Head of the Holy Loch and Eyemouth. The list above records the date and holding museum of each.

How many works by George Henry does the catalogue record?Display the answer

The catalogue records 55 works by George Henry, dated between 1882 and 1895.

Where are the principal works of George Henry held?Display the answer

Principally in Scottish National Gallery (Edinburgh), Sheffield City Art Galleries (Sheffield) and Mcmanus: Dundee's Art Galleries And Museums (Dundee). The museum table above gives the full distribution.

During which period did George Henry produce the best-known works?Display the answer

In 1894: 7 of the 55 works listed on this page are dated to that period, including Japanese Lady with a Fan.

What are the earliest and latest best-known works by George Henry?Display the answer

The earliest dated work listed here is Head of the Holy Loch (1882); the latest is In a Tokyo Garden (1895).

What subjects did George Henry treat most often?Display the answer

Elegant woman (4), Portraiture (2) and 19th century art (2), out of the 55 works listed on this page.

To which art movement is George Henry attributed?Display the answer

Impressionism and Post-impressionism, as documented by the works on this page.

Which paintings by George Henry does the Scottish National Gallery hold?Display the answer

Geisha Girl and East and West are among the 2 works on this page in the collection of the Scottish National Gallery, Edinburgh.

Biography of George Henry

The Visionary of the Glasgow Style

George Henry stands as a luminous figure in the annals of British art, a painter whose brush captured the shifting light and soulful atmosphere of the late nineteenth century. Born in Irvine, Scotland, in 1858, Henry became a cornerstone of the influential Glasgow Boys movement, a group of rebellious young artists who sought to break free from the stifling constraints of academic realism. His journey was one of profound transformation, moving away from traditionalist rigidity toward a more emotive, sensory experience of the world. Through his work, the rugged beauty of the Ayrshire landscape and the quiet dignity of his subjects were elevated into something much more poetic and enduring.

The foundations of Henry’s aesthetic were laid during his formative years at the Glasgow School of Art. It was here that he forged deep connections with contemporaries such as John Singer Sargent, creating a shared intellectual space where new ideas could flourish. His training was not merely technical but deeply philosophical, as he began to absorb the revolutionary currents of Impressionism and the delicate, flattened perspectives of Japonisme. This fascination with Japanese art prints introduced a decorative elegance to his compositions, allowing him to balance the raw energy of light with a structured, almost rhythmic sense of design.

A Symphony of Light and Color

Henry’s mastery lay in his ability to translate the ephemeral qualities of nature into permanent pigment. His landscapes are far more than mere topographical records; they are psychological evocations of place. He utilized loose, expressive brushstrokes and a vibrant palette to capture the fleeting moments of the day, from the golden warmth of afternoon sun to the melancholic descent of dusk. One of his most evocative triumphs, "Gloamin'" (1889), serves as a masterclass in atmosphere, where the artist uses color and texture to invite the viewer into a state of quiet contemplation and intimacy.

Beyond the sweeping vistas of the Scottish countryside, Henry’s portraiture revealed a different facet of his genius. In his depictions of individuals, he moved beyond simple likeness to capture an inner essence. His portraits are characterized by:

  • A sensitive approach to light that softens the features and emphasizes mood.
  • An empathetic gaze that honors the psychological depth of his subjects.
  • A seamless integration of subject and setting, often using decorative elements to frame the sitter.
This duality—the ability to be both a bold experimentalist and a meticulous observer—is what defines his unique contribution to the Glasgow Style.

Legacy and Historical Significance

While George Henry may have experienced periods of relative obscurity during his lifetime, the historical significance of his work has undergone a profound resurgence. He is now recognized not just as a regional painter, but as a pioneer who helped bridge the gap between traditional Scottish painting and the modern European avant-garde. His ability to fuse the ruggedness of his native landscape with the sophisticated decorative motifs of international trends created a visual language that was entirely his own.

Today, the legacy of George Henry lives on through the enduring charm of his canvases, which continue to resonate with modern audiences seeking beauty, emotion, and a connection to the natural world. His life’s work remains a testament to the power of artistic rebellion—a reminder that by challenging the conventions of the past, one can illuminate the path toward a new and breathtaking way of seeing.